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Archive for the 'Fiction' Category

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Author Katharine Dion, whose debut novel is The Dependents, published by Little Brown.

This week’s Write the Book Prompt comes from my interview with Katharine Dion. Something that has been useful for her, and is related to the kind of stories she is interested in telling, is to look around at situations that have on first glance nothing interesting going on: a situation or setup that might at first even seem boring. Then reverse that proposition in your mind. Assume the opposite: that something fascinating is going on in the situation, or between the people you’re observing. This will give you the chance to look again at something you initially chose to dismiss. We dismiss things for all sorts of reasons, Katharine points out. Either we are fearful of what we see, or we’re made uncomfortable by it. But looking again at what we might initially dismiss can offer unexpectedly rich material.  

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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UK Novelist Allison Pearson, following her huge hit from 2003, I Don't Know How She Does It (Anchor), with a sequel, how hard can it be? (St. Martin's Press)

This week’s Write the Book Prompt comes from my interview with Allison Pearson, who says she likes to help readers feel the narrative pulse by adding a line at the end of each chapter that helps the reader along. “Would she get the car out of the river?” Offer the reader the reason to read on.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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Interview from the archives with the author Margot Livesey. We discussed her novel, The Flight of Gemma Hardy, a retelling of and homage to Charlotte Brontë's Jane Eyre.

This week's Write the Book Prompt is to read a favorite short story and write something as an homage in some way. Either retell the actual story (careful not to plagiarize, of course), or write a poem, another story, a character sketch, or something of your own invention that honors the original. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

 

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Award-winning author Madeline Miller, whose new novel is Circe (Little Brown). 

This week’s Write the Book Prompt was offered by my guest, Madeline Miller. Inspired by an Ursula K. LeGuin exercise, Madeline has used this one in her classes. She says it’s about “the elephant in the room.” Write a scene that is about a major trauma without actually mentioning the trauma. For example, have two characters talk about a death that has just happened, but neither of them mentions it. This is the elephant in the room. It is never named, but the truth of it is there in the scene.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Author Veera Hiranandani, whose new young adult novel is  The Night Diary, published by Dial Books.

This week’s Write the Book Prompt, which was suggested by my guest, Veera Hiranandani, concerns point of view. Veera says that people aren’t always aware of why they are using the point of view they’ve chosen. She likes to suggest to her students that they switch both point of view and tense, as an exercise, just to see how different their work might feel. So if you’re writing a piece in the third person past tense (“she went to the restaurant,”) try changing it to the first person present tense (“I go the the restaurant”) or first person past tense (“I went to the restaurant”), just to see how that feels to you. It can offer a new way of looking at your writing that can be really interesting, even if you don’t ultimately decide to use it.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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Swedish columnist and author Therese Bohman, whose new novel is Eventide (The Other Press). 

This week’s Write the Book Prompt, which is really more of a suggestion for how to take a break and recharge, was suggested by Therese Bohman. She likes to leave her work from time to time and take a walk. For each novel that she’s written, she has created unique playlists of music to listen to, to keep herself energized for the specific work she’ll be returning to after the walk.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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An interview from the archives with award-winning children's author Mary Casanova. We discussed her 2013 novel Frozen (Univ. of Minnesota Press).

This week's Write the Book Prompt, inspired by April in Vermont, is to write about a place where it is cold when it should be warm, or warm when it should be cold. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

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Vermont author Jill M. Allen, who will be reissuing her self-published story and ballad collection: The Green Mountains Deep: Fiction About Disabled Vermonters by a Disabled Vermonter, with Onion River Press (from Phoenix Books)  in the near future. 

This week’s Write the Book Prompt is to think about your own abilities and obstacles, and write about how they affect you as you make your way in the world. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

 

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American novelist and short story writer Yang Huang. Her new novel in stories is My Old Faithful, winner of the Juniper Prize for Fiction (University of Massachusetts Press).

This week’s Write the Book Prompt was generously suggested by my guest, Yang Huang. Alter the rhythm of your writing to jog your creative mind. First, work on a problematic scene by focusing closely on the language, painstakingly going over every word choice, until you make it work or realize this needs to be cut.

After a short break, return to the desk and write as fast as you can, hardly reading what you wrote. Silence the inner critic for the time being, and set your mind free. Write for an hour, until you slow down, or you want to read over the passage.

Sleep on it. Edit the passage next day and throw away any material you cannot use. Analyze the movement in your narrative. What have you discovered about the story and characters?

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

 

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Prize-Winning Author Michael Andreasen, whose new story collection is The Sea Beast Takes a Lover (Dutton). 

This week’s Write the Book Prompt was generously suggested by my guest, Michael Andreasen. Try to find an oblique angle - an odd vector of approach. Sometimes this is as simple as not starting in the place where you have the impulse to start. So if your charaters are in a room, perhaps begin in the other corner of that room. Describe the air coming in the vents, or something happening outside the window. Or maybe a sink in a nearby bathroom is making a noise. Move the focus someplace else. We have such an urge to get to the ONE thing we want to talk about, and talking about only that thing can become boring. A dripping faucet, or an unattended child spotted through a window, about to wander into the street, can ramp up the tension.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

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