Archive for the 'Holocaust' Category

A conversation about setting with Susan Conley, author of Landslide, and Lauren Fox, author of Send For Me, both published by Knopf.

This week we have four Write the Book Prompts, thanks to the generosity of my guests. 

From Susan:

  • During the interview, Susan urges writers not to be fooled by "description for description's sake.” Instead of just being happy with beautiful sentences about place, take your setting to the next level with this activity: Go to a place that has the most heat for you in your mind, in your project. Think about that setting and "describe the heck out of it" in a free write for 2-4 minutes. Then in the second half of the prompt, bring a huge problem to that place. Susan suggests that two characters have a big fight in that setting. Suddenly you introduce complexity, which brings in place as conduit for trouble and emotion. Leap from pure description and the beautiful sentence to the catalyzing action. She says she speaks of this with humility, having come to fiction through poetry. She liked writing beautiful sentences. But now she realizes that, in fiction, action really is necessary. It's not enough to describe the ocean. You have to have, in her case, "a teenager imploding in a boat on the ocean."
  • Read "The Colonel," by Caroline Forché. A powerful poem, it begins, "What you have heard is true." Susan offers this line as a prompt for students and asks them to write without censorship for ten minutes. Something about that line often cracks open some big stuff for people. 

From Lauren:

  • Write a short scene, and then rewrite the same scene in a different setting. As Lauren mentions during our interview, playing with setting—inventing, changing, renaming, re-placing (literally)—can present opportunities that open up our work in new ways. 
  • She also suggests an exercise that both she and her husband have shared with students; he's an English professor at the University of Wisconsin, Milwaukee. Inspired by The Collected Writings of Joe Brainard (Library of America), the prompt is to write a series of sentences, all of which begin with "I remember." Lauren says that beginning with these two words tends to almost magically unlock memories and ideas. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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An interview with Sharon Cameron, author most recently of The Light in Hidden Places (Scholastic Books).

This week’s Write the Book Prompt was generously suggested by my guest, Sharon Cameron, who finds the availability of online oral histories fascinating and invaluable as she works. She suggested, as an exercise, finding oral histories--immigrant stories, personal experiences from wars, and interviews--on youtube or in university collections, among other places. Listen and, if you’re lucky, watch these oral histories and create a story out of what you learn. Overlay your own creativity atop these stories. She warns that this is simply a good exercise, and it’s important to choose the right stories to tell, if you plan to take them public. Use this exercise to stretch your writing muscle. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Author Mary Dingee Fillmore, whose new novel is An Address in Amsterdam (She Writes Press). 

This week’s Write the Book Prompt was generously offered by Mary Dingee Fillmore, who says that when she is stuck in her writing, she likes to describe the environment: the weather, the shadows in the snow or grass... This nearly always works to get her work going again.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

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