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Archive for the 'Novels' Category

 

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The TW Wood Gallery was the venue for a recent panel discussion with three former Write the Book guests about their work writing horror, mystery, and suspense. Miciah Bay Gault, Jennifer McMahon, and Susan Z. Ritz shared their thoughts about the craft of scary stories, and I had the honor of moderating their discussion. 

This week’s Write the Book Prompt is to consider a fear, an incident, and a mode of resolution. I’m going to offer ten of each of these for you to match up and work with as you like. (You'll see that incidents might also be resolutions in a few cases...)  See what comes - maybe something scary! Good luck with your work in the coming week and please tune in next week for another prompt or suggestion. 

FEAR

INCIDENT

RESOLUTION

Animals or insects

Aggression

Chemical Resolution

Darkness

Conversation

Conversation/Emotional Confrontation

Fire

Entrapment 

Hiding

Ghosts

Legal Action

Noise

Illness

Prolonged Strife or Conflict

Running Away

Madness

Solitude

Scientific Innovation

A Category of People: Men or Women or Children

Surprise

Silence

Responsibility

Temptation

Surrender

Thieves

Threat

Trickery

Weather

Trickery

Violence

 

Music Credit: Aaron Shapiro

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My guest this week: the author Ruta Sepetys, whose new historical novel is The Fountains of Silence (Philomel Books).

This week's Write the Book Prompt is to write about a disempowered person who takes at least a small risk to change his or her circumstance, or to improve the situation of someone else.

Music Credit: Aaron Shapiro

 

 

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Alice Lichtenstein, whose new Pulitzer-nominated novel is The Crime of Being (Upper Hand Press). 

This week’s Write the Book Prompt was suggested by my guest, Alice Lichtenstein. She has found it fun to assign her students a prompt she calls “ekphrastic fiction.” Ekphrastic writing is written in response to a work of art. Alice recommends googling Edward Hopper, many of whose paintings are clearly narrative in nature, and letting his work inspire your writing. Often his works exhibit a single figure posed in such a way and lit in such a way that the figure naturally lends itself to story. So this week, engage in a free-written response to a Hopper painting. Explore the narrative--who is this, in the painting, what has just happened to him or her, what’s going to happen next? See where it takes you.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Author Christine Coulson, whose new novel, Metropolitan Stories (Other Press), was inspired by her time working at the Metropolitan Museum of Art

We have three Write the Book Prompts this week, all sparked by my conversation with Christine Coulson:

  • First, challenge yourself to write from the perspective of an inanimate object. Animate it. Think about how it might feel, if it could express thoughts about its current situation.
  • Next, rather than exchanging work on the page, try sharing your writing with a friend who acts as an editor for you, by reading aloud from your work and letting that person offer suggestions, after hearing it. This is how Christine Coulson and her editor at the Other Press, Judy Gurewich, worked on Metropolitan Stories.
  • Finally, imagine yourself in a famous museum or other historical building after hours. What would you do, and how would you feel?

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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A new interview with Carol Anshaw, author most recently of Right After the Weather (Atria). 

This week’s Write the Book Prompt was suggested by my guest, Carol Anshaw. As we discussed during our conversation, Right After the Weather does concern violence, and it includes scenes of violence. Carol suggests tackling this in the coming week; attempt to write a violent scene. Have you ever done this before? What do you find hard about it? What comes easily? How do you approach the material? Do you have to turn away, or do you find the process a natural extension of your other writing? 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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Vermont Author Archer Mayor just published his 30th Joe Gunther novel, Bomber's Moon (Minotaur).

Blood Moon, Super Moon, Blue Moon, Harvest Moon, Bomber’s Moon. This week’s Write the Book Prompt is to come up with a new type of moon, and write about a night on which it rises. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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Interview from 2013 with Australian Author Poppy Gee. We discussed her novel, Bay of Fires (Reagan Arthur; Back Bay Books subsequently published the paperback.)

This week's Write the Book Prompt is to consider Poppy Gee’s character, Sarah, whose reckless behavior has cost her so much. Write about someone’s reckless behavior. Depending on who your character is, reckless might look very mild or outrageous. How does it affect the person’s experience and life? What might come next as a result?

Good luck with your work in the coming week and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Author Miciah Bay Gault, whose debut novel is Goodnight Stranger (Park Row Books).

This week’s Write the Book Prompt is to try your hand at the exercise that brought Miciah to find the first line of Goodnight Stranger, a trick that was suggested to her by former WTB guest Juliana Baggott: Try summing up your novel in the first sentence, and see what happens.

When she was the editor of the journal Hunger Mountain, Miciah set the authors of one issue this task, which comes from a famous Ray Bradbury exercise for generating ideas: "jot lists, without thinking too hard, of the things that represent the writer’s deepest interests, preoccupations, desires, fears, obsessions." This original exercise can be found in Bradbury's essay "Run Fast, Stand Still, Or, The Thing at the Top of the Stairs, or, New Ghosts from Old Minds" in his book Zen in the Art of Writing: Essays on Creativity. So that can be a second Prompt this week. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Archive Interview with Moira Crone. We discussed her 2012 novel, The Not Yet (Univ of New Orleans Press).

This week’s Write the Book Prompt is to begin with one of the following phrases, and write from where it leaves off:

  • After he dove into the water…
  • Through the haze and beyond the line of tractors, he saw…
  • When she found the watch in her sister’s top dresser drawer…

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Author Kathryn Davis, whose new novel is The Silk Road (Graywolf Press). 

As she mentioned during our interview, one goal that Kathryn Davis had in writing The Silk Road was moving fluidly through time. She said, “The way you experience living is often like you’re sitting in this kitchen but there’s some part of you that is somewhere else, and … it’s also temporally dislodged. We’re not as organized as beings as we like to think we are.” This week’s Write the Book Prompt is to consider this statement, and to consider time and space, and your ideas about them. How are time and space organized in your consciousness? Do you feel they are independent of one another, are they interchangeable? Do you see the flow of time as unidirectional, do the past and future exist, or do they become conceptual given the notion of the now--the present moment? Maybe you’ve never thought much about these ideas. But sit with them and consider what might change in your work if you were to attempt a revision that embraced some of these new ideas. I don’t mean you should turn that historical novel into science fiction. But might the tense change to offer a more interesting presentation? Maybe your consideration of this subject will open up a new path to the structure you've struggled to find.

This week, either play with time and space in your work, reconsider how you tend to ground your stories, novels, and poems in each, or double down on what you already thought and the way you have worked in the past. If there is such a thing.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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