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Archive for the 'Poetry' Category

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New interview with Author, Poet, and former Vermont Poet Laureate Sydney Lea, whose new poetry collection is titled Here (Four Way Books). 

This week’s Write the Book Prompt is to write a villanelle. Syd Lea and I discussed his poem, “Old Lessons,” during our conversation, and he then explained what the poem’s form consists of. But here’s a recap, thanks to the Poetry Foundation (where you can also find examples): "The villanelle is a French verse form consisting of five three-line stanzas and a final quatrain, with the first and third lines of the first stanza repeating alternately in the following stanzas. These two refrain lines form the final couplet in the quatrain."

This week, write a villanelle! See what happens as you allow yourself this very specific form to contain the ideas that come.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

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Vermont Author and Musician Tony Whedon, whose essay collection Drunk In the Woods (Green Writers Press) was recently nominated for the Vermont Book Award.

I announced this week's "official" Write the Book Prompt after the broadcast's first interview, with Megan Price, but here's another: find a recording of John Coltrane's "Giant Steps" (which Tony mentions in one of the poems read in this interview). Here's one. Play it. Turn it up, play it again. Don't like jazz? Don't be ridiculous. Turn it up and play it again! Sit down and write. See what happens. 

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion! (Now play it again!!!) 

Music Credit: Aaron Shapiro

 

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Vermont Poet Michelle Demers, whose new collection is Green Mountain Zen (Blue Light Press). 

This week's Write the Book Prompt was generously offered by my guest, Michelle Demers, who has a large staple of writing books from which she pulls exercises for herself and her classes. The exercise, titled "The Word Hoard," appears in The Cambridge Introduction to Creative Writing, by David Morley. Morley writes, “You should try to do this exercise every day, not only to keep your writing mind limber, but also to create a hoard of original and unusual phrases from which you can draw when you are writing. ‘Word hoard’ is a ‘kenning’ (a Norse poetic device ...), meaning ‘a supply of words’, such as a book, or vocabulary itself.”

Go to a shelf of books of fiction or poetry. Take one book at random. Close your eyes while opening that book and place your finger somewhere in it. Your finger will have landed on a word or words. Write the word down, as well as the three words preceding it and the three words following it in the text. You now have a seven-word phrase. Write this phrase in your notebook and, once you have written it, keep writing for five minutes. There are only two rules to this game: you must not stop writing; and you must not think. Try to write as fast as you can. You are not producing a work of art. After five minutes, you should have covered quite a lot of pages. Now read what you have written. Read it forwards, then read through it, word for word, backwards. Underline one phrase that strikes you as possessing any one of the following qualities: it has energy; it surprises you; it has never been written before in your language. The phrase must make a kind of sense; it must possess its own inner sense at the very least. That is, it must not be completely opaque in meaning. It might be a whole sentence, or it might be the end of one sentence and the beginning of the next. Now, write a short story or poem in which this phrase occurs without it seeming in any way out of place. You might wish to place the phrase into the mouth of a speaker in the poem or story, for example.

A I M : When we strive to be original, we tend to get tongue-tied, for we have been long taught that originality is no longer possible.  ... this ‘free-writing’ exercise is effective for warming up for writing, but it is also effective at creating unusual phrases, ones that possess a surprising amount of personal linguistic energy. You are trying to capture ideas and sentences that you would not ordinarily come up with consciously.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music: Aaron Shapiro

 

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Award-winning author of books for young readers, Laurie Halse Anderson. Her latest is a memoir in verse, Shout (Viking). 

This week’s Write the Book Prompt was generously suggested by my guest, Laurie Halse Anderson. If you were to write about a secret you’d never shared, what would you write?

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music: Aaron Shapiro

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Interview from the archives with award-winning Poet and Essayist Jim McGarrah, about his collection The Truth About Mangoes (Lamar University Press).

Thanks to Jim's title, The Truth About Mangoes, and to the fact that there's a lot in the news about what is true and what is false, this week's Write the Book Prompt is to write a poem, story, scene, or essay about a truth being seen differently from two or more perspectives. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

 

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Pulitzer Finalist and Tony-Nominated Playwright Sarah Ruhl, co-author with the late Max Ritvo of Letters From Max: a book of friendship (Milkweed Editions).

This week’s Write the Book Prompt was generously suggested by my guest, Sarah Ruhl: write a poem or a play that is a gift for someone.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

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Interview with former Vermont Governor Madeleine May Kunin about her memoir, Coming of Age: My Journey to the Eighties (Green Writers Press).

This week’s Write the Book Prompt is to write about a transition from one era to another in your own life, as Madeleine May Kunin has written about her journey to the eighties. Are you a new teenager? A new parent? Have you recently gone through menopause? Have you retired? We are all forever going through transitions, but how often do we write about these changes in our lives, minds, bodies? 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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Vermont Poet April Ossmann, whose new collection is Event Boundaries (Four Way Books). 

This week’s Write the Book Prompt was generously suggested by my guest, April Ossmann. It’s about extended metaphor, which we discussed during the interview. April says it makes for magic in poems. Often poets use metaphor but they drop it too soon and don’t explore it deeply enough. But when you push it and continue describing using the metaphor, that’s often when you get to a moment of epiphany or discovery and you realize something. The smarter part of the brain can then teach you something. Focus on describing in specific detail and keep the event or theme in the periphery of your brain. It’s a great exercise. Pick something for a metaphor and maybe in that description, write about something that wasn’t as you expected it to be or something that happened in a way other than how you expected it to happen.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Poet Ralph Culver, recorded live in the studios at WBTV-LP. We discuss Ralph's new chapbook, So Be It.

Happy National Poetry Month! 

This week we have three Write the Book Prompts. Ralph suggested two during our conversation.

1) The first extends his point about how "ridiculously broad" or "OCD specific" prompts can be. You can tell someone "write twenty lines of blank verse," or you can be specific: Write twenty lines of blank verse representing one side of a phone conversation between two spouses who are arguing about money. (It's possible Ralph offered this prompt with tongue in cheek, but I liked it, so I'm including it here.)

2) Write a poem about something or someone you lost.

3) My own suggestion is inspired by Ralph's poem "Fill Up," in which the narrator notices his own distorted reflection in the metal of a dented car ashtray. The distortion is literal, but it bends the poem as well, affecting the way in which we think about what we've read. In your work this week, include a literal reflection in your poetry or prose. See how a reflection in water, a window, a mirror... might affect someone's view of him- or herself, or of someone else or their surroundings. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

 

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Vermont author Jill M. Allen, who will be reissuing her self-published story and ballad collection: The Green Mountains Deep: Fiction About Disabled Vermonters by a Disabled Vermonter, with Onion River Press (from Phoenix Books)  in the near future. 

This week’s Write the Book Prompt is to think about your own abilities and obstacles, and write about how they affect you as you make your way in the world. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

 

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