Write The Book: Conversations on Craft

Write The Book Archive Interview #116 (10/25/10) Richard Russo

Interview with Richard Russo, Novelist, Pulitzer Prize Winner and Author of That Old Cape Magic. This week's Write The Book Prompt is inspired by the subject matter of Richard Russo's novel, That Old Cape Magic. Write about a childhood vacation. This can be a recollected vacation from when you were a child, or an imagined vacation seen through the eyes of a fictional child. As you write, focus on details of place. Good luck with this exercise and please listen next week for another. Excerpt of That Old Cape Magic read with permission from Alfred A. Knopf, a division of Random House, Inc. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Write The Book Archive Interview #115 (10/18/10) Sorche Fairbank

Sorche Fairbank, Literary Agent and Founder of Fairbank Literary in Hudson, NY. This week's Write The Book Prompt is directed toward aspiring novelists. Your job this week is to write a synopsis of your book. Many literary agents will ask to see a synopsis with an initial query, or as a follow-up to a query that caught their attention. Here are a few things to consider as you approach the task.

* A synopsis is not a chapter outline. It's not necessarily even a chronological retelling of the book. Rather, a synopsis presents the book's plot and introduces the main characters in an appealing way that will interest an agent in reading the whole novel. It's a chance to show off your creativity, as well as your ability to condense and organize material.

* You may find that the agents you are querying have their own guidelines for appropriate synopsis length. But if they don't specify otherwise, try to make your book synopsis two-to-three double-spaced pages.

* Use the jacket covers of books you're familiar with as guidelines for how to approach writing a good synopsis. Jacket copy is written to sell books, and that's what you're trying to do as well. Here's an example. This is the jacket copy of a paperback reprinting of George Orwell's 1984: "The world of 1984 is one in which eternal warfare is the price of bleak prosperity, in which the Party keeps itself in power by complete control over man's actions and his thoughts. As the lovers Winston Smith and Julia learn when they try to evade the Thought Police, and then join the underground opposition, the Party can smash the last impulse of love, the last flicker of individuality."

* UNLIKE book jackets, your synopsis should fully describe the plot of your novel, including what happens at the end. To skip over the ending in hopes that the agent will want the full experience of reading your masterpiece is to take yourself out of the running. This is a sales pitch, and the agent will want to know how your book ends if she requests a synopsis as part of the query process.

Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Write The Book #114 (10/11/10) Mark Pendergrast

Mark Pendergrast, Local Nonfiction Author of Inside the Outbreaks: The Elite Medical Detectives of the Epidemic Intelligence Service. This week's Write The Book Prompt has to do with detail. Gustave Flaubert was so concerned with getting every detail right that he often spent days struggling to arrive at exactly the right word. In her book, Mystery and Manners, Flannery O'Connor wrote, "Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched."          This week, stop struggling to come up with details in your work, and just look around. Go to any corner of your house or garage or barn or place of work, and take in the details that are there. Touch that square of decorative carpet, and put into words what it feels like. Smell that candle, and write down what-if any-scent it has, and what you associate with that smell. Remember when you got that camera for your birthday, and how you were disappointed, because you'd wanted another brand? Look at that photograph of your cousin. What is he wearing? Why does he dress that way? Is his collar poking out from his jacket on one side? Is his shirt wrinkled and un-tucked? Or is he meticulous, beyond physical criticism? And if so, what does that say about him? How does that characterization fit with your experiences of being around him? This week's prompt is about re-educating yourself in the art of noticing details, so that you might more easily access them as you work. A COPY OF THIS PROMPT WILL BE INCLUDED in the description to this week's Podcast. Good luck with this exercise and please listen next week for another. Excerpt from Mark Pendergrast's Inside The Outbreaks read with permission. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Write The Book #113 (10/4/10) Angelique and Morella Devost

A Discussion Of Writers' Block with Angelique and Morella Devost, Hypnotherapists and Practitioners of Neuro-Linguistic Programming. This week we have two Write The Book Prompts, suggested by my guests. Morella and Angelique Devost. The first is the prompt you heard Angelique mention in the interview, to write about a "Fraught Drive in a Car." And the second is to consider the idea that Morella mentioned, What would you do if you could not fail? And then write with that sense of possibility. Good luck with these exercises and please listen next week for another. And check out these articles, if you're interested in resources about the work that Morella and Angelique Devost do. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)