Write The Book: Conversations on Craft

Samantha Kolber - 11/28/22

Vermont Poet and Publisher Samantha Kolber, of Rootstock Publishing. 

One of this week's Write the Book Prompts comes from Samantha Kolber, who suggests writing for seven minutes without stopping. Put your pen to the page or your fingers to the keys, and have at it for seven minutes straight. Samantha loves this exercise and finds she comes up with great material by doing this: a draft poem that can be revised later. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

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Editors of Vermont Almanac - 10/10/22

The editors of Vermont Almanac discuss their work. A recording of a Green Mountain Book Festival panel discussion featuring Virginia Barlow, Dave Mance III, and Patrick White. 

This week’s Write the Book Prompt is to write about an insect or arachnid. We aren’t all as focused on insects as Virginia Barlow, but they are vital. This is a quote from the Florida Museum at the University of Florida: a diverse range of insect species is critical to the survival of most life on Earth, including bats, birds, freshwater fishes and even humans! Along with plants, insects are at the foundation of the food web, and most of the plants and animals we eat rely on insects for pollination or food. A couple of weeks ago I saw a praying mantis outside my front door. Last week, I photographed an amazing, scary-looking spider on my front walk. It turned out to be a shamrock spider. So, consider your favorite arthropod, and write about it.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Daniel Lusk - 8/29/22

Vermont Poet Daniel Lusk, who's new collection is Every Slow Thing (Kelsay Books). 

This week’s Write the Book Prompt is to consider what Daniel calls his “farthings,” tiny Zen-like poems that share wit, irony, natural beauty, and wisdom. Here are a few of his, kindly shared with us:

• Sepals - As if priests were magpies and souls were shiny objects. As if brothels were little seminaries of corporeal art. 

• After the Storm - And Noah sent forth birds, voiceless gestures over the fathomless silence in search of something that might be said.

• Lyric - Listen! There is saffron on the poet's bow. 

So those are a few of Daniel Lusk's "Farthings." The new collection Farthings is published by Yavanika Press. See if you can come up with some of your own.   

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Stephen Cramer - Archive Interview (8/8/22)

An interview from the archives (with our old music!) with Vermont poet and UVM Professor Stephen Cramer. We discussed his book From the Hip: A Concise History of Hip Hop (in sonnets). Since that time, Stephen has published a number of other books. His latest collection, The Disintegration Loops, "attempts to uncover the music within the world's dissolution and fragmentation, from Italian masters painting over the work of previous artists, to the innocence of childhood giving way to scars, to the description of badly stored tapes being looped and played over and over again until they begin to flake."

This week’s Write the Book Prompt is to consider the world's "dissolution and fragmentation" and write about something that changes with time, for better or for worse.

Good luck with this exercise and please listen next week for another.

Music Credit: Aaron Shapiro

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Laura Budofsky Wisniewski - 7/25/22

Vermont poet Laura Budofsky Wisniewski, the author of Sanctuary, Vermont (Orison). 

This week’s Write the Book Prompt was generously suggested by my guest, Laura Budofsky Wisniewski. Set a timer and start writing. Do not stop. Even if you have to occasionally write the same word over and over until the next word comes, keep it up. When the timer goes off at whatever point you designated - two minutes, five minutes, twenty - stop writing. If what you were creating was poetry, use the next little while to make line breaks in the piece. Then delete everything that’s not interesting and see what you have come up with. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Shanta Lee Gander - 7/18/22

Vermont photographer and writer across genres Shanta Lee Gander, whose debut poetry collection, Ghettoclaustrophobia: Dreamin of Mama While Trying to Speak Woman in Woke Tongues (Diode Editions), won the Vermont Book Award for Poetry in 2021. 

This week’s Write the Book Prompt was generously suggested by my guest, Shanta Lee Gander, who mentioned her own version of this during our conversation. 

What are your impossible things that are all true?  

The Shenanigans List

“Alice laughed. 'There's no use trying,' she said. 'One can't believe impossible things.' I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast. There goes the shawl again!”

Are there funny things that people in your life have shared or things that they say?  For Shanta, the shenanigans list includes real vignettes and quotes of the ridiculous, the absurd and the most surreal things that usually has one thinking, "This is so good, I can't make this up."

For this prompt, and perhaps as an ongoing practice, think about quotes, funny things and quirky things and start your own list of the impossible, the bizarre and surreal. Start a shenanigans list; you'll be surprised at the material it may provide in the future for other writing!

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Lois Eby and Nadine Budbill - 6/1/22

This month, the words of celebrated Vermont poet David Budbill take center stage in Sutras for a Suffering World, a concert featuring Vermont and New York artists and music by composers William Parker, Erik Nielsen, and Evan Premo. I spoke with Vermont artists Lois Eby and Nadine Budbill, wife and daughter of the late David Budbill, about these concerts. 

As literary executor of David Budbill's estate, Nadine Budbill once said of her father's book, Broken Wing, that it was "the ultimate culmination of his legacy—encouraging all of us to slow down, to notice, to contemplate, to honor, to engage, to love and mourn and be fully alive." For a new Write the Book Prompt, try to write with these goals in mind: slowing down, noticing, contemplating, honoring, engaging, loving, mourning, and being fully alive. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Jacqueline Woodson - Archive Interview (4/18/22)

An interview from the archives with Jacqueline Woodson, about her National Book Award winning memoir-in-verse, Brown Girl Dreaming (Nancy Paulsen Books).

Have you ever tried to write a story in verse? Not necessarily a long story. Maybe an anecdote you would share with a friend about something that happened to you on a random Monday afternoon. This week’s Write the Book Prompt is to consider a story from your life, and write about it in verse. If it will help, set yourself some rules before you begin. If you don’t like rhymes, don’t worry about rhymes. You can make your verse fit some syllabic intention, you can create a pantoum, in which the last line is often the same as the first, or an abecedarian, which spells out the alphabet, word by word or line by line. There are many ways to write verse, and the poet is in charge.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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A.E. Hines - 12/6/21

Poet A.E. Hines, whose debut collection is Any Dumb Animal (Main Street Rag).

A new prompt for the week comes from A.E. Hines, and touches on something we discussed during the interview you just heard: Write a poem that explores duality, by comparing and contrasting two topics that are generally considered opposites. For example:  Where is the light in the darkness?  Or, pick one or multiple things that are considered hard, and describe them as soft. Describe a moment of gratitude in the midst of grief.  Or love that led to great loss.  Again, it doesn’t matter where you start, just pick a pair of opposing ideas, and brainstorm a list of comparisons. Then arrange them into a poem and see where this experiment takes you.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Ralph Culver - 9/20/21

Vermont Poet Ralph Culver, whose new collection is A Passable Man (Mad Hat Press).

In his poem, "Tableau," Ralph Culver writes about one person sharing a space with two other versions of himself, presumably over time (though this is never stated overtly). For a Write the Book Prompt, try experimenting with a similar moment that captures multiple expressions of one person - perhaps three ages, three states of mind, or three memories. Whatever strikes you as interesting.

Good luck with this, and please tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Maggie Smith - 9/13/21

Interview with the poet Maggie Smith, whose new collection of poems, is Goldenrod (One Signal).

This week’s Write the Book Prompt, suggested by my guest, Maggie Smith, is based on the work of Joe Brainard, who wrote the book I Remember. The book is essentially prose poetry, and each line begins with the words “I remember.” Maggie says that the idea is that if you do that over a couple of pages in a big rush without editing yourself or self-censoring, or even trying, you may find yourself connecting ideas you might not have otherwise. She says to consider “first thought, best thought,” and then use the material to mine through for new poems and projects. This same book was recommended in an earlier prompt suggestion from Lauren Fox, so I’m betting it’s a great exercise to try! But to put another spin on it, since Lauren also mentioned this for a prompt and perhaps you’ve already tried it, I’ll additionally suggest that you try writing lines that begin with the words “I miss…” 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Tony Trigilio (8/16/21)

Poet, editor, scholar, and musician Tony Trigilio, whose new collection is Proof Something Happened, winner of the 2020 Marsh Hawk Poetry Prize.

This week’s Write the Book Prompt was generously suggested by my guest, Tony Trigilio. This prompt is adapted from John Daido Loori's The Zen of Creativity: Cultivating Your Artistic Life. Sit with an object/memory/experience until it begins to reveal itself to you -- its details, contours, emotions, and so on. Be open to the possibility that you might need to sit for a long time. As you get more comfortable with the object's familiar contours, the odd, strange, subtle, mysterious, and absurd (and equally-as-real) aspects of this object of your mind will reveal themselves. Express these in a poem - any form, shape, structure, tone, or pitch. You are writing about "what else" the object is, and likely also writing about "what it is not." Like a painter working with negative space, this approach can help you discover the fullest sense of your subject matter.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Barbara Henning - Archive Interview (8/2/21)

Interview from the archives with poet and prose writer Barbara Henning, regarding her book A Swift Passage (Quale Press).

I have family visiting this week - lots of loved ones filling our two guest rooms, and sleeping on the floor in the finished basement, and in one case staying in the dining room. It’s a lot of fun, and a bit of a clown car. Today’s Write the Book Prompt is to imagine a house full of visitors. What might look like in your case? Where will everyone sleep? How do they all get along? What do you feed them? Do any old rivalries resurface? Old flames? Does anything happen to create a moment of excitement or adventure? How would you establish the characteristics of each person to turn these visitors into interesting characters in a work of prose or poetry?

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Daniel Lusk - Archive Interview (6/28/21)

Interview from the archives with Vermont Poet Daniel Lusk. This conversation took place at the time that his collection Kin was published (Maple Tree Editions).

This week’s Write the Book Prompt comes from a local writer and artist who lives in Bristol, Vermont: Lily Hinrichsen. Choose one of the works of art on her website, and write an ekphrastic poem. Ekphrastic comes from the Greek word for description. Here’s a definition from the Poetry Foundation:  an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art. Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning.  So my suggestion is that you visit Lily’s website, take a look at the art there, and write! If you choose to share the outcome with me, I’ll share it with Lily, and she may post it on her website at the side of the work you chose to write about.  

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Erika Nichols-Frazer with A.E. Hines (5/17/21)

Vermont poet and author Erika Nichols-Frazer, who has edited a new collection on themes of mental health, A Tether to This World: Stories and Poems About Recovery (Main Street Rag). We are joined later in the hour by the poet A. E. Hines, a contributor to the collection. 

This week we have two Write the Book Prompts, thanks to the generosity of my guests. The first was offered by Erika Nichols-Frazer, who credits it to the poet Chelsie Diane. Write a letter to yourself that starts with the phrase “I forgive you.” 

And Earl, who publishes as A.E. Hines, shares an exercise on practicing self exposure. Pick a moment from your past or a personal circumstance that stands out in your mind as embarrassing: one that makes you at least slightly uneasy when sharing it. Now write a short poem about that experience using either second or third person — as if you’re telling the story about someone else. It doesn’t have to be a big thing; it could be something you did, a mistake you made, or something that happened to you due to no fault of your own. The only requirement is that writing about it puts a twinge of angst in your belly.  When you’re done, change the POV back to first person, and see what happens. Did you learn anything new about that situation?

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Ralph Culver / James Fallon - Archive Interviews (4/19/21)

Two interviews from the archives. Ralph Culver, author of Both Distances (Anabiosis), has a new book coming in the fall: A Passable Man (MadHat Press). And James Fallon is the author of The Psychopath Inside: A Neuroscientist's Personal Journey into the Dark Side of the Brain (Current). 

This week's Write the Book Prompt is again visual. Take a look at the photo,  below, and write! 

Image via https://unsplash.com/@bewakoofofficial

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

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James Kochalka and Sydney Lea (10/26/20)

Former Vermont Laureates Sydney Lea (Poet) and James Kochalka (Cartoonist) on their latest collaboration, The Exquisite Triumph of Wormboy (Word Galaxy). 

 

This week I have a visual Write the Book Prompt to share, thanks to the illustrative talents of James Kochalka, and inspired by the way he and Sydney Lea worked together on Wormboy. Have a look at some of James Kochalka's work on his Tumblr site, find a panel that inspires you, and see what words come to mind!  Maybe try to write a poem or a short scene. Maybe a brief lyrical essay. Whatever you choose to write, good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Monica Prince - Interview #636 (8/3/20)

"Choreopoet" Monica Prince, as interviewed by guest host, Kim MacQueen. Among other works, they discuss Monica's choreopoem How to Exterminate the Black Woman. (PANK Books)

This week’s Write the Book Prompts were suggested by Kim’s guest, Monica Prince. She says the first was inspired by Fear No Lit in Lancaster, Pennsylvania:

• Set a timer for 2 minutes. Write the word “WATER” at the top of your page. For the next two minutes, write down everything you can think of related to this word. (Don’t stop writing! If you get stuck, doodle or write the alphabet until you think of more to write.)
• Once the timer goes off, reread your list. Circle the idea that most surprised you.
• Set another timer for 10 minutes. Write a poem in response to/related to/about the idea you circled. Keep writing until the timer goes off.

Monica's second prompt is a poetry writing exercise, inspired by emojis:

Write a poem translating the emojis below. Feel free to go from left to right, right to left, up to down, down to up, diagonal, or at random. Make sure you include all the emojis. (I suggest crossing them off as you use them.) You must use every emoji at least once.

Tips: Instead of using traditional definitions of these emojis, think about what else they could represent. Don’t be afraid to only tangentially use some of them, while with others you might use for deeper meanings.

Description of emojis from left to right, top to bottom:

Row 1: Smiley face with sunglasses; sheep’s face; box of popcorn; swimmer

Row 2: World map; Chinese lantern; paint brush; fleur-de-lis (stylized lily)

Row 3: Green chick; baby bottle; golden key; silver crow

Row 4: Mind blown smiley face; dove; chocolate glazed donut with sprinkles; fireworks

Row 5: Theatre masks; hourglass; pills; rainbow flag

Row 6: Speaking bubble; flower bouquet; swiss cheese; racquet and ball

Row 7: Mosque; smiley face with mouth zipped shut; waxing/waning moon; crystal ball

 

 

 

For an example of what this might look like, see this link to Carina Finn and Stephanie Berger's emoji poem published on Poetry Foundation. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

Fiona McCrae - Interview #633 (7/13/20)

Fiona McCrae, Director and Publisher of the Minneapolis-based literary publisher, Graywolf Press. 

This week’s Write the Book Prompt was generously offered by my guest, Fiona McCrae. Consider the Black Lives Matter movement and the murder of George Floyd, and write. Maybe write from the perspective of someone with different or more extreme opinions than your own. Or write from two distinct perspectives. Or perhaps write from the point of view of someone who has one opinion, but is somehow personally affected by the movement in a way that amplifies, changes, or even negates that opinion. In responding to this current moment in history, consider your goal to be one of inspiring meaningful dialogue. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

J. Chester Johnson - Interview #629 (6/15/20)

American Poet, Essayist and Translator J. Chester Johnson, whose new memoir is Damaged Heritage: The Elaine Race Massacre and A Story of Reconciliation (Pegasus).

This week’s Write the Book Prompt is to consider your own family’s leanings when it comes to filiopietism, that veneration, often excessive, of ancestors or tradition. Does this exist in your own circle of relatives? Do people excuse behaviors because it’s just how the family has always been? Do you have beliefs based largely on what you were raised to think but have never questioned? Are there, even,  certain artifacts hidden away in your home that you keep simply because they belonged to a great grandfather or grandmother? If so, think about why you keep them, why you believe what you believe, why you cling to what you cling to, what you might shed of your family’s past if you could (or what you would not), and then write about it.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Huck Gutman - Interview #627 (6/1/20)

 

 

American academic and political advisor, Stanley "Huck" Gutman, who writes a newsletter about poetry which is distributed by email and through the UVM listserv, "Poetry."

See below for links to pages featuring some of the works that Huck and I discuss during the interview. 

This week's Write the Book Prompt was generously suggested by my guest, Huck Gutman, who writes:

The surprising subject of many, many poems of the past two hundred years has been the need to pay attention to what is right in front of us, of what is so ‘ordinary’ that we look at it, through it, but don’t see it.  In some sense, our lived reality is invisible to us; in our habitual movement through our lives, we don’t pay attention to what is actually there in front of us and around us.

So as a writing prompt, I would suggest writing about something right in front of you that you don’t normally ‘see.’  For many, this is an object; for some, like Wordsworth, it is a person who seems ordinary but who has that amazing spark that is the emblem of life. 

 Among the life of ordinary things is where our existence takes place.  A poem can recognize that in the ‘ordinary’ are the things that make our world our world.  Write about such a thing.  (If you want to see what this looks like, lots of William Carlos Williams poems do this; so do a lot of poems by Elizabeth Bishop; so do the remarkable ‘Odes’ to common things that Pablo Neruda wrote in the later years of his life…) (For ‘ordinary’ people, there is Wordsworth; there is always that superlative writer – though not a poet – Anton Chekov. )

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Works Discussed:

Paul Celan, "Once" 

T.S. Eliot, "The Waste Land"

Zbigniew Herbert, "Five Men"

Tim O'Brien, "The Things They Carried"

Stevie Smith, "Not Waving But Drowning"

Wallace Stevens, "Sunday Morning"

Walt Whitman, "Song of Myself 47 "

C.K. Williams, "Jew On Bridge"

William Carlos Williams:

"Calypso II"

"This is Just to Say"

"Asphodel, That Greeny Flower"

William Wordsworth, Extracts from the Prelude: [Ascent of Snowdon]

Paul Zimmer, "A Romance for the Wild Turkey"

 

James Crews - Interview #621 (4/20/20)

Vermont Poet James Crews, whose new collection is Bluebird (Green Writers Press).

As a Write the Book Prompt for this interview, let's consider Ted Kooser's advice for James Crews, mentioned during our conversation: Open a poem like a handshake.

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

This is one of several shorter interviews Shelagh is conducting with Vermont authors whose new books have had their tours upended by Corona.  

Scudder Parker - Interview #614 (Special Show)

 

Vermont Poet Scudder Parker, whose new collection of poems is Safe as Lightning (Rootstock Press).

Write the Book Prompt: Consider Scudder Parker’s advice about not being intimidated to write poetry. He says to turn to the singer songwriters you love and read their lyrics. Realize you’ve been experiencing poetry all your life, in the words of hymns, arias, folk songs, and pop music. All of that is poetry set to music. Poetry tries to create music. Don’t be intimidated by trying to write poetry. You’ve been feeling the mystery of it and the rhythm of it all your life. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

This is one of several shorter interviews Shelagh is conducting with Vermont authors whose new books have had their tours upended by Corona. Stay tuned: there will be more! 

Judith Chalmer - Interview #610 (3/30/20)

Vermont Poet Judith Chalmer, whose new collection of poems is Minnow (Kelsay Press). 

This week's Write the Book Prompt was generously suggested by my guest, Judith Chalmer. Start observing using your hand. This can be a very rich approach to writing, Judith says, because what comes to hand can be physical and what comes to hand can be metaphysical. The hand itself is a landscape that can be a wonderful subject. But apart from that, the exercise offers a way of starting close in and moving out, with observation as the starting point. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

Like many authors with recent book publications in the age of the Corona Virus, Judith Chalmer found herself in the predicament of having a book, but no launch or physical book tour. In order to help these authors find their audience, Write the Book is offering a series of mini-interviews with Vermont authors whose launches have been cancelled. Check back for more of these short-but-deep conversations on craft. And if you want to investigate her book through Judith's local bookseller, that would be Bear Pond Books in Montpelier. 

 

Kerrin McCadden - Interview #609 (3/23/20)

Vermont Author Kerrin McCadden, whose new chapbook is Keep This to Yourself (Button Poetry). 

This week’s Write the Book Prompt was generously suggested by my guest, Kerrin McCadden. 

• Choose 12 words you like the sound of (mostly 1-2 syllable words). Include a place name, a weather element, a geological feature, some verbs, and a garment in your list.
• Set a timer for 7 minutes. 
• Begin writing. Do not stop. Do not cross out anything you write. Use at least 10 out of 12 of the words on the list. You may modify word forms to fit the sentences as they emerge. If you had the word “belt” you could use “belted,” for instance.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Abby Frucht - Interview #597 (12/30/19)

Author Abby Frucht, whose new collection of prose poems is Maids (Matter Press). 

This week’s Write the Book Prompt was inspired by my conversation with Abby Frucht. In her own book, Maids, Abby followed one poem in which, as a child, she snuggles with her mom at the end, with a poem titled “Spoons,” which does not relate directly to the concept of snuggling or "spooning." And yet, because of the relevant placement of the works in the collection, they somehow do. Abby talked about an exercise that she gives her students, encouraging them to look at the beginnings and endings of different pieces they’ve written, and see how they might choose to order a collection. This week, if you are the author of poems, stories, or essays, have a look at your pieces and consider how they might best fit together into a collection. Watch beginnings and endings for ideas, words, expressions, or intentions that somehow speak to each other. Think about how they might work in transition, from one to the other.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Sydney Lea - Interview #585 (10/7/19)

New interview with Author, Poet, and former Vermont Poet Laureate Sydney Lea, whose new poetry collection is titled Here (Four Way Books). 

This week’s Write the Book Prompt is to write a villanelle. Syd Lea and I discussed his poem, “Old Lessons,” during our conversation, and he then explained what the poem’s form consists of. But here’s a recap, thanks to the Poetry Foundation (where you can also find examples): "The villanelle is a French verse form consisting of five three-line stanzas and a final quatrain, with the first and third lines of the first stanza repeating alternately in the following stanzas. These two refrain lines form the final couplet in the quatrain."

This week, write a villanelle! See what happens as you allow yourself this very specific form to contain the ideas that come.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Tony Whedon - Interview #576 (8/5/19)

 

Vermont Author and Musician Tony Whedon, whose essay collection Drunk In the Woods (Green Writers Press) was recently nominated for the Vermont Book Award.

I announced this week's "official" Write the Book Prompt after the broadcast's first interview, with Megan Price, but here's another: find a recording of John Coltrane's "Giant Steps" (which Tony mentions in one of the poems read in this interview). Here's one. Play it. Turn it up, play it again. Don't like jazz? Don't be ridiculous. Turn it up and play it again! Sit down and write. See what happens. 

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion! (Now play it again!!!) 

Music Credit: Aaron Shapiro

 

Michelle Demers - Interview #559 (4/29/19)

Vermont Poet Michelle Demers, whose new collection is Green Mountain Zen (Blue Light Press). 

This week's Write the Book Prompt was generously offered by my guest, Michelle Demers, who has a large staple of writing books from which she pulls exercises for herself and her classes. The exercise, titled "The Word Hoard," appears in The Cambridge Introduction to Creative Writing, by David Morley. Morley writes, “You should try to do this exercise every day, not only to keep your writing mind limber, but also to create a hoard of original and unusual phrases from which you can draw when you are writing. ‘Word hoard’ is a ‘kenning’ (a Norse poetic device ...), meaning ‘a supply of words’, such as a book, or vocabulary itself.”

Go to a shelf of books of fiction or poetry. Take one book at random. Close your eyes while opening that book and place your finger somewhere in it. Your finger will have landed on a word or words. Write the word down, as well as the three words preceding it and the three words following it in the text. You now have a seven-word phrase. Write this phrase in your notebook and, once you have written it, keep writing for five minutes. There are only two rules to this game: you must not stop writing; and you must not think. Try to write as fast as you can. You are not producing a work of art. After five minutes, you should have covered quite a lot of pages. Now read what you have written. Read it forwards, then read through it, word for word, backwards. Underline one phrase that strikes you as possessing any one of the following qualities: it has energy; it surprises you; it has never been written before in your language. The phrase must make a kind of sense; it must possess its own inner sense at the very least. That is, it must not be completely opaque in meaning. It might be a whole sentence, or it might be the end of one sentence and the beginning of the next. Now, write a short story or poem in which this phrase occurs without it seeming in any way out of place. You might wish to place the phrase into the mouth of a speaker in the poem or story, for example.

A I M : When we strive to be original, we tend to get tongue-tied, for we have been long taught that originality is no longer possible.  ... this ‘free-writing’ exercise is effective for warming up for writing, but it is also effective at creating unusual phrases, ones that possess a surprising amount of personal linguistic energy. You are trying to capture ideas and sentences that you would not ordinarily come up with consciously.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music: Aaron Shapiro

 

Laurie Halse Anderson - Interview #558 (4/22/19)

Award-winning author of books for young readers, Laurie Halse Anderson. Her latest is a memoir in verse, Shout (Viking). 

This week’s Write the Book Prompt was generously suggested by my guest, Laurie Halse Anderson. If you were to write about a secret you’d never shared, what would you write?

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music: Aaron Shapiro

Jim McGarrah - Archive Episode #545 (1/28/19)

Interview from the archives with award-winning Poet and Essayist Jim McGarrah, about his collection The Truth About Mangoes (Lamar University Press).

Thanks to Jim's title, The Truth About Mangoes, and to the fact that there's a lot in the news about what is true and what is false, this week's Write the Book Prompt is to write a poem, story, scene, or essay about a truth being seen differently from two or more perspectives. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

 

Sarah Ruhl - Interview #540 (12/17/18)

Pulitzer Finalist and Tony-Nominated Playwright Sarah Ruhl, co-author with the late Max Ritvo of Letters From Max: a book of friendship (Milkweed Editions).

This week’s Write the Book Prompt was generously suggested by my guest, Sarah Ruhl: write a poem or a play that is a gift for someone.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

 

Former Vermont Governor Madeleine May Kunin - Interview #529 (10/1/18)

Interview with former Vermont Governor Madeleine May Kunin about her memoir, Coming of Age: My Journey to the Eighties (Green Writers Press).

This week’s Write the Book Prompt is to write about a transition from one era to another in your own life, as Madeleine May Kunin has written about her journey to the eighties. Are you a new teenager? A new parent? Have you recently gone through menopause? Have you retired? We are all forever going through transitions, but how often do we write about these changes in our lives, minds, bodies? 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

April Ossmann - Interview #510 (5/21/18)

 

Vermont Poet April Ossmann, whose new collection is Event Boundaries (Four Way Books). 

This week’s Write the Book Prompt was generously suggested by my guest, April Ossmann. It’s about extended metaphor, which we discussed during the interview. April says it makes for magic in poems. Often poets use metaphor but they drop it too soon and don’t explore it deeply enough. But when you push it and continue describing using the metaphor, that’s often when you get to a moment of epiphany or discovery and you realize something. The smarter part of the brain can then teach you something. Focus on describing in specific detail and keep the event or theme in the periphery of your brain. It’s a great exercise. Pick something for a metaphor and maybe in that description, write about something that wasn’t as you expected it to be or something that happened in a way other than how you expected it to happen.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Ralph Culver - Interview #504 (4/9/18)

Vermont Poet Ralph Culver, recorded live in the studios at WBTV-LP. We discuss Ralph's new chapbook, So Be It.

Happy National Poetry Month! 

This week we have three Write the Book Prompts. Ralph suggested two during our conversation.

1) The first extends his point about how "ridiculously broad" or "OCD specific" prompts can be. You can tell someone "write twenty lines of blank verse," or you can be specific: Write twenty lines of blank verse representing one side of a phone conversation between two spouses who are arguing about money. (It's possible Ralph offered this prompt with tongue in cheek, but I liked it, so I'm including it here.)

2) Write a poem about something or someone you lost.

3) My own suggestion is inspired by Ralph's poem "Fill Up," in which the narrator notices his own distorted reflection in the metal of a dented car ashtray. The distortion is literal, but it bends the poem as well, affecting the way in which we think about what we've read. In your work this week, include a literal reflection in your poetry or prose. See how a reflection in water, a window, a mirror... might affect someone's view of him- or herself, or of someone else or their surroundings. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

 

Jill M. Allen - Interview #502 (3/26/18)

 

Vermont author Jill M. Allen, who will be reissuing her self-published story and ballad collection: The Green Mountains Deep: Fiction About Disabled Vermonters by a Disabled Vermonter, with Onion River Press (from Phoenix Books)  in the near future. 

This week’s Write the Book Prompt is to think about your own abilities and obstacles, and write about how they affect you as you make your way in the world. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

 

Nancy Hayes Kilgore - Interview #475 (9/25/17)

Vermont Author Nancy Hayes Kilgore, whose new novel is Wild Mountain (Green Writers Press). 

This week’s Write the Book Prompt was generously offered by my guest Nancy Hayes Kilgore, who is a pastoral counselor and has been a parish pastor as well. She suggests considering, “What was your first spiritual experience? Where were you? What could you see and feel? What were your senses telling you at that time? What spiritual awakening might have come out of the moment?” Consider these questions, and use them as inspiration as you begin to write.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

Vermont Book Award - Show #474 (9/18/17 B)

A series of excerpts of past Write the Book Interviews with guests who have had some association with the Vermont Book Award, which will again be presented this Saturday, 9/23/17, at the Vermont College of Fine Arts. 

Missing from these excerpts are two related authors: Thomas Christopher Greene, president of VCFA, which founded the award, and Tanya Lee Stone, one of this year's judges. I simply didn't have time to excerpt all of the interviews I wanted to! But listen to their full interviews by clicking the links on their names. 

Good luck with your work in the coming week! 

Music Credit: Aaron Shapiro

Deborah Fennell - Archive Interview #472 (9/11/17)

Interview from the archives with then-president of the League of Vermont Writers, Deb Fennell.

It is now officially football season. The Bills have a win, the Patriots, a loss. But it’s early days. This week’s Write the Book Prompt is to write about a football game that begins in a friendly way and turns nasty. It can be about a Thanksgiving touch football game, or a group of old friends coming together to watch the Superbowl. It can be about high school parents, professional players, the fans, or the guy selling beer and hot dogs. Be sure to describe the weather, the smells and sounds and colors.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Nadine Budbill - Interview #464 (7/24/17B)

Nadine Budbill, daughter and literary executor of the late David Budbill, Vermont poet, playwright and author. We discuss David's life and work, in particular one of his last publications, Broken Wing, a beautiful Vermont allegorical tale about a rusty blackbird with a broken wing. A story of loneliness, survival, tenacity and will, Broken Wing is also about music and race and what it is like to be a minority in a strange place. With a brief conversation as well from Dede Cummings, whose press published the novel. (GWP) 

This week's Write the Book Prompt is to read some of David Budbill's work and let it inspire you in your own writing. His work was frequently included on the Minnesota Public Radio show The Writers' Almanac. Those poems can be accessed here.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

Dede Cummings - Interview #463 (7/24/17A)

Vermont Poet, Publisher and Book Designer Dede Cummings, whose new poetry collection is To Look Out From (Homebound Publications).

This week’s Write the Book Prompt is inspired by the conversation you just heard with Dede Cummings. Dede found the title for her collection To Look Out From, by researching the etymology of the name of the town where she was raised, Matunuck, RI. Matunuck, as we learn in the collection, is possibly a term that comes from a Southern New England Algonquian term meaning “high place,” “high point,” or “to look out from.” In your own world, is there a place name or otherwise relevant term that you hear all the time but perhaps have never investigated? Maybe you live in Winooski. Did you know that Winooski comes from an Abenaki term that means “Land of the Wild Onion?” Is your last name from a place you could research and learn more about? Do a little investigative work and then write a poem, a story or an essay that is inspired by what you learn.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

 

Greg Delanty - Archive Interview #460 (7/3/17)

Award-winning Irish/Vermont poet Greg Delanty, who teaches at Saint Michael's College.

Today's Write The Book Prompt is to write about an event that elicits skepticism from one person and awe from another. 

Good luck with this prompt and tune in next week for another. 

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band that existed briefly in 2008 and 2009, featuring several South Burlington High School students - now grads)

Sydney Lea and Chard deNiord - Interview #458 (6/19/17)

Two interviews about one book: former and current Vermont poets laureate Sydney Lea and Chard deNiord have collaborated to edit a new collection, Roads Taken - Contemporary Vermont Poetry (Green Writers' Press: Dede Cummings, Publisher). 

This week's Write the Book Prompt is to go outside and listen to the sounds around you - be they from birds, frogs, peepers, or your neighbors around the barbecue - and write. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

 

Jane Shore - Archive Interview #452 (5/15/17)

Interview from the archives with Vermont Poet Jane Shore. We discuss her 2012 book, That Said: New and Selected Poems (Houghton Mifflin Harcourt).

This week’s Write the Book Prompt is to write a pantoum poem, just as Jane Shore wrote “Fortune’s Pantoum,” which she shared in our interview. Here's a link to a longer explanation of the pantoum, which comes from the site poets.org. Part of that explanation is this: "The modern pantoum is a poem of any length, composed of four-line stanzas in which the second and fourth lines of each stanza serve as the first and third lines of the next stanza. The last line of a pantoum is often the same as the first."

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

Jim McGarrah - Interview #443 (3/13/17)

Award-winning Poet and Essayist Jim McGarrah, whose new poetry collection is The Truth About Mangoes (Lamar University Press).

This week’s Write the Book Prompt was generously offered by my guest, Jim McGarrah. Having taught writing for many years, Jim has used this prompt in his classes and says it’s a useful exercise for beginning or seasoned writers. If you get stuck, take a sheet of paper and fold it longwise. On one side, write good. On the other, write bad. On the good side, brainstorm a list of traits that you’ve inherited, which you feel glad or grateful about. On the other side, the opposite—write about the traits that you feel are negative. Make the list as long as you want, but be sure you have 4-5 points on each side. Use the list to write a poem. Address a member of your family. You can begin with the words, “I blame you for… but I’m glad for…” This gives you a way to begin writing from the list. Look at Carolyn Forché’s poem “The Morning Baking." The poem, which is written in couplets, has to do with the poet and her grandma. Jim says this poem shows the conflict she feels about the traits she’s inherited. His students have had good luck working with this exercise.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Major Jackson - Interview #438 (2/6/17)

Award-Winning Poet Major Jackson, whose collection Roll Deep comes out in paperback February 28th (Norton).

This week’s Write the Book Prompt is to write a poem that attempts to imitate the work of Major Jackson. Read some of his work yourself and think about intention, rhythm, meter, rhyme. Maybe write a golden shovel, where you choose a line from a poem by Major, and use each word in the line as an end word in your own poem. Keep the borrowed words in order.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Julia Alvarez - Archive Interview #437 (1/30/17)

An interview from 2012 with Julia Alvarez about her then-new book, A Wedding in Haiti. She recently published a new book about death "for children of all ages," Where Do they Go? - with illustrations by Vermont artist Sabra Field.

This week's Write the Book Prompt is to consider Julia Alvarez's statement, "Part of us dies with the death of people we love." And to write.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

 

Martin Magoun - Archive Interview #429 (12/5/16)

Vermont writer Martin Magoun, author of the poetry collection Shattered and a memoir in essays, Russian Roulette: Depression, Suicide, Medication (DRUGS), published by Wharf Rat Books.

 

This week's Write the Book Prompt is to peek into a car that is not your own, and create a story based on what you see. What's in the back seat? Is it neat, messy, full of cans, full of books? Are there crumbs on the seat? Is there a car seat? Who owns this car, and what's their story?

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

 

Tony Whedon - Interview #428 (11/28/16)

Vermont Poet Tony Whedon, whose new collection is The Hatcheck Girl (Green Writers Press/Sundog Poetry). 

This week, thanks to my guest Tony Whedon, we have two Write the Book Prompts: 

* Either imagine an attic or remember one from your past, and describe the things you see there.

* Find a piece of music that you don’t know that well and explore it with words as you listen.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Pamela Heinrich MacPherson - Interview #425 (11/7/16)

Vermont Poet Pamela Heinrich MacPherson, whose work keeping vigil with the dying inspires her poems, with her 2016 collection Vigil: The Poetry of Presence. 

This week’s Write the Book Prompt comes to us from Pam MacPherson, who suggests looking into the work of the “Wake Up to Dying” Project, an awareness and action campaign that encourages people to think and to talk about dying. In reading about the Montpelier-Vermont-based organization, you may find inspiration in the stories that you find.

Good luck with your work in the coming week. If you are having a difficult week, given the election and all of the uncertainty about what's to come, write about that. Write your fear and your anger, your hope and your dedication. And perhaps look into a cause that you can support on the local level to help your community.

Fomite Press - Interview #416 (9/5/16)

Marc Estrin and Donna Bister, founders of Vermont's Fomite Press, "a literary press whose authors and artists explore the human condition -- political, cultural, personal and historical -- in poetry and prose."

This week's Write the Book Prompt was generously suggested by my guest, Donna Bister. Write about your first pair of shoes. Or, if you can't remember them, write about your favorite shoes. 

Good luck with this prompt, and please listen next week for another!

Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Neil Shepard - Interview #397 (4/25/16)

Vermont Author Neil Shepard, whose new poetry collection is Vermont Exit Ramps II, with photographs by Anthony Reczek (Green Writers Press / Sundog).

This week’s Write the Book Prompt is to consider whether your own work feels at all strong armed or overly intentional. Can you maybe bring in some element that will lessen that or make it more subtle? In his poems, Neil brought in anagrams, fortunes from fortune cookies, signage that he saw on his travels. What can you introduce to take out the overly contrived or explained elements of your work? Neil suggested you could write a counter statement to every statement. Play around with this idea and see if you end up wanting to keep some of the counter statements that balance out what might otherwise feel overly preconceived. 

Good luck with this prompt, and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Elizabeth Stabler - Interview #394 (4/4/16)

It's National Poetry Month! This week's interview is with Vermont Poet Elizabeth Stabler, whose new collection of poetry, Wren, was published by Red Barn Books in 2015.

This week’s Write the Book Prompt was generously suggested by my guest, Elizabeth Stabler. Perhaps because this year has been so unusual, weather-wise, or perhaps because each season is unique, Holly suggested that this week’s prompt be to write about THIS spring. 

Good luck with this prompt, and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Sydney Lea - Interview #388 (2/22/16)

A new interview with Sydney Lea, who has just finished his term as Vermont's Poet Laureate. His new books are No Doubt the Nameless (Four Way Books) and What's the Story? Reflections on a Life Grown Long (Green Writers Press).

This week’s Write the Book Prompt is inspired by my new interview with Sydney Lea. Write about a dream, or the memory of a dream, or the almost memory of a dream.

Good luck with this prompt, and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

David Wojahn - Archive Interview #384 (1/25/16)

2012 interview with David Wojahn, Award Winning (and Pulitzer Nominated) Poet, Author of the Collection WORLD TREE, part of the Pitt Poetry Series (University of Pittsburgh Press).  Part of this collection, a series called "Ochre," can also be found (along with photographs) at the Blackbird Online Literary Journal Website. 

This week's Write the Book Prompt is to write about an unpredicted weather event.

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Lorin Stein and Vanessa Blakeslee - Show #375 (11/23/15)

Two interviews this week. First, Lorin Stein, Editor of The Paris Review. Their new collection is called The Unprofessionals: New American Writing from The Paris Review, published by Penguin. My second interview is with Vanessa Blakeslee, author of the novel, Juventud, published by Curbside Splendor.

This week’s  Write The Book Prompt was inspired by my conversation with Lorin Stein, during which we discussed the repeated word, “there,” in the story “The Dark and Winding Road,” by Ottessa Moshfegh, in The Unprofessionals: New American Writing from The Paris Review. Often, writers are told to steer clear of repeating words in close succession in their prose, and yet this story absolutely benefits from the author’s intentional repetition. To my mind, it’s intention that makes the difference. Words that are repeated by accident are unlikely to do much other than bump the reader out of the prose. But words that are chosen and placed carefully in succession to highlight something a writer wants to draw attention to--these can be useful and beautiful. Former WTB guest Priscilla Long writes in her book, The Writer’s Portable Mentor: “Good writers delight in repeating good words.” She later adds, “If you have trained yourself not to repeat, learning to do the opposite takes practice and it takes developing your ear.” The word “there” in Ottessa Moshfegh’s story becomes a good word--the right word--by the author’s intention. She uses it to highlight the importance of the setting, which lies at the end of a dark and winding road, but I think also to highlight the otherness--the “there”--of the narrator’s present state of mind. This week’s prompt, then, is to use word repetition in a way that will accentuate something intentionally. Practice reading the result out loud, to be sure the music is just right. 

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Daniel Lusk - Interview #374 (11/16/15)

Interview with Daniel Lusk, whose new collection is The Vermeer Suite (Wind Ridge Books of Vermont). The interview was recorded in front of an audience at the South Burlington Community Library in South Burlington, Vermont. Listeners who want to look at the paintings along with the broadcast can look here: 

A Maid Asleep ("Wednesday's Child")       The Astronomer ("The Astronomer")

Woman Reading a Letter at the Open 

Window ("Yellow")                                 The Little Street ("Memoir")

The Milkmaid ("Holland")                Girl With the Red Hat ("White Fire")

Girl With a Pearl Earring ("Girl")

This week's Write the Book Prompt is to use one of these paintings as inspiration in your own work. Study one of these paintings, then write a poem, a story, a scene. 

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Chard deNiord - Interview #372 (11/2/15)

Gary Lee Miller interviews Vermont's new Poet Laureate Chard deNiord, whose recent release, Interstate, is part of the Pitt Poetry Series (University of Pittsburgh Press). 

This week's Write the Book Prompt is to use the following as a starting point: "I haven't always been the world's nicest person." 

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Julianna Baggott - Interview #366 (9/21/15)

Critically acclaimed and bestselling author Julianna Baggott, whose new novel is Harriet Wolf's Seventh Book of Wonders (Little Brown).

This week’s  Write The Book Prompt was suggested by my guest, Julianna Baggott, who encourages her students to use “visualization” to move forward in narrative. She suggests that her students close their eyes for each. They can take notes in between each. Here are a few examples she offered, from which you can work. Either now, if you’re all set up to do so, or later, listen to these with your eyes closed, and try to visualize what’s happening, but missing, from each prompt:

• A Man walks out of a house* He’s dressed very strangely* He walks to a car* Opens the trunk, looks inside* reaches in*
• A woman is running, scared – where* She runs out of breath, falls to her knees. She hears a * looks up and sees*
• A man is sitting on a park bench. By his clothes, we assume he works as a _________ . A woman sits next to him and says something that makes no sense to us but means a lot to him, “ -------------“
• A woman is standing in a flooded basement – things float and are soaked around her* -- she finds a footlocker, wades over to it – reaches inside to find * 
• A boy in pajamas is outside* -- alone. He hears * but ignores it and keeps heading toward a *

Good luck with this prompt, and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Angela Patten - Interview #339 (3/16/15)

Vermont poet Angela Patten, author of the new collection, In Praise of Usefulness, published by Wind Ridge Books of Vermont.

This week’s Write The Book Prompt is the one that led Angela Patten to write the poem "Tabula Rasa." Her husband, Daniel Lusk, recommended it to her; write about about something that happened to you that you can not remember. This will probably mean something that happened when you were so small, you don’t have access to those memories. But I suppose it could mean something that happened when you were medicated, or ill, or asleep. Maybe even something that happened to you before you were born.

Good luck with this exercise, and listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students. 

Angela Palm and Malisa Garlieb - #326 (12/22/14)

Two interviews this week, with Vermont author and editor Angela Palm, whose new collection is Please Do Not Remove, and Vermont poet Malisa Garlieb, whose new book of poetry is Handing Out Apples in Eden. Both of these collections were published this fall by Wind Ridge Books of Vermont.

Today I have two Write The Book Prompts to offer, thanks to the generous suggestions of my guests, Angela Palm and Malisa Garlieb. 

Malisa’s is to write a personal poem using a mathematical concept or equation as the primary metaphor, as she did in her poem, "Long Division."

Angi’s is this: select an image of a used library check-out card. Use any combination of the card's features as the source of inspiration for generating a new work of prose or poetry. Perhaps you'll be inspired by a particular patron's signature, a date stamp, or the book's subject matter or author. Perhaps you'll be struck by the card's appearance or the accumulation or use or non-use. Let the image transport you to another time or place, and draft some ideas or a follow a single idea for 10-15 minutes. In revision and shaping of the draft, study the card again and allow yourself to do a little research that might further develop your initial impulses into a story or essay. You may quickly find yourself pages deep in a story you never knew you'd want to write. Angi shared these images of library cards for your prompt this week. (Open individually in new tabs for a better look at each):

Good luck with these exercises and please listen next week for another!

Stephen Cramer - Interview #325 (12/15/14)

Vermont poet and UVM Professor Stephen Cramer, whose new book is From the Hip: A Concise History of Hip Hop (in sonnets), published by Wind Ridge Books of Vermont. 

This week’s Write the Book Prompt was generously offered by my guest Stephen Cramer. He likes to assign this to his students, because it presents the challenge of describing something ethereal, like music, that doesn’t have a form that you can touch or see. You have to turn to metaphor a lot, and to a description from the senses. Words like “velvety,” “sharp,” and “bright.” So this week’s prompt is to write about music and see if you can use synesthesia - one sense expressed in terms of another - to launch your piece into some new, unexpected place. Lynda Hull’s poem Hollywood Jazz has at least two instances of synesthesia, if you’d like to read one that Stephen recommends. 

Good luck with this exercise and please listen next week for another.

Jacqueline Woodson - Interview #319 (11/3/14)

Children's and YA author Jacqueline Woodson, whose new novel, Brown Girl Dreaming (Nancy Paulsen Books) is short-listed for this year's National Book Award. 

This week’s  Write The Book Prompt was suggested by my guest, Jacqueline Woodson. Choose an age between five and fifteen and write down everything you remember from that year of your life. Who were your friends? Where did you live? What clothes did you wear? What music was playing? What did you love; what did you hate? Write without lifting your pen until you can’t remember anything else, and then start making stuff up. 

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students, now alums). 

Tana French, Jon Turner, and Claire Benedict - Show #316 (10/13/14)

New interviews with best-selling novelist Tana French, whose new Dublin Murder Squad mystery is The Secret Place, published by Viking; Vermont poet and veteran Jon Turner, who has worked extensively with the Warrior Writers Project and Combat Paper, and is now a member of the Farmer Veteran Coalition; and our own book mentor, Claire Benedict, co-owner of Bear Pond Books in Montpelier.

During this show, Claire recommended:

Station Eleven by Emily St. John Mandel

The Book of Strange New Things by Michel Faber

The Secret Place by Tana French

Museums of America by Gary Miller

A House In the Sky by Amanda Lindhout and Sara Corbett

This week's Write the Book  Prompt might involve going into your attic or basement. Find a box in your home whose contents you’re not entirely sure of. Write about what might be inside. Include memories of events that the possible contents trigger. Then open the box, and write about what you do, in fact, find there. 

Good luck with this prompt and please listen next week for another!

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students, now alums). 

Robin Behn - Archive Interview #306 (8/4/14)

Interview from the archives with the poet Robin Behn. Three years after this interview, in 2011, Robin's collection The Yellow House was published by Spuyten Duyvil.

This week's Write the Book Prompt is to ask a friend to put a difficult-to-identify object into a bag for you to then reach in, feel, and write about. Make sure it's a friend you trust. 

Pamela Harrison - Archive Interview #290 (4/14/14)

Interview from the archives with Vermont Poet Pamela Harrison, author of the collections, Out of Silence and What To Make of It.

Given that Easter is this coming Sunday, and Passover begins tomorrow, this week's Write the Book Prompt is to write about a spring holiday memory or event. 

Good luck with this prompt and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Jay Parini - Archive Episode #288 (3/31/14)

Interview from the archives with Jay Parini, Biographer, Poet, Novelist and Essayist. Author of The Passages of H.M. Since we spoke, Jay Parini has published Jesus: The Human Face of God.

This week's Write The Book Prompt is to describe any changes you see happening in the weather outside your window.

Good luck with this exercise and please listen next week for another.

Excerpt of The Passages of H.M. read with permission from Doubleday, a division of Random House, Inc.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

 

Carol Westberg - Archive Interview #287 (3/24/14)

Interview from the archives with Upper Valley poet Carol Westberg, author of the new collection, Slipstream.

This week's Write The Book Prompt is to write about a shuttle ride.

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Nance Van Winckel - Archive Interview #284 (3/3/14)

Archive Interview from 2010 with Poet and Story Writer Nance Van Winckel, author of the poetry collection No Starling, published by University of Washington Press.

This week’s Write The Book prompt is to write about a nice stay in a terrible hotel, or a terrible stay in a nice hotel.

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Barbara Henning - Interview #277 (1/6/14)

Poet and prose writer Barbara Henning, whose latest book is A Swift Passage, published by Quale Press.

This week’s Write The Book Prompt was generously offered by my guest, Barbara Henning. She told me that she has used this at the start of a new class, to help her students ground themselves. The prompt is called “FROM HAIKU TO PROSE” - Go for a walk (or remember a walk) and write down everything you see. Then write three haiku using words from your notes. Try to make each haiku a sentence. Haiku celebrate the ever-transforming universe by describing two actions in a single moment in time, an epiphany as the writer becomes aware of reality by observing something simple, striking and absolutely ordinary. Don't worry about syllable count; instead for each haiku, write one short line, one longer line and another short line. The world turns, the seasons change, everything is moving. See if you can get a sense of the season into your haiku and shy away from metaphors, abstract ideas, generalizations and statements about the writer's feelings; stick with things in movement. Haiku do not lecture on ideas about truth, goodness and beauty. They ARE truth and beauty. Here are two haiku, the first by Basho and the second by Richard Wright.

The peasant’s child,
husking rice, stops
and gazes at the moon.

A thin mangy dog
Curls up to sleep in the dust
Of a moonlit road.

Now tell the story of your walk and embed these haiku as sentences into your prose. If you consider your life a journey, every event that takes place is part of that journey, every action a part of another action. Even these momentary observations are small actions. Instead of breaking for the lined poem, let them flow right into the prose as sentences. In this way, you will have a poetic rhythm in your flash fiction or prose poem. You can use this same technique as a regular journal exercise or as a way to begin a story or a poem.

Good luck with this exercise and please listen next week for another.

Music credits:  1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (which was a Vermont band in 2008, featuring several South Burlington High School students, now grads.)

Daniel Lusk - Interview #276 (12/30/13)

Award-winning Vermont poet Daniel Lusk, whose latest book is Kin, published by Wind Ridge Books of Vermont.

This week I have two Write The Book Prompts, both offered by my guest, Daniel Lusk. The first is prompted by what’s been happening all around us: 

After the ice storm, what do you wish might happen when the sun comes out?

And another, especially apt for the New Year: 

Make a list of questions to which you do not know the answer. Maybe the list is your poem. Maybe one of the questions will warrant further unraveling or provocative guesses in response.

Good luck with these exercises, and please listen next week for another. 

Music credits:  1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (which was a Vermont band in 2008, featuring several South Burlington High School students, now grads.)

Angela Patten - Interview #275 (12/23/13)

Irish-born Vermont writer of poetry and prose, Angela Patten. Her new book is High Tea at a Low Table, published by Wind Ridge Books of Vermont.

This week’s Write The Book Prompt was generously shared by my guest, Angela Patten. Write a non-fiction essay or short story that begins, "The moment seemed to go on forever..."

Good luck with this exercise and please listen next week for another.

Music credits:  1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (which was a Vermont band in 2008, featuring several South Burlington High School students, now grads.)

Susan Katz Saitoh / Claire Benedict - Interview #268 (11/4/13)

1) Vermont author Susan Katz Saitoh, whose book Encounter With Japan: An Adventure In Love chronicles her mother's trip to Japan, over 50 years ago, to meet her pen pal.

2) The second WTB Book Chat with Claire Benedict, of Bear Pond Books in Montpelier. Claire talks about The Goldfinch, by Donna Tartt; Karen Joy Fowler's We Are All Completely Beside Ourselves; A Tale For The Time Being, by Ruth Ozeki; My Brilliant Friend, by Elena Ferrante ; A.S.A Harrison's The Silent Wife; and Richard Russo's Elsewhere.

Today's Write The Book Prompt was suggested by my first guest, Susan Katz Saitoh: Write a story that is true but sounds like it's not true, or a story that is not true but sounds like it is true. A Japanese mime and storyteller from Massachusetts gave that as an exercise during the only storytelling workshop Susan ever attended.

Good luck with this exercise and please listen next week for another.

Music credits:  1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Neil Shepard - Interview #264 (10/7/13)

Award-winning Vermont poet Neil Shepard, whose latest book,(T)ravel/Un(t)ravel, was published by MidList Press.

This week I have four Write The Book Prompts to offer, thanks to Neil Shepard's generous suggestions. The first focuses on poetic identity.

1. Select at least six (6) items from the choices below and mix them into an Identity Poem that reveals who you are (or some disguise of you, or some totally fictional you). Add whatever other language you need to patch the disparate parts of the poem together. Here’s the list:

• briefly describe a significant or recurring dream
• what is your totemic animal, and why;
• which element (earth, air, fire, water) are you, and why
• borrow a phrase from a famous poem that fits your identity
• use a guide book on flowers, trees, birds, or stars to discover a few natural objects that correspond to your identity
• feed your full name into an anagram scrambler and select a few phrases that seem to describe you
• what truths do you live by (be specific)
• what lies do you live by (be specific)
• if you could be anybody who has lived on this earth, who would it be
• if you could be a fly on a wall, where would you like to land
• if you could be a ghost, who would you like to haunt
• what is your secret power and your secret weakness (other than kryptonite)

2. The second prompt that Neil Shepard suggested focuses on sentence rhythms: Write a prose paragraph or a poetic stanza whose sentences try to imitate the rhythm of one of the following activities:

• a couple having sex
• a truck driver riding a big-rig across the Great Plains
• a machine operating in a factory
• a religious sermon
• a ping-pong match
• a rollercoaster ride
• a sky-dive
• an interrogation scene (either at a police station or in a courtroom)

3. The third prompt is for dreamers: Write a poem based on a few of your dreams that still don’t make sense to you. Try to pluck out the most arresting images from those dreams. Then insert them in a poem about some “normal“ domestic activity such as shopping at the supermarket, swimming laps at the pool, studying for an exam, flossing your teeth, or cleaning your room. The cognitive dissonance between dream image and daily activity should create the surreality of the poem.

4. This last prompt is for writers bored with "the self": The poet Phillip Levine has said about the autobiographical impulse: “Why would we want to write about ourselves, if we can imagine and write about anybody else in history?”  For this exercise, adopt a historical figure – someone decidedly not you – who lived at least 100 years ago. Research the person, the historical period, the dramatic events central to the poem you will write, and then write the poem from this person’s perspective and voice. Remember to make the poem vivid and externalized – don’t create an abstract monologue that neglects references to the time, place, characters, and events of this historical period. (It helps to imagine a dramatic moment in time.)

So there you go, four prompts from Neil Shepard. Good luck with these exercises, and please listen next week for another!

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

 

Burlington Area Writers' Resources - Show #256 (8/12/13)

Interviews highlighting three local groups that are making the Burlington area writing community much richer: The Burlington Writers' Workshop (Peter Biello), The Renegade Writers' Collective (Angela Palm and Jessica Hendry Nelson), and The Writers' Barn (Lin Stone and Daniel Lusk).

Today I have two Write The Book Prompts. The first is to write about two interactions between lifelong friends: the first time they meet, and the last time they meet. Limit each scene to a page, but try to intimate a whole friendship into those two pages, letting us know who these people are, how they eventually influence each other, how important they become in each other's lives.

Today's second prompt was suggested by my guest, the poet Daniel Lusk. It's a prompt he used recently in the poetry group at the Writers Barn: Write a poem with a red dress in it.
Good luck with these exercises and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.