Write The Book: Conversations on Craft

Editors of Vermont Almanac - 10/10/22

The editors of Vermont Almanac discuss their work. A recording of a Green Mountain Book Festival panel discussion featuring Virginia Barlow, Dave Mance III, and Patrick White. 

This week’s Write the Book Prompt is to write about an insect or arachnid. We aren’t all as focused on insects as Virginia Barlow, but they are vital. This is a quote from the Florida Museum at the University of Florida: a diverse range of insect species is critical to the survival of most life on Earth, including bats, birds, freshwater fishes and even humans! Along with plants, insects are at the foundation of the food web, and most of the plants and animals we eat rely on insects for pollination or food. A couple of weeks ago I saw a praying mantis outside my front door. Last week, I photographed an amazing, scary-looking spider on my front walk. It turned out to be a shamrock spider. So, consider your favorite arthropod, and write about it.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Coolest American Stories 2022 - 4/11/22

Mark Wish and Elizabeth Coffey, editors of a new anthology: Coolest American Stories 2022 (Coolest Stories Press). This year marked the inaugural publication of the book, which will come out each January. 

This week’s Write the Book Prompt is actually a publishing prompt (because we all know how hard it is to send out work once we've written it). Polish up your coolest, most twisty-turny story, make a list of 15 publications you think might make a good match for that story, and send it to three at a time until someone acknowledges your cool with an acceptance. After which, being a good person, you will let the others know you’ve found a home for your cool story. OR submit it to Coolest American Short Stories 2023; hey, you never know!

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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A.E. Hines - 12/6/21

Poet A.E. Hines, whose debut collection is Any Dumb Animal (Main Street Rag).

A new prompt for the week comes from A.E. Hines, and touches on something we discussed during the interview you just heard: Write a poem that explores duality, by comparing and contrasting two topics that are generally considered opposites. For example:  Where is the light in the darkness?  Or, pick one or multiple things that are considered hard, and describe them as soft. Describe a moment of gratitude in the midst of grief.  Or love that led to great loss.  Again, it doesn’t matter where you start, just pick a pair of opposing ideas, and brainstorm a list of comparisons. Then arrange them into a poem and see where this experiment takes you.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Erika Nichols-Frazer with A.E. Hines (5/17/21)

Vermont poet and author Erika Nichols-Frazer, who has edited a new collection on themes of mental health, A Tether to This World: Stories and Poems About Recovery (Main Street Rag). We are joined later in the hour by the poet A. E. Hines, a contributor to the collection. 

This week we have two Write the Book Prompts, thanks to the generosity of my guests. The first was offered by Erika Nichols-Frazer, who credits it to the poet Chelsie Diane. Write a letter to yourself that starts with the phrase “I forgive you.” 

And Earl, who publishes as A.E. Hines, shares an exercise on practicing self exposure. Pick a moment from your past or a personal circumstance that stands out in your mind as embarrassing: one that makes you at least slightly uneasy when sharing it. Now write a short poem about that experience using either second or third person — as if you’re telling the story about someone else. It doesn’t have to be a big thing; it could be something you did, a mistake you made, or something that happened to you due to no fault of your own. The only requirement is that writing about it puts a twinge of angst in your belly.  When you’re done, change the POV back to first person, and see what happens. Did you learn anything new about that situation?

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

 

Music Credit: Aaron Shapiro

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Benjamin Percy - Interview #598 (1/6/20)

Author Benjamin Percy, whose new story collection is Suicide Woods (Graywolf).

This week’s Write the Book Prompt is to consider the blueprint exercise that Benjamin Percy mentioned assigning to his students so that they might better understand structure. Choose a favorite story and read it many times, enough that you know it inside and out. Then read it again, taking notes. Try to identify the beats of the story: the way, for example, that setting might relay theme, or dialogue might inform character weakness. After you make meticulous notes on your discoveries, write a story that tries to follow this same blueprint but bears no resemblance to the original. Perhaps then write an explanation about what you did, so that you can return to it and continue to study and understand the outcome as you write more stories. Most importantly: write more stories.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Douglas Glover - Interview #594 (12/16/19)

 

A new interview with the author Douglas Glover about his  collection of essays on literary form, The Erotics of Restraint (Biblioasis). 

When Douglas Glover and I spoke, he mentioned that, as he was developing his craft, he would make lists of conflicted situations in a notebook. Then, when he wanted to begin a new project, he'd read through his notebook to find a promising conflicted situation with which to start. He doesn't know what the plot will be as he begins, but he does still always know the conflict. This week, make a list of conflicts from which you might draw an interesting situation to use in your writing.

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

Michael Andreasen - Interview #500 (!) (3/12/18)

 

Prize-Winning Author Michael Andreasen, whose new story collection is The Sea Beast Takes a Lover (Dutton). 

This week’s Write the Book Prompt was generously suggested by my guest, Michael Andreasen. Try to find an oblique angle - an odd vector of approach. Sometimes this is as simple as not starting in the place where you have the impulse to start. So if your charaters are in a room, perhaps begin in the other corner of that room. Describe the air coming in the vents, or something happening outside the window. Or maybe a sink in a nearby bathroom is making a noise. Move the focus someplace else. We have such an urge to get to the ONE thing we want to talk about, and talking about only that thing can become boring. A dripping faucet, or an unattended child spotted through a window, about to wander into the street, can ramp up the tension.

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music by Aaron Shapiro

Sydney Lea and Chard deNiord - Interview #458 (6/19/17)

Two interviews about one book: former and current Vermont poets laureate Sydney Lea and Chard deNiord have collaborated to edit a new collection, Roads Taken - Contemporary Vermont Poetry (Green Writers' Press: Dede Cummings, Publisher). 

This week's Write the Book Prompt is to go outside and listen to the sounds around you - be they from birds, frogs, peepers, or your neighbors around the barbecue - and write. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion. 

Music Credit: Aaron Shapiro

 

Christine Sneed - Interview #417 (9/12/16)

A new interview with Christine Sneed, whose new story collection is The Virginity of Famous Men (Bloomsbury USA), just out this week.

This week’s Write the Book Prompt comes from our generous guest, Christine Sneed. Choose one of the following characters and write ten interview questions for him/her:

• Someone who works on the housekeeping staff in a Las Vegas hotel.

• Someone who owns 30 pairs of blue jeans.

• Someone who runs a tow truck.

• Someone who wants a famous face.

Now answer those ten questions in the voice of the character.

Good luck with this prompt, and please listen next week for another!

Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Lorin Stein and Vanessa Blakeslee - Show #375 (11/23/15)

Two interviews this week. First, Lorin Stein, Editor of The Paris Review. Their new collection is called The Unprofessionals: New American Writing from The Paris Review, published by Penguin. My second interview is with Vanessa Blakeslee, author of the novel, Juventud, published by Curbside Splendor.

This week’s  Write The Book Prompt was inspired by my conversation with Lorin Stein, during which we discussed the repeated word, “there,” in the story “The Dark and Winding Road,” by Ottessa Moshfegh, in The Unprofessionals: New American Writing from The Paris Review. Often, writers are told to steer clear of repeating words in close succession in their prose, and yet this story absolutely benefits from the author’s intentional repetition. To my mind, it’s intention that makes the difference. Words that are repeated by accident are unlikely to do much other than bump the reader out of the prose. But words that are chosen and placed carefully in succession to highlight something a writer wants to draw attention to--these can be useful and beautiful. Former WTB guest Priscilla Long writes in her book, The Writer’s Portable Mentor: “Good writers delight in repeating good words.” She later adds, “If you have trained yourself not to repeat, learning to do the opposite takes practice and it takes developing your ear.” The word “there” in Ottessa Moshfegh’s story becomes a good word--the right word--by the author’s intention. She uses it to highlight the importance of the setting, which lies at the end of a dark and winding road, but I think also to highlight the otherness--the “there”--of the narrator’s present state of mind. This week’s prompt, then, is to use word repetition in a way that will accentuate something intentionally. Practice reading the result out loud, to be sure the music is just right. 

Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).