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Write The Book

The Vermont podcast and radio show about writing. For writers and curious readers, featuring interviews with authors, poets, agents, editors, and illustrators. One of Writer’s Digest Magazine’s 101 Best Website for Writers in 2016 and 2017.

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Sandra A. Miller, author of Trove: A Woman's Search for Truth and Buried Treasure (Brown Paper Press). 

This week’s Write the Book Prompt was suggested by my guest, Sandra A. Miller. Read the poem by Samuel Taylor Coleridge, “What If You Slept?” And then use the lines as your prompt for this week:

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in your hand
Ah, what then?

In other words: what if we pulled our dreams into the world and made them a reality? What would you want to bring into the world--your physical reality--from your dreams? When Sandra shared this with a group of writers recently, the results were rich, and the experience of the participants, emotional.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

*“What if you slept...” by Samuel Taylor Coleridge. Public Domain.

 

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Interview from 2013 with Australian Author Poppy Gee. We discussed her novel, Bay of Fires (Reagan Arthur; Back Bay Books subsequently published the paperback.)

This week's Write the Book Prompt is to consider Poppy Gee’s character, Sarah, whose reckless behavior has cost her so much. Write about someone’s reckless behavior. Depending on who your character is, reckless might look very mild or outrageous. How does it affect the person’s experience and life? What might come next as a result?

Good luck with your work in the coming week and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Author Miciah Bay Gault, whose debut novel is Goodnight Stranger (Park Row Books).

This week’s Write the Book Prompt is to try your hand at the exercise that brought Miciah to find the first line of Goodnight Stranger, a trick that was suggested to her by former WTB guest Juliana Baggott: Try summing up your novel in the first sentence, and see what happens.

When she was the editor of the journal Hunger Mountain, Miciah set the authors of one issue this task, which comes from a famous Ray Bradbury exercise for generating ideas: "jot lists, without thinking too hard, of the things that represent the writer’s deepest interests, preoccupations, desires, fears, obsessions." This original exercise can be found in Bradbury's essay "Run Fast, Stand Still, Or, The Thing at the Top of the Stairs, or, New Ghosts from Old Minds" in his book Zen in the Art of Writing: Essays on Creativity. So that can be a second Prompt this week. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Archive Interview with Moira Crone. We discussed her 2012 novel, The Not Yet (Univ of New Orleans Press).

This week’s Write the Book Prompt is to begin with one of the following phrases, and write from where it leaves off:

  • After he dove into the water…
  • Through the haze and beyond the line of tractors, he saw…
  • When she found the watch in her sister’s top dresser drawer…

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Author Kathryn Davis, whose new novel is The Silk Road (Graywolf Press). 

As she mentioned during our interview, one goal that Kathryn Davis had in writing The Silk Road was moving fluidly through time. She said, “The way you experience living is often like you’re sitting in this kitchen but there’s some part of you that is somewhere else, and … it’s also temporally dislodged. We’re not as organized as beings as we like to think we are.” This week’s Write the Book Prompt is to consider this statement, and to consider time and space, and your ideas about them. How are time and space organized in your consciousness? Do you feel they are independent of one another, are they interchangeable? Do you see the flow of time as unidirectional, do the past and future exist, or do they become conceptual given the notion of the now--the present moment? Maybe you’ve never thought much about these ideas. But sit with them and consider what might change in your work if you were to attempt a revision that embraced some of these new ideas. I don’t mean you should turn that historical novel into science fiction. But might the tense change to offer a more interesting presentation? Maybe your consideration of this subject will open up a new path to the structure you've struggled to find.

This week, either play with time and space in your work, reconsider how you tend to ground your stories, novels, and poems in each, or double down on what you already thought and the way you have worked in the past. If there is such a thing.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Guest host Kim MacQueen interviews writer and psychotherapist Lori Gottlieb, author of Maybe You Should Talk to Someone: A Therapist, HER Therapist, and Our Lives Revealed (Mariner Books). 

This week’s Write the Book Prompt is to try writing something in the second person. You can take a piece you’re actively working on, employing another POV narration, and simply use this as the opportunity for an exercise. Or attempt a new story, essay, or poem in the second person. Electric Literature has a pretty good piece about writing from this unusual point of view, and I’m going to include a link to that in this week’s prompt, should you like to read it before giving this a go. One caveat: I disagree with the author they quote as disliking Jay McInerney’s Bright Lights, Big City,  a novel famously written in the second person. I found that short novel to be a real gem, and very much enjoyed the narrative point of view that McInerney employed. SO - give this a try. You may dislike the results. You may rush back to your cozy first- or third-person close with renewed relish. If so, that’s all for the best! But maybe the second person will crack open something you couldn’t see as you worked before. I hope so. Here’s the article link:

https://electricliterature.com/how-to-write-a-second-person-story/ 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

 

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Vermont Author and Musician Tony Whedon, whose essay collection Drunk In the Woods (Green Writers Press) was recently nominated for the Vermont Book Award.

I announced this week's "official" Write the Book Prompt after the broadcast's first interview, with Megan Price, but here's another: find a recording of John Coltrane's "Giant Steps" (which Tony mentions in one of the poems read in this interview). Here's one. Play it. Turn it up, play it again. Don't like jazz? Don't be ridiculous. Turn it up and play it again! Sit down and write. See what happens. 

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion! (Now play it again!!!) 

Music Credit: Aaron Shapiro

 

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Vermont author Megan Price, who will soon publish another in her wildly popular Vermont Wild series (Pine Marten Press).

This week’s Write the Book Prompt is to write a story, poem, or essay that concerns wildlife or nature, and maybe has a funny aspect to it.

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion!

Music Credit: Aaron Shapiro

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2013 interview with Award-Winning Scottish Crime Novelist Denise Mina. We discussed her then-new novel, Gods & Beasts (Hachette). Her latest, just out this spring, is Conviction (Mulholland). 

This week's Write the Book Prompt has to do with the history of our broadcast date: July 29. On that date in 1981, Prince Charles married Lady Diana. Their wedding, even more than those of their sons, was the international event of the century. Around 3,500 guests were in attendance at the St. Paul's Cathedral in London, while another 750 million watched the wedding on televisions around the world. Write a scene from the point of view of one of those spectators. Choose a quiet gathering of friends, a rowdy party, the royal family, an expat family. Where are they? What time is it as they watch the event? How do they feel about the royals, the spectacle, the media attention? How do their own marriages or courtships feel, next to what they’re witnessing? And, if you like, feel free to write a better future for Diana. 

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Vermont Author Susan Z. Ritz, whose debut novel is A Dream to Die For (SheWrites Press).

In our live in-studio conversation, Susan generously shared the following, which is now this week's Write the Book Prompt: 

Pick up a box of buttons or bows or pieces of jewelry and choose two that are somehow different from each other. Think about the people who might wear or use these things. Write a scene where they meet somewhere - perhaps a café or park - and hold a conversation that begins: "Where were you last night?" Susan says her students have found this exercise to be a great avenue into scene, dialogue, and character. 

Good luck with your work in the coming week and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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