Anjali Mitter Duva, author of the novel faint promise of rain (She Writes Press).
This week’s Write the Book Prompt was generously suggested by my guest, Anjali Mitter Duva. The prompt she suggests comes from the writer, Barbara O’Neal, who was inspired to come up with it after watching one-second-every-day videos. Set a timer for one minute, and write what is happening right now, wherever you are. Begin writing with the words, “In this moment…” Include as much detail as you can. This prompt helps to get you in the habit of observing and conveying detail.
Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.
Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).
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Posted in Writing, Agents, Publishing, Fiction, writing retreats, Music, Judaism, Novels, Religion, Research, Writing Craft, Dance on Oct 5th, 2011
Evan Fallenberg, writer, translator and director of fiction for the Shaindy Rudoff Graduate Program in Creative Writing at Bar-Ilan University near Tel Aviv. Author of the novels Light Fell and When We Danced on Water.
Today's Write The Book Prompt was suggested by my guest, Evan Fallenberg, who says this is a good exercise for writing minor characters. When we create character, we traditionally access four methods of (direct) presentation: action, appearance, speech and thought. Take a character you know very well: yourself. Come up with one idea each, or four ideas total, that might best describe you, considering those four methods of presentation. Each one idea has to be the most perfect representation of you as a minor character, helping a reader understand the essence of who you are. How can I describe my appearance with one single idea? What action is a truly representative action of how I might behave? With speech, consider those verbal tics that we all have, and pick a perfect example. For thought, write down that thing you would think but would never dare to say. Then take the exercise a step further. Take these four ideas, and craft them into a single paragraph, introducing a character who may only be in your story for a single paragraph.
Good luck with this exercise and please listen next week for another.
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