Archive for June 2020

Author and NY Times "Dark Matters" Columnist Danielle Trussoni, whose new novel is The Ancestor (William Morrow).

This week’s Write the Book Prompt was generously offered by my guest, Danielle Trussoni, who also suggested it in a recent workshop. In a discussion of dialogue and character, Danielle suggested that her students have one of their characters, perhaps an elusive character who's hard to pin down, write an autobiographical letter of introduction to the student, to the author. Danielle says this can be a helpful way to find the voice of the character and learn more about who that person is.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

 

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UVM Professor Emeritus Robert Manning and Artist Martha Manning, authors of several books on long distance walking, including the subject of our 2013 conversation, Walking Distance: Extraordinary Hikes for Ordinary People (OSU Press).

This week’s Write the Book Prompt is to write about a famous walk. This could mean Steven Newman’s famous solo walk around the world, or it could mean your own child’s first steps. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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American Poet, Essayist and Translator J. Chester Johnson, whose new memoir is Damaged Heritage: The Elaine Race Massacre and A Story of Reconciliation (Pegasus).

This week’s Write the Book Prompt is to consider your own family’s leanings when it comes to filiopietism, that veneration, often excessive, of ancestors or tradition. Does this exist in your own circle of relatives? Do people excuse behaviors because it’s just how the family has always been? Do you have beliefs based largely on what you were raised to think but have never questioned? Are there, even,  certain artifacts hidden away in your home that you keep simply because they belonged to a great grandfather or grandmother? If so, think about why you keep them, why you believe what you believe, why you cling to what you cling to, what you might shed of your family’s past if you could (or what you would not), and then write about it.

Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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Evan Fallenberg, author of The Parting Gift, which came out last week in paperback (Other Press). 

In a review of The Parting Gift, the Jerusalem Post called the book “Intoxicating…Fallenberg is a fearless writer; particularly on the vulnerability and rawness of desire. His crisp taut sentences compel us to keep reading.” This week’s Write the Book Prompt is to write about vulnerability, either in your own life or in that of a character. Perhaps this has to do with exposure, the telling of secret. Perhaps it’s about actual physical danger. What is at stake? As you work, keep in mind the appreciation of Evan’s crisp taut sentences. Play around with concision in your own writing as you work to convey vulnerability. 

Good luck with your work in the coming week, and please listen next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

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American academic and political advisor, Stanley "Huck" Gutman, who writes a newsletter about poetry which is distributed by email and through the UVM listserv, "Poetry."

See below for links to pages featuring some of the works that Huck and I discuss during the interview. 

This week's Write the Book Prompt was generously suggested by my guest, Huck Gutman, who writes:

The surprising subject of many, many poems of the past two hundred years has been the need to pay attention to what is right in front of us, of what is so ‘ordinary’ that we look at it, through it, but don’t see it.  In some sense, our lived reality is invisible to us; in our habitual movement through our lives, we don’t pay attention to what is actually there in front of us and around us.

So as a writing prompt, I would suggest writing about something right in front of you that you don’t normally ‘see.’  For many, this is an object; for some, like Wordsworth, it is a person who seems ordinary but who has that amazing spark that is the emblem of life. 

 Among the life of ordinary things is where our existence takes place.  A poem can recognize that in the ‘ordinary’ are the things that make our world our world.  Write about such a thing.  (If you want to see what this looks like, lots of William Carlos Williams poems do this; so do a lot of poems by Elizabeth Bishop; so do the remarkable ‘Odes’ to common things that Pablo Neruda wrote in the later years of his life…) (For ‘ordinary’ people, there is Wordsworth; there is always that superlative writer – though not a poet – Anton Chekov. )

Good luck with your work in the coming week, and please tune in next week for another prompt or suggestion.

Music Credit: Aaron Shapiro

Works Discussed:

Paul Celan, "Once" 

T.S. Eliot, "The Waste Land"

Zbigniew Herbert, "Five Men"

Tim O'Brien, "The Things They Carried"

Stevie Smith, "Not Waving But Drowning"

Wallace Stevens, "Sunday Morning"

Walt Whitman, "Song of Myself 47 "

C.K. Williams, "Jew On Bridge"

William Carlos Williams:

"Calypso II"

"This is Just to Say"

"Asphodel, That Greeny Flower"

William Wordsworth, Extracts from the Prelude: [Ascent of Snowdon]

Paul Zimmer, "A Romance for the Wild Turkey"

 

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