Episodes

Sunday Jan 29, 2012
Howard Frank Mosher - Archive Interview #176 (1/23/12)
Sunday Jan 29, 2012
Sunday Jan 29, 2012
Interview from the Archives with Award-Winning Vermont Writer Howard Frank Mosher, whose new book, The Great Northern Express, comes out March 6, 2012. Today's Write The Book Prompt celebrates a little-known holiday. According to the Writing Instrument Manufacturers Association, which established the event in 1977, Today is National Handwriting Day, a day devoted to promoting the utilization of pens, pencils, and writing paper. January 23rd was chosen by the association because this is the birthday of John Hancock, the first person to sign the Declaration of Independence. So the prompt today is to write long hand. Write a poem, a page, or a chapter, or simply free write for a set amount of time - but do so by putting pen to paper. Let your hand experience the activity of writing, of sweeps and loops and spirals and lines. Nathalie Goldberg, in her book, Writing Down The Bones, says that a different aspect of yourself comes out when you type. She also says that when she writes something emotional, she must write it "the first time directly with hand on paper." Handwriting, according to Goldberg, "is more connected to the movement of the heart." So this week, write something in your own handwriting. Good luck with this exercise and please listen next week for another!

Monday Dec 12, 2011
Tim Brookes - Archive Interview #171 (12/12/11)
Monday Dec 12, 2011
Monday Dec 12, 2011
Interview from the archives with author, essayist and NPR contributor, Tim Brookes, discussing his book Guitar: An American Life. Prompt: This week’s Write The Book Prompt was inspired by the interview you heard today with author Tim Brookes. During our conversation, Tim said that often, when people feel stuck, they have put up a fence around the thing they should be writing. Even if this mysterious fenced subject isn’t what you’ve been trying to confront, perhaps it’s time to have a look at it. What’s on your mind? What have you been avoiding? Are you procrastinating in order to keep from tackling something real or difficult? Give this some thought and see if you can identify something that’s been wanting to be written about – something you’ve fenced off for whatever reason. Then take a journal and free write about this subject for twenty or thirty minutes. Ignore form. Ignore genre. Don’t worry about whether or not this is the subject you’ve been feeling stuck on. Write about the things that are there with you, right now, and see if this doesn’t help you move forward in some larger way. Good luck with this exercise and please listen next week for another. Music Credits: 1) "Dreaming 1" - John Fink; 2) Tim Brookes on guitar playing "End of a Holiday," by Simon Nichol.

Monday Nov 14, 2011
Christopher Noel - Archive Interview #166 (October 31, 2011)
Monday Nov 14, 2011
Monday Nov 14, 2011
Interview From the Archives with Vermont Author of Memoir, Fiction and Nonfiction, Christopher Noel, whose most recent books include Impossible Visits: The Inside Story of Interactions with Sasquatch at Habituation Sites, and A Frail House: Stories. Today's Write The Book Prompt was suggested by my guest, Chris Noel in 2009, when I first interviewed him. It's a great prompt, and fitting for Halloween, so I'm repeating it now. During the interview, Chris mentioned that writers should meditate on the monsters that move us, those mysterious creatures that fascinated and perhaps repelled us when we were small. Contemplate the monster that lived under your bed, inside your closet, or outside your window, and then free write. This is a great way to enlighten or SHOW yourself what interests and motivates you. It may well also show you something you'd forgotten or hadn't even realized about yourself. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Wednesday Sep 28, 2011
Amy Seidl - Interview # 161 (9/26/11)
Wednesday Sep 28, 2011
Wednesday Sep 28, 2011
Ecologist and educator Amy Seidl, author of Early Spring: An Ecologist and Her Children Wake to a Warming World and Finding Higher Ground: Adaptation in the Age of Warming. Today's Write The Book Prompt was suggested by my guest, Amy Seidl. First, read over this passage from her book, Finding Higher Ground: "Peer into the natural world, one close at hand. Perhaps it is a city park whose paths are lined with oak or maple trees planted in the nineteenth century. Or maybe you are fortunate enough to walk in a remnant prairie with freshwater kettle ponds and migratory ducks, or an old-growth forest with trees whose gigantic trunks and canopies house thousands of species. Maybe you are walking in your own backyard, traversing an enclosed space that you've filled with daylilies, climbing roses, and garden beds filled with vegetables. All these places-the ones intended as sanctuary or refuge, the ones cultivated by gardeners, the wild places with no cultivators or patrons-all are experiencing the agitation of change." Having read that passage, follow Amy's advice. Gaze out at the natural world-whichever one you find inspiring or, as Amy says, close at hand-and consider what you see and the adaptive realities that exist there. Now write about what you noticed, and your reactions to these observations. Were you surprised, awed, worried, impressed? Describe the changing world as you witness it, and the adaptation represented in what you've seen, and then describe how it moves you. Good luck with this exercise and please listen next week for another.

Monday Sep 12, 2011
Wendy Call - Interview #159 (9/12/11)
Monday Sep 12, 2011
Monday Sep 12, 2011
Wendy Call, writer, editor, translator and teacher. Author of No Word for Welcome: The Mexican Village Faces the Global Economy. This week's Write the Book Prompt was suggested by my guest, Wendy Call. It's a two-step writing exercise. First, think about a place that you really love. Describe this delicious place (using as few adjectives and adverbs as possible) to someone who's never been anywhere like it. Include how it looks, how it sounds, how it smells, as well as the quality of the air and light. Next, imagine that this place has, somehow, been destroyed. Now, rewrite your description, with that terrible knowledge. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Wednesday Sep 07, 2011
Priscilla Long - Interview #158 (9/5/11)
Wednesday Sep 07, 2011
Wednesday Sep 07, 2011
Priscilla Long, award-winning poet, prose writer and teacher. Seattle-based author of The Writer's Portable Mentor: A Guide to Art, Craft, and the Writing Life. For this week's Write the Book Prompt, I'll offer two exercises in writing voice from Priscilla Long's book on craft, The Writer's Portable Mentor. To practice capturing voices you know well: spend fifteen minutes writing a bitter complaint in your own most colloquial voice. A second exercise is to spend five minutes writing beyond this opening: "My father always used to say..." Many thanks to Priscilla for allowing me to suggest these exercises to you! Good luck with them, and please listen next week for another.

Monday Aug 15, 2011
Sue William Silverman - Archive Interview #155 (8/15/11)
Monday Aug 15, 2011
Monday Aug 15, 2011
Interview from the archives (July 2009) with Sue William Silverman, author of Because I Remember Terror, Father, I Remember You; Love Sick: One Woman's Journey Through Sexual Addiction; and Fearless Confessions: A Guide to Writing Memoir. Prompt: Today’s Write The Book Prompt comes from my guest, Sue William Silverman, who included it in her new book on craft, Fearless Confessions. Recall a photograph from childhood, or dig one out of an old album. Write a paragraph about it using the voice and sensibility of who you were when the photograph was taken. Then, write a paragraph about it through the voice and sensibility of who you are now. Next, write a third paragraph that combines the perspectives of the first two: a paragraph that speaks in both the Voice of Innocence and the Voice of Experience. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Jul 26, 2011
Kristin Kimball - Interview #152 (7/25/11)
Tuesday Jul 26, 2011
Tuesday Jul 26, 2011
Kristin Kimball, NY Farmer and Author of The Dirty Life: On Farming, Food, and Love. This week's Write the Book Prompt was suggested by my guest, Kristin Kimball. Write about your grandmother by describing her home. If you don't have a living memory of your grandmother, pick somebody else from your childhood who was very important to you, and describe that person by describing their home. Good luck with this exercise and please listen next week for another. Many thanks to the South Burlington Community Library for hosting this interview in front of an audience of their patrons! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Friday Jul 22, 2011
Deborah Fennell - Interview #151 (7/18/11)
Friday Jul 22, 2011
Friday Jul 22, 2011
Deborah Fennell, President of the League of Vermont Writers. This week's Write the Book Prompt was suggested by my guest, Deborah Fennell. The prompt COMBINES HER LOVES OF POETRY, PROSE, PHYSICAL EDUCATION AND WRITING. Go for a walk or a hike. As you're walking, say some words to yourself - whatever comes into your brain. Deb Fennell learned in a poetry workshop with Julia Shipley that we tend to walk in iambic pentameter. So this exercise tends to naturally bring out words in a memorable way. Be observant. When you get back inside, sit down and write at least 100 words, or for 10 minutes, whatever comes first. Don't worry about whether you're writing poetry or prose, just try to capture some of the words that came to you on your walk. Deb Fennell tries to always remember the first 8 words she'd been thinking about on her hike. If you can remember those, everything else begins to flow, helping you remember what you saw and thought about on your walk. Deb has done this in the city, and out in the woods on a trail. Because of the nature of our "iambic pentametric" strides, it's a productive way to access words in a creative way. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday May 24, 2011
Cathy Ostlere - Write The Book Interview #143 (5/23/11)
Tuesday May 24, 2011
Tuesday May 24, 2011
Cathy Ostlere, Canadian Author of the memoir Lost and the recent YA novel in verse, Karma. This week's Write The Book Prompt was inspired by the work of my guest Cathy Ostlere, whose new novel, Karma, is written in verse. Look through your creative writing file on the computer or in the bottom of your desk drawer and pull out an idea you've previously shelved, thinking it wouldn't amount to anything. Now look at it anew, and consider what might happen if you were to develop a certain character whose life or situation might be relevant to this idea by working in verse. You can try rhyming verse, or simply play with rhythms. See if something new comes out of that idea simply because you're playing with words in a different way. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Wednesday May 18, 2011
William Lychack - Write The Book Interview #142 (5/16/11)
Wednesday May 18, 2011
Wednesday May 18, 2011
Vermont author of fiction and poetry, William Lychack, whose latest book of short stories is The Architect of Flowers. This week's Write The Book Prompt was suggested by my guest William Lychack. He calls it AN EXPERIMENT IN SYNTAX: THE NEGATIVE INVERSION. Choose a piece of writing that you particularly like or need to think about in some way. Rewrite the piece by copying down the opposite of each word in the excerpt (except, perhaps, for "little words" like articles and prepositions.) Since most words don't have exact opposites, the possibilities are endless, and that's the point. Here's an example that William Lychack provided, inspired by an excerpt from Emerson. Unfortunately, I don't believe I have the legal right to write out the Emerson excerpt here, on my podcast site. You can probably find it online, though. It begins "I dreamed that I floated at will in the great ether," and ends, "I ate the world." [Emerson] Here is William Lychack's Negative Inversion of the quote:
You awoke on the tiny tip of a pin, attached against your will, blind to all but that pinpoint of fire, a vast emptiness beneath these nightmares of a boy. Then a demon took you by the needle and carried you down and said, "Open your mouth." And you opened like a dark void. [Lychack]
Your poem or letter or postcard probably won't make much sense at first, but continue writing your negative inversion until you have your own draft. Work quickly on this first draft, letting your unconscious decide the antonyms. Now put the original away and see what you can make of your draft. Look for a sense of place, character, or subject to develop; cut out what you can't make work; alter details as much as you wish. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)
Tuesday Apr 19, 2011
Susan Kushner Resnick - Write The Book Interview #138 (4/18/11)
Tuesday Apr 19, 2011
Tuesday Apr 19, 2011
Nonfiction Author Susan Kushner Resnick, whose latest book is Goodbye Wifes and Daughters, published by University of Nebraska Press. This week's Write The Book Prompt was suggested by my guest Susan Kushner Resnick, who occasionally assigns this exercise to her students. Describe a loved one's body part. For example, describe your brother's eyebrow. Or your best friend's teeth. This allows you to get very specific and paint a small, detailed picture about someone you know well. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Wednesday Apr 13, 2011
Cardy Raper - Write The Book Interview #137 Part 2 (4/11/11)
Wednesday Apr 13, 2011
Wednesday Apr 13, 2011
Scientist and Memoir Writer Cardy Raper, Author of Love, Sex & Mushrooms: Part 2 of a 2-Part Interview With New Vermont Writers. This week's Write The Book Prompt is inspired by National Libraries Week. The state slogan for this year's celebration is: "Vermont Libraries can take you anywhere." This week, find inspiration at a local library. Go sit in the reading room, people watch, chat with the librarian. Browse the shelves. Browse any fliers, posters or announcements in the lobby. Find out what online services your local library provides, and then browse those sites. Keep your mind open and your pen ready. Then write. Good luck with this exercise and please listen next week for another.

Tuesday Feb 15, 2011
Write The Book Interview #130 (2/14/11) Julie Metz
Tuesday Feb 15, 2011
Tuesday Feb 15, 2011
Interview with Julie Metz, graphic designer and author of the memoir Perfection. This week's Write the Book Prompt comes to us from a listener in Westford, Vermont. Mark Peloquin writes that he's had good luck with this prompt:
Describe your room as a child. Describe why you felt safe there or perhaps, why you did not. Describe what you would see when you looked out the window or through the key hole. Describe any things that were on the walls and why there were significant.
Good luck with this prompt, many thanks to Mark for sending it, and please listen next week for another. Excerpt of Perfection read with permission from Hyperion Books. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).
Friday Feb 04, 2011
Write The Book Interview #128 (1/31/11) Richard McCann
Friday Feb 04, 2011
Friday Feb 04, 2011
Writer of fiction, creative nonfiction and poetry Richard McCann, author of Mother of Sorrows. This week's Write the Book Prompt comes to us from the writer Dorothy Allison, by way of my guest, Richard McCann. In teaching writing at American University, he will occasionally offer this prompt to his students. First, he has them read Dorothy Allison's essay, SURVIVAL IS THE LEAST OF MY DESIRES, which is included in her collection, SKIN. In the essay, she suggests that writers make use of the whole of their lives: honor your dead, your wounded and your lost, and acknowledge your crimes and your shames-what you did and did not do in this world. Richards suggests making a list: who are your dead, your wounded and your lost (literal and metaphorical), and what are the crimes and shames of what you did and did not do. He says those lists become good places from which to start writing. Good luck with this prompt and please listen next week for another. Excerpt of Mother of Sorrows read with permission from Vintage, a division of Random House.

Tuesday Jan 25, 2011
Write The Book Interview #127 (1/24/11) Bill Schubart
Tuesday Jan 25, 2011
Tuesday Jan 25, 2011
Local Short Story Writer, Public Radio Commentator and Businessman Bill Schubart. His latest collection is Fat People. This week's Write the Book Prompt was included in the interview itself, but here it is again:
My guest, Bill Schubart, said during our talk, "I love stories. I grew up in a French Canadian family in Morrisville, VT, and everybody told stories all the time in French and English." He went on to say that we as a society are too distracted by technology, and we don't listen to each other as much as we used to. So ask your family members for their stories. Listen to their stories. Maybe even record them. You can then write about these stories, or you can just enjoy them. As Bill said, "...stories define us, in our communities [and] in our families."
Good luck with this prompt and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).
Wednesday Jan 19, 2011
Write The Book Archive Interview #126 (1/17/11) Rosellen Brown
Wednesday Jan 19, 2011
Wednesday Jan 19, 2011
Acclaimed Author of Poetry, Fiction and Creative Nonfiction, Rosellen Brown. This week's Write the Book Prompt is to write from the perspective of someone you find in a news story. Read to learn about what's happening in the world, in the country, in your town. Find a story that interests you, familiarize yourself with all the details, and then write from the perspective of a person in that story. For example, how might you represent the perspective of the driver who whisked Jean-Claude "Baby Doc" Duvalier from the airport to the Karibe hotel in Port-au-Prince, Haiti last night. Imagine this person's role in the unfolding events, and write from his or her perspective. Good luck with this prompt and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Monday Dec 27, 2010
Write The Book Archive Interview #122 (12/20/10) Louella Bryant
Monday Dec 27, 2010
Monday Dec 27, 2010
Interview with Louella Bryant, author of While In Darkness There Is Light. This week's Write the Book Prompt is pretty straightforward. If you tend to love the holidays, write about your worst holiday memory ever. And if you don't enjoy the holidays, write about your best. Good luck with this prompt and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Friday Dec 10, 2010
Write The Book Interview #120 (12/6/10) Pamela Harrison
Friday Dec 10, 2010
Friday Dec 10, 2010
Vermont Poet Pamela Harrison, author of the new collection, Out of Silence. This week's Write the Book Prompt was suggested by my guest, Pamela Harrison. In her creative writing classes, she will sometimes ask students to read and study Archibald McLeash's Poem "Eleven," which captures a particular time in the intellectual and emotional life of an eleven year old boy. He is asked by the adults in his life to "think, think, think!" But he's not ready to think. He's still living deep inside his body. He hasn't arrived at his intellectual capacities yet and hasn't awakened to his separate self. The poem, says Pamela, beautifully captures that time in the life of a child. Your prompt this week is to find the poem "Eleven" and read it. Look at each line as it develops. Then find or remember a place in your own life that was your hideaway, your safe place as a child, where you were most alive inside your body and where you had a sense of wholeness; then write. It's amazing, says Pamela, what this exercise inspires in her students. Good luck with this prompt and please listen next week for another.

Tuesday Oct 05, 2010
Write The Book #113 (10/4/10) Angelique and Morella Devost
Tuesday Oct 05, 2010
Tuesday Oct 05, 2010
A Discussion Of Writers' Block with Angelique and Morella Devost, Hypnotherapists and Practitioners of Neuro-Linguistic Programming. This week we have two Write The Book Prompts, suggested by my guests. Morella and Angelique Devost. The first is the prompt you heard Angelique mention in the interview, to write about a "Fraught Drive in a Car." And the second is to consider the idea that Morella mentioned, What would you do if you could not fail? And then write with that sense of possibility. Good luck with these exercises and please listen next week for another. And check out these articles, if you're interested in resources about the work that Morella and Angelique Devost do. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Sep 28, 2010
Write The Book #112 (9/27/10) Ann Hood
Tuesday Sep 28, 2010
Tuesday Sep 28, 2010
Ann Hood, author of fiction, essays and memoir, most recently of the novel The Red Thread, published by W.W. Norton and Co. This week we have two Write The Book Prompts, both suggested by Ann Hood. The first is to write your autobiography in 500 words. And the second is to find a copy of Sandra Cisnero's very short story, "My Name," which was part of her book, The House On Mango Street. Read that, and then write the story of your own name. Or, if you're working on a piece of fiction, write the story of your character's name. Ann says that these exercises have proven very useful in classes that she's taught and that they really help details of character to emerge. Due to copyright laws, I can't reproduce Sandra Cisneros' lovely vignette, My Name, on my podcast site. But if you google it, you'll probably find a copy floating out there in the world. Or, hey! Buy it! Writers supporting writers: always a good idea. Good luck with these exercises and please listen next week for another. Excerpt from Ann Hood's novel The Read Thread read with permission. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Aug 24, 2010
Write The Book #108 (8/23/10) Susan Weiss
Tuesday Aug 24, 2010
Tuesday Aug 24, 2010
Burlington writer and teacher, Susan Weiss. Her blog is Publish or Perish... Which Will Come First? This week's Write The Book Prompt was suggested by my guest, Susan Weiss. Begin writing a narrative either from experience or imagination-just a sentence or two and then veer off onto a tangent. Continue for another couple of sentences and again go off on a tangent. Do this a few more times and then try to bring the narrative back to the beginning somehow, to make it feel like a full circle. So, are you left with dizziness or a sense of closure? Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Monday Aug 02, 2010
Write The Book #105 (8/2/10) Connie May Fowler
Monday Aug 02, 2010
Monday Aug 02, 2010
Connie May Fowler, award-winning novelist, memoirist, and screenwriter. This week's Write The Book Prompt was suggested by my guest, Connie May Fowler, whose latest novel, How Clarissa Burden Learned To Fly, involves the ghosts of women who reside in a graveyard. Connie May recommends walking through a cemetery in your own area and finding a tombstone, and then writing a story or poem inspired by that tombstone and the person whose grave it marks. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Monday Jun 21, 2010
Write The Book #100 (6/21/10) A Discussion With Four Emerging Writers
Monday Jun 21, 2010
Monday Jun 21, 2010
Anne Trooper-Holbrooke, Coleen Kearon, Benjamin Malcolm, and Susan Ritz: four writers working to develop their craft. This week’s Write The Book prompt was inspired by a comment made by one of my guests. Coleen Kearon mentioned her efforts to introduce more plot, more active scenes into her prose, and to pay attention to the amount of introspection she includes. She described this effort as a move toward plot and away from too much exposition. You may have the same problem. Or perhaps, yours is the opposite problem. If you're a poet, this might not seem like a useful exercise, but the bottom line is balance. Read over your work with an eye to what you use too much of, and how you might rectify that by introducing balance. First, identify the qualities you want to balance. Action and introspection, for example. Or dialogue and exposition. Character interaction and scene setting. Take markers and highlight the parts of your work that fit one versus the other quality that you're trying to balance. Don't judge yourself as you go, but just objectively highlight the differences. And then study your work with this new colorful enhancement and work to right the disproportion. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Thursday Apr 29, 2010
Write The Book Archives #94 (4/26/10) Gary Clark
Thursday Apr 29, 2010
Thursday Apr 29, 2010
Interview with Gary Clark, Writing Program Director at the Vermont Studio Center. This week's Write The Book Prompt is inspired by the Vermont Studio Center and writing retreats in general. Even if you can't get to a retreat at present, perhaps you can offer yourself a mini-retreat. Begin by looking at your writing space. Really study it. Is it a place you look forward to going to, sitting down and working in? If not, what might you be able to do to create a more comfortable, enjoyable atmosphere? Maybe you need to put in a bookshelf full of the kinds of books you might like to reach for when you need inspiration. Maybe you should consider new décor, a poster, a small colorful rug, a comfortable chair where you can sit and read over what you've written on a given day. Or maybe you need to do the opposite: simplify. Is the space too full of knick knacks, books, papers, pens? Do you need to clean it out, reduce the clutter? Figure out what you need to make yourself look forward to being in your writing space. Then, on a certain day, plan ahead. Make yourself lunch, put it in a picnic basket, and leave it outside your office door. Turn off your phones, ask your family to leave you in peace for one day. Create your own personal retreat. And then go to your space, sit down, and write. Good luck with your feng shui and please listen next week for another exercise. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Tuesday Mar 23, 2010
Write The Book #89 (3/22/10) Tim Brookes
Tuesday Mar 23, 2010
Tuesday Mar 23, 2010
Interview with local author Tim Brookes about his new book, Thirty Percent Chance of Enlightenment. Prompt: This week, instead of a Write The Book Prompt, I offer what I'm calling an "anti-prompt." When I asked my guest, Tim Brookes, if he had a prompt to suggest, he answered with a very firm "no." Tim does not use prompts, and as a teacher, he does not assign them. When I asked him if I might offer his opinion this week, instead of a prompt, he wrote me the following email. Perhaps you'll find it useful.
I guess I'm anti-prompt for the same three reasons why I'm against that rhetoric/debate exercise where the teacher says, "Which side are you on when it comes to this issue? Okay, in that case, argue the opposite side."
One, I want my writers to discover what they have to say by paying attention to their own inner landscape, their own issues, passions, dark corners.
Two, that's not the way it works in real life.
Three, it takes a writer absolutely at the top of his/her game to be able to pull that off well.
One: it takes a great deal of time and practice for a young writer even to be aware of what s/he has to say, let alone to have the confidence and the means to say it powerfully. To me that's a crucial, crucial goal. Writing to a prompt produces reactive writing--writing to please someone else, writing to respond to someone else--which actually takes the writer's focus away from what is most important to him/her. For the prompt to strike home and hit a subject of genuine urgency and importance to the writer is like throwing a dart across the street and trying to hit the bulls eye of a dartboard on the other side of the traffic. Giving prompts is a way to get writing from the student, but not a way of helping the student become a writer. It's a recipe for bullshit.
Two: In all the twenty years I was writing for NPR--the form that's closest to the kind of short personal essay/poem product that writing prompts are usually intended to provoke-I was only ever asked to respond to a specific subject twice. My best feature-story editor used to say to me, "What do you want to spend three months learning about?" It's true that a good many journalists are given assignments they have to go and cover, but they themselves would rarely claim that daily grind produced their best writing. The fact is, we writers write best about the things that matter to us. Sometimes we can bring that passion to a subject that was assigned to us, but more often that's not the case. If you want student writers to write like professional writers, have them talk to poets/novelists/essayists and ask them, "How do you reach your best writing?" and see what they say. And here's the real problem: none of those writers will say, "I sit down in a regularly scheduled English class at 10:10 every Tuesday and Friday and whatever's going on inside me or around me I always find something to say." Bollocks.
Three: It is possible to write well from a prompt--and in a sense editorial writers do it all the time--but there's a reason why a newspaper's editorials are written by the most seasoned, experienced, widely-read writers on the staff. You need to have an astonishingly wide range of reference in order to have a chance of understanding the subject, let alone saying anything worthwhile; you need a deep sense of form and structure to be able to create a finished piece of given proportions in a limited time; and you need to be capable of interesting turns of phrase under pressure. Student writers try desperately to ape that kind of skill, but they also know that 85% of what they write is bullshit. I know: I've asked them. So I'd far rather have them attempt something that genuinely means something to them. Even the act of trying to access that genuine subject is worth more than facility at writing a poem on Spring at the drop of a hat.
So what do I use instead of prompts?
I usually just say, "Think back to an incident or a conversation (conversation is better, as it's much more specific) that you've had, or you've witnessed, from the past twelve months, one that you recall with some kind of strong emotion. Now write about that in as much detail as you can remember."
So that's Tim's take on prompts. I offer his words as encouragement to anyone who doesn't tend to find them helpful or generative. For those of you who do like them, the prompt will be back next week. I may rename it, though... hmm. Good luck with your writing this week!
Tuesday Mar 02, 2010
Write The Book #86 (3/1/10) Howard Frank Mosher
Tuesday Mar 02, 2010
Tuesday Mar 02, 2010
Interview with Vermont author Howard Frank Mosher. Prompt: This week’s Write The Book Prompt was inspired by the interview you heard today. Howard Frank Mosher mentioned during our talk that he had twice, in the course of writing his new book, Walking To Gatlinburg, asked his wife Phyllis to cast and read Nordic runes as a helpful form of inspiration. He did this partly because Phyllis was studying runes at the time, and partly because runes were the inspiration for the Kingdom Mountain pictographs that play a role in his new book. This week's Write The Book Prompt, then, is to cast runes. For help in understanding how to do this, try these websites (or Google "Nordic Runes," and see if you find other references): http://www.ehow.com/how_5830139_make-own-rune-set.html http://www.runemaker.com/casting.shtml Set yourself a question or problem that you'd like to resolve in your work, and let the runes offer suggestions. These could inspire a course of action for your character, for yourself, for the plot, or for the structure of the project. Keep your mind open and see what presents itself. Good luck with this exercise, and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Jan 05, 2010
Write The Book #79 (1/4/10) Lawrence Sutin
Tuesday Jan 05, 2010
Tuesday Jan 05, 2010
Interview with author of fiction and nonfiction, Lawrence Sutin. His latest book is When To Go Into The Water: A Novel. Prompt: This week's Write The Book Prompt was suggested by my guest, Lawrence Sutin. Describe your opposite. On paper, as an exercise, describe your personal opposite: whatever that means to you. Whether it means gender, age, psychology, physicality. Write in vivid detail a human being who, in your sense of things, is absolutely opposite to yourself. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Sunday Jan 03, 2010
Write The Book #78 (12/28/09) David Huddle
Sunday Jan 03, 2010
Sunday Jan 03, 2010
Interview with poet and author of fiction and nonfiction, David Huddle. This interview from the archives was the first show aired on Write The Book, back in March 2008. Prompt: This week's Write The Book Prompt was inspired by my guest, David Huddle. In his essay, Issues Of Character, which appears in his book, The Writing Habit (published by The University Press of New England) he suggests six ways to bring a character to life in a story. They are: Information, Physical Appearance, Thoughts and Feelings, Actions, Sensory Experience, and Speech. He fills an entire essay with helpful explanations of what he means and examples of fine characterizations, but at the very least, the list itself may be of help to a writer who is stuck, trying to build a character. So, as you write this week, focus on your weakest character, and see if you might improve on his or her presentation on the page by studying the information, physical appearance, thoughts and feelings, actions, sensory experience, and speech that you, as the writer, have provided to the reader about this character. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Dec 15, 2009
Write The Book #76 (12/14/09) Deborah S. Schapiro
Tuesday Dec 15, 2009
Tuesday Dec 15, 2009
Interview with Deborah S. Schapiro, editor of the Vermont publication Edible Green Mountains. Prompt: Deborah Schapiro actually recommended two Write The Book Prompts for listeners.
1) Your first prompt this week has to do with recipes. Look at recipes and notice how they're written. You can look in cookbooks, magazines, your own index card file. Notice actual differences in recipes' structure and try to understand what the cooks who wrote them were focused on: ease of use, quick communication, tips for success? Did your grandmother guess at average quantities, or did she keep to very specific measurements? Does a certain famous chef suggest where you might find little-known ingredients? Does your favorite cookbook offer variations or keep to a set script? Some recipes are copied down as simple paragraphs, with ingredients embedded in the text. In others, ingredients are offered up front. Some are written in two columns, with ingredients on the left and instructions on the right. Edible Green Mountains delineates each step with a new paragraph indent, in hopes of keeping things simple.
After you study a few recipes, write a scene or a poem that attempts to emulate something about a recipe you've found. Then write it again, using another style of recipe for inspiration. What differs in your final products? Which do you prefer and why?
2) The second prompt suggested by Deborah also has two parts. First, consider a food memory. When Deborah was small, she would occasionally come home from school to find her mother in the kitchen making a Hungarian biscotti-like cookie. She recalls the warming scent of cinnamon, the crunch of cinnamon and sugar on top of the finished cookies. The glass of milk. All of these sensory memories evoke strong emotions for her as she thinks back.
Once you've identified a food memory of your own, consider a food-related poem or scene that moved you in a work of literature. Blueberries, by Robert Frost. Proust's famous madeleines. Just about every chapter in Like Water For Chocolate. Why did the scene or poem affect you as it did? If you were to try and write a food scene or poem of your own, what might you have learned from this work of literature that would help you? Now try to write about your food memory.
Good luck with these exercises and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)
Friday Dec 04, 2009
Write The Book #74 (11/30/09) Scott Russell Sanders, Part 2
Friday Dec 04, 2009
Friday Dec 04, 2009
Interview with Scott Russell Sanders, author of twenty books of fiction and nonfiction. His latest is A Conservationist Manifesto, published by Indiana University Press. Prompt: Today's Write The Book Prompt was suggested by my guest, Scott Russell Sanders, who is a writing teacher as well as a writer. Think about the classic elements as the Greeks imagined them: air, earth, fire and water. Say the words over and over in your mind. Settle on one of them. And then begin to think about what associations you have in your own life with that element. Water can be ice, moving water, a pond, something you drink, snow, mist, clouds. You could think about a place where you encountered water in some foundational way: where you learned to swim or a snowstorm you got caught in in your car once, or sledding down a hill as a child. Write a list - not a narrative - of these associations or memories: sledding, ice fishing, snowball fights. Pick one or two of these items from your list and then begin to write, begin to unpack it, see where it goes. Good luck with this prompt, and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Nov 24, 2009
Write The Book #73 (11/23/09) Scott Russell Sanders, Part 1
Tuesday Nov 24, 2009
Tuesday Nov 24, 2009
Interview with Scott Russell Sanders, author of twenty books of fiction and nonfiction. His latest is A Conservationist Manifesto, published by Indiana University Press. Prompt: Today's Write The Book Prompt was inspired by the work of my guest, Scott Russell Sanders. The excerpt he read from his new book, A Conservationist Manifesto, is really intended for two audiences. Here's some of what he said as he introduced the pages he read during our interview: What I try to do ... is tell [the children of the future] what I have loved, what I have valued about the earth during my time alive ... and also what my hopes for them are... At the same time, ... I'm speaking of course to the contemporary reader ... and inviting the present reader to think about the effects of our lives on the prospects for future children. As you write in the coming week, consider your audience. Who will read your words and how would you like your work to impact those people? Do you want the reactions of your audience to affect the way you write, or would you rather just put words on paper, tell your story, convey your ideas? If you're writing an essay, as Scott Russell Sanders did in writing "For The Children," you may well want to think about your audience ahead of time. If you're writing a poem, reacting to the world around you in a personal way, you may be less inclined to worry about how your reader will react. In either case, this bears consideration. Who will read your work, how will they react, and is that important to the process of creation itself? Good luck with this prompt, and please listen next week for another. Readings by Scott Russell Sanders, from A Conservationist Manifesto (Bloomington: Indiana University Press, 2009). Copyright © 2009 by Scott Russell Sanders. Recorded with permission. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Oct 27, 2009
Write The Book #71 (10/26/09) Thea Lewis
Tuesday Oct 27, 2009
Tuesday Oct 27, 2009
Interview with Thea Lewis, Vermont author of Haunted Burlington: Spirits of Vermont's Queen City, and founder of the Queen City Ghost Walk. Prompt: This week's Write The Book Prompt was inspired by the interview you heard today with Thea Lewis. Write from the perspective of a ghost. How would it be if everyone who could see you were afraid of you? Would you haunt a place or a person? Would you be helpful or frightening? Who do you suppose you were you in life, and what happened to bring you to this point? Good luck with this exercise and please listen next week for another... Readings by Thea Lewis, from Haunted Burlington: Spirits of Vermont's Queen City (Charleston: Haunted America, The History Press, 2009). Copyright © 2009 by Thea Lewis. Recorded with permission from The History Press. Music credits: 1) “Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Monday Oct 19, 2009
Write The Book #70 (10/19/09) Christopher Noel
Monday Oct 19, 2009
Monday Oct 19, 2009
Interview with Christopher Noël , Vermont author of fiction and nonfiction, Sasquatch Investigator and owner of the Tall Rock Retreat in East Calais. Prompt: This week's Write The Book Prompt was suggested by my guest, Christopher Noël . During the show, Chris mentioned that writers should meditate on the monsters that move us, those mysterious creatures that fascinated and perhaps repelled us when we were small. Contemplate the monster that lived under your bed, inside your closet, or outside your window, and then free write. This is a great way to enlighten or SHOW yourself what interests and motivates you. It may well also show you something you'd forgotten or hadn't even realized about yourself. Good luck with this exercise and please listen next week for another... Readings by Christopher Noël , from Impossible Visits. Copyright © 2009 by Christopher Noël. Recorded with permission. Music credits: 1) “Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Oct 13, 2009
Write The Book #69 (10/12/09) Tanya Lee Stone
Tuesday Oct 13, 2009
Tuesday Oct 13, 2009
Interview with Tanya Lee Stone, Vermont author of picture books, novels and nonfiction books for children, young readers and teens. Her latest is Almost Astronauts: 13 Women Who Dared To Dream. Prompt: This week's Write The Book Prompt was suggested by my guest, Tanya Lee Stone. Write about an embarrassing moment, without revealing the actual event that caused the embarrassment. Good luck with this exercise and please listen next week for another... Music credits: 1) “Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Monday Oct 05, 2009
Write The Book - Archive Interview #68 (10/05/09) Philip Graham
Monday Oct 05, 2009
Monday Oct 05, 2009
Interview from the archives with Philip Graham, fiction and cnf writer and co-founder of the journal Ninth Letter. Prompt: This week's Write The Book Prompt is inspired by a passage from Philip Graham's new book, The Moon, Come to Earth, published by The University of Chicago Press. The following is the book's first paragraph, from the essay titled "I Don't Know Why I Love Lisbon."
The grilled sardines lying on my plate are much larger than the stunted little things packed in tins which go by the same name in the U.S., and their eye sockets stare up at the ceiling, where hanging light fixtures are shaped like gourds. The aroma of sardines led me here, the scent sharp at first as it hit the nose (perhaps too sharp), until the smoky complexities took over, akin-at least for me-to a bouquet of wine. I take another sip from my glass of vinho verde and peer up at the small square of the TV perched on a high shelf beside the restaurant's open door. The screen displays a smaller green rectangle of a soccer pitch, with the even smaller figures of the players racing back and forth.
Consider the middle passage, about the aroma of sardines, their sharp scent and smoky complexity, and how the passage is enriched by the details of scent. In your work, have you remembered to include smells? This week, look at heightening the power of description by way of scent. From perfume to overcooked eggs, pine needles to paint thinner. Be sure to let the smells into your writing, to present a richer, fuller presentation of the world you're trying to convey. Good luck with this exercise and please listen next week for another... Music credits: 1) “Dreaming 1″ - John Fink; 2) “Do Lado De Cá Do Mar” - Mario Laginha

Tuesday Sep 08, 2009
Write The Book #65 (9/7/09) Doug Wilhelm
Tuesday Sep 08, 2009
Tuesday Sep 08, 2009
Interview with Vermont Writer Doug Wilhelm Prompt: Today's Write The Book Prompt was inspired by the interview you heard with Doug Wilhelm. The crux of this prompt is find out what you don't know. And the advice is really twofold. First of all, decide if you need to do more research in order to move forward with your writing. What don't you know that a book or a person or the experience of immersing yourself in a situation might teach you? Do that research before continuing with your work. The second part of this advice is to ask yourself relevant questions that aren't being answered in your work, and then free write. These questions may be closer to the heart of your project than simple research. For example, if your main character is an arsonist, you might need to do research on how to set fires. But you'll also need to ask yourself, Why is my character setting these fires? What is motivating him? If you don't already know the answer, then put the question to yourself and spend some time free writing. Good luck with this exercise and please listen next week for another! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Thursday Sep 03, 2009
Write The Book #64 (8/31/09) Vivian Dorsel
Thursday Sep 03, 2009
Thursday Sep 03, 2009
Interview with Writer and upstreet Editor and Publisher Vivian Dorsel Prompt: Today's Write The Book Prompt was inspired by the interview you heard today with Vivian Dorsel. During our conversation, she mentioned an exercise that she likes (by Natalie Goldberg). A similar activity might be to try writing the words "I used to," on a page, then follow that with a ten-minute free write about something you USED to do. Then write "I'm going to," and write for another ten minutes about something you're going to do. Good luck with this exercise and please listen next week for another! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Aug 04, 2009
Write The Book #61 (8/3/09) Natasha Saje
Tuesday Aug 04, 2009
Tuesday Aug 04, 2009
Interview with award-winning poet Natasha Saje Prompt: Today’s Write The Book Prompt was inspired by the interview you heard today with Natasha Saje, who occasionally turns to the dictionary for inspiration. Open a dictionary to a random page. Run your finger down a column of text, paying attention to the first five or ten words you see. Choose one of those words and find a way to include it in a poem you’re working on, or a paragraph of prose. As Natasha says, you can force the word into your work “like hammering open a door.” Maybe in a later revision, you’ll block it up again. But in the meantime, this randomly chosen word will have allowed you to get some “air” into your writing. Good luck with this exercise and please listen next week for another! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Tuesday Mar 24, 2009
Write The Book #45 (3/23/09) Phyllis Barber
Tuesday Mar 24, 2009
Tuesday Mar 24, 2009
Interview with author of fiction and creative nonfiction Phyllis Barber. Prompt: Today’s Write The Book Prompt is suggested by my guest, Phyllis Barber. She recommends, “Read Flannery O’Connor, who does things with character that I don’t think I’ve seen many other writers do. Her characterizations are fabulous. So… Look at Flannery!” And that is your prompt today: look at Flannery. Her stories can be found in the books Everything That Rises Must Converge and A Good Man Is Hard to Find and Other Stories, among other collections. She also wrote two novels: Wise Blood and The Violent Bear It Away. And, of course, every writer can benefit from reading her essays on writing and the writing life, collected in the book, Mystery and Manners. Here’s a snippet from her story, A Good Man Is Hard To Find. Even if you’ve never read this story and even if you don’t know the context of the scene, I think you’ll come to know the characters very quickly, from these few paragraphs:
They drove off again into the hot afternoon. The grandmother took cat naps and woke up every few minutes with her own snoring. Outside of Toombsboro she woke up and recalled an old plantation that she had visited in this neighborhood once when she was a young lady. She said the house had six white columns across the front and that there was an avenue of oaks leading up to it and two little wooden trellis arbors on either side in front where you sat down with your suitor after a stroll in the garden. She recalled exactly which road to turn off to get to it. She knew that Bailey would not be willing to lose any time looking at an old house, but the more she talked about it, the more she wanted to see it once again and find out if the little twin arbors were still standing. "There was a secret:-panel in this house," she said craftily, not telling the truth but wishing that she were, "and the story went that all the family silver was hidden in it when Sherman came through but it was never found . . ." "Hey!" John Wesley said. "Let's go see it! We'll find it! We'll poke all the woodwork and find it! Who lives there? Where do you turn off at? Hey Pop, can't we turn off there?" "We never have seen a house with a secret panel!" June Star shrieked. "Let's go to the house with the secret panel! Hey Pop, can't we go see the house with the secret panel!" "It's not far from here, I know," the grandmother said. "It wouldn't take over twenty minutes." Bailey was looking straight ahead. His jaw was as rigid as a horseshoe. "No," he said. The children began to yell and scream that they wanted to see the house with the secret panel. John Wesley kicked the back of the front seat and June Star hung over her mother's shoulder and whined desperately into her ear that they never had any fun even on their vacation, that they could never do what THEY wanted to do. The baby began to scream and John Wesley kicked the back of the seat so hard that his father could feel the blows in his kidney. "All right!" he shouted and drew the car to a stop at the side of the road. "Will you all shut up? Will you all just shut up for one second? If you don't shut up, we won't go anywhere." "It would be very educational for them," the grandmother murmured.That, again, is an excerpt from Flannery O’Connor’s A Good Man Is Hard To Find. Phyllis Barber suggests reading O’Connor’s work in looking for inspiration on character development. Good luck with this activity and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Monday Mar 09, 2009
Write The Book #43 (3/9/09) Anita Diamant
Monday Mar 09, 2009
Monday Mar 09, 2009
Interview with best-selling author Anita Diamant. Prompt: Today’s Write The Book Prompt was inspired by my guest, Anita Diamant, whose fiction is often based on “found stories” and historical events. Navigate to the Library of Congress’ “Today In History Site” ( http://lcweb2.loc.gov/ammem/today/ ) Read about this day in history, keeping your mind open about how you could create a fictional character who might have participated in or witnessed the event of the day. Then write a scene featuring that character. Here’s an example: On Sunday March 7, 1965, about six hundred people began a fifty-four mile march from Selma, Alabama to the state capitol in Montgomery. They were demonstrating for African American voting rights and to commemorate the death of Jimmie Lee Jackson, shot three weeks earlier by a state trooper while trying to protect his mother at a civil rights demonstration. On the outskirts of Selma, after they crossed the Edmund Pettus Bridge, the marchers, in plain sight of photographers and journalists, were brutally assaulted by heavily armed state troopers and deputies. Given this historical moment, would you choose to write a scene from the perspective of a bystander, a marcher, from Jackson’s mother, from the state trooper who shot Jimmie Lee Jackson? Perhaps from the viewpoint of a photographer? Use this moment in history as a starting point. Honor the sacrifices of the past by re-imagining it in your fiction. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Wednesday Mar 04, 2009
Write The Book #42 (3/2/09) Robert Vivian, Norbert Ender
Wednesday Mar 04, 2009
Wednesday Mar 04, 2009
Interview with author Robert Vivian and Burlington business owner Norbert Ender. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Monday afternoon from 2-3 p.m. - a new time.
Prompt: Today’s Write The Book Prompt was suggested by my first guest, Robert Vivian. In his work with students, he occasionally distributes postcards from small towns, and asks each student to write a note on that card to a fictional recipient. Look at the postcard and imagine you’re traveling across the country and you’ve landed in this small town. Use the postcard as a trigger and write to someone. It could be someone who’s wronged you in the past or it could be a beloved person. You might be writing this postcard due to a situation that you’re fleeing. “Dear Randy. Hello from the middle of nowhere. I’m in a diner. Icicles are hanging down from the roof. I’m driving to Santa Fe. I have 20 dollars in my pocket. I can’t stop thinking about the last time we spoke…” Etc. Invent a situation and write. Let the postcard be a trigger, and lose yourself in the creative act. Good luck with this exercise and please listen next week for another.
Music credits: 1) “Dreaming 1″ - John Fink
Sunday Feb 15, 2009
write the book #41 (2/14/09) Kate Harper & Leon Marasco
Sunday Feb 15, 2009
Sunday Feb 15, 2009
Interview with Kate Harper and Leon Marasco about their nonfiction book, If Only I Could Tell You: Where Past Loves and Current Intimacy Meet. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is inspired by fear: an emotion that can make people reluctant to discuss past loves. Write a poem, story, or chapter in which a character—real or imagined, completely new or already familiar to you—has to confront his or her greatest fear. This can be, like the dread of discussing past loves, a fear of sentiment. Or it can be a fear of physical harm, of disease, of bugs! Whatever it might be, treat it as very real to your character, so that the reader will take it seriously and empathize. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Saturday Feb 07, 2009
write the book #40 (2/7/09) Xu Xi
Saturday Feb 07, 2009
Saturday Feb 07, 2009
Interview with Xu Xi, writer of short stories, novels, essays, and a new "quirky" memoir. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt was suggested by my guest, Xu Xi. She recommends borrowing an idea from jazz improvisation. Look at what Xu Xi calls, “the facts of the fiction,” and pick something to work with. Improvise on it the way a musician might riff on a theme in music. See if the changes you come up with take the work in another direction. In the case of the novel Xu Xi read from in this interview, what if Gail’s child and his grandmother aren’t killed on page one, but later in the book? What if that phone conversation she remembers having with her son is a scene in the novel rather than a recollection? Or the other way around. What if a scene in your book COULD be a recollection. Might that make more sense? Move things around, riff on the facts in your fiction, and see what changes or comes unstuck. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Saturday Jan 31, 2009
write the book #39 (1/31/09) Abby Frucht
Saturday Jan 31, 2009
Saturday Jan 31, 2009
Interview with former Iowa Short Fiction award winner Abby Frucht, writer of short stories, novels, essays and reviews. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt was inspired by my guest, Abby Frucht. In discussing her work, Abby explained that, to her, specific detail achieves two purposes. First, “it allows the reader to have an immediate physical investment in the story.” And second, it can have larger significance, serving a figurative function in the narrative and acting as a signpost for the reader. In the case of her story, “The Dead Car,” the detailed description of the spoon that was lost may later be brought back to remind the reader that this spoon speaks to loss, generally. Not just the loss of a certain object, but other kinds of loss, as well. In your own work, study the descriptions that already exist and see if you can use specific detail to your advantage, not simply to embellish, but to help readers experience the work more fully. Try to find objects that already exist in the work, then heighten their function through detail. Avoid wedging in symbols; try to allow significant details to arise organically. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Sunday Jan 18, 2009
write the book #38 (1/17/09) Rosellen Brown
Sunday Jan 18, 2009
Sunday Jan 18, 2009
Interview with Rosellen Brown, award-winning writer of poetry, fiction, and nonfiction, author of such books as Before and After, Half a Heart and Civil Wars. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt was suggested by my guest, Rosellen Brown. This exercise is also taught by Nicholas Del Banco in his courses at the University of Michigan. Take two classic books and have the characters from one show up in the other. Write a scene in which a character from Mrs. Dalloway appears in The Sun Also Rises. What might happen? Would Pip, from Great Expectations, be a good friend for Tom Sawyer? Would Mr. Darcy be attracted to or repulsed by Daisy Buchanan? This may seem a little silly, but writing playfully and having fun is better than staring at the blank page. Like all exercises, this one might help you to open your mind and discover new things about voice. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Saturday Jan 10, 2009
write the book #37 (1/10/09) Sorche Fairbank
Saturday Jan 10, 2009
Saturday Jan 10, 2009
Interview with agent Sorche Fairbank, owner of Fairbank Literary Representation in Cambridge, Massachusetts. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is an exercise for novelists who think their work might just be ready to send out to agents. Sorche Fairbank quoted the publishing adage that most novels really begin somewhere between pages 12 and 24. She suggested that writers who are trying to decide if their work is starting in the right place should open their manuscript randomly within that page range and read sentences. Ask yourself, “What if I started with this sentence? How would that influence the book?” Look for those exciting sentences that might indicate a better starting place. While you’re at it, look as well for dead zones, spots you wouldn’t want an agent to judge your work on. Try to figure out what’s wrong with those places and how you might fix them. Good luck with this exercise - and in your quest for publication! - and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Saturday Dec 20, 2008
Write The Book #35 (12/20/08) Linda Bland
Saturday Dec 20, 2008
Saturday Dec 20, 2008
Interview with Linda Bland, co-author of Don't Stop at Green LIghts and owner of Cahoots Writing Services. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is inspired in part by the interview you heard today. Linda Bland mentioned that she needs to exercise before attacking a manuscript, either her own or one that she’s reading for a client. With this in mind, today’s prompt is this: if you’re feeling stuck or need an idea before getting started with your writing today, go for a walk. Or, if you prefer, a run or a swim. Put on snowshoes or cross country skies, if the snow is too deep for walking. Before striking out, set yourself an assignment. Tell yourself you need an idea, or you need to develop that idea you had last week. If a particular scene or snippet of dialogue is giving you trouble, suggest to yourself that during the next hour of exercise, you’d really like to work out this problem. Write down what you are hoping to accomplish, then go exercise. Don’t actively focus on the problem you’ve set yourself, just let it be there, within your awareness, as you walk or hike or bike. When you get back, write for at least half an hour and see if you’ve made progress. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Saturday Dec 13, 2008
Write The Book #34, Louella Bryant (12/13/08)
Saturday Dec 13, 2008
Saturday Dec 13, 2008
Interview with Louella Bryant, author of While In Darkness There Is Light. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is inspired by this holiday season. Love it or hate it, the season is upon us. Probably you have a great many catalogs piling up in your living room or on the back of a toilet somewhere, waiting to be chucked in January. Why not use these to some advantage? Pour yourself a cup of tea or coffee, sit back in your coziest couch, and window shop for your characters. Pick out clothing, furniture, sunglasses. Pick out boots, necklaces, belts. Would your narrator wear new jeans, or faded? Would his fleece have buttons or a zip? Would she be in heels or flats? Boots or strappy sandals? Use your catalogs to fill out a scene whose details have been lacking. Sometimes the poses in magazines look wrong somehow. The snow is synthetic, the beach is off-kilter. Why? What’s missing? How might you write these settings more convincingly? You might look for the things your characters can’t afford. What would substitute? Instead of that pricey lamp, how would she light her desk? A candle in a jelly jar? A flashlight? Look at your catalogs not with the eye of a buyer, but with the imagination of a writer. Make lists of ideas as you go, and then write without catalog in hand for twenty minutes. See what develops. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Sunday Nov 30, 2008
Write The Book #32, Sydney Lea (11/29/08)
Sunday Nov 30, 2008
Sunday Nov 30, 2008
Interview with author of poetry and prose Sydney Lea. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. - a new time for the new hour-long format.
Prompt: Today’s Write The Book Prompt concerns setting. How can a writer describe setting in such a way that it informs readers about a character’s or narrator’s state of mind? Consider the following two excerpts from works by Sydney Lea:
From his essay, “Alone With Friends: A Journal Toward Springtime”
… Landy and I sat for a spell on the tailgate, staring at the clean dark that walked at a human pace up the mountains, feeling a flake or two of snow on our wrists and faces, noting a heron who came languidly flapping out of a back pond, roost-bound early.
From his poem, “The Author in March”
Remnant, rank corn snow
. perspires like dirty dough.
What few drab birds there are
. don’t fly up very far,
So hard do the clouds bear down.
. Not much to this splotch of a town—
Flue smoke, smalltalk, clutter.
. Last autumn’s leaves clog gutters
Here’s this week’s prompt. Imagine a place in a poem or story you’re writing or are thinking about writing. Using minimal description, make a list of several things—five or six details—that exist in that setting. Now rewrite the list, describing those same details as seen from the perspective of a character who is upset, frustrated or depressed. Then write the list one last time, describing these same things from the point of view of a character who is happy, optimistic or excited. Don’t change the actual details of place, but the lens through which they are viewed. Good luck with this exercise and please listen next week for another.
Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)
Saturday Nov 08, 2008
Write The Book #30, Tim Brookes (11/8/08)
Saturday Nov 08, 2008
Saturday Nov 08, 2008
Interview with author, essayist and NPR contributor, Tim Brookes. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. - a new time for the new hour-long format. Prompt: This week’s Write The Book Prompt was inspired by the interview you heard today with author Tim Brookes. During our conversation, Tim said that often, when people feel stuck, they have put up a fence around the thing they should be writing. Even if this mysterious fenced subject isn’t what you’ve been trying to confront, perhaps it’s time to have a look at it. What’s on your mind? What have you been avoiding? Are you procrastinating in order to keep from tackling something real or difficult? Give this some thought and see if you can identify something that’s been wanting to be written about – something you’ve fenced off for whatever reason. Then take a journal and free write about this subject for twenty or thirty minutes. Ignore form. Ignore genre. Don’t worry about whether or not this is the subject you’ve been feeling stuck on. Write about the things that are there with you, right now, and see if this doesn’t help you move forward in some larger way. Good luck with this exercise and please listen next week for another. Music Credits: 1) "Dreaming 1" - John Fink; 2) Tim Brookes on guitar playing "End of a Holiday," by Simon Nichol.

Saturday Sep 20, 2008
Write the Book #25, Philip Graham (9/20/08)
Saturday Sep 20, 2008
Saturday Sep 20, 2008
Interview with Philip Graham, fiction and cnf writer and co-founder of the journal Ninth Letter. Recent work includes his "Dispatches From Lisbon," published on the McSweeney's website. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:30 a.m. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Do Lado De Cá Do Mar" - Mario Laginha