Write The Book: Conversations on Craft

Poet Jenny Mary Brown, Editor-in-Chief of New South, Georgia State University’s journal of art and literature. Today's Write The Book Prompt was suggested by my guest, Jenny Mary Brown. It's a prompt that was, in turn, suggested to her by her friend, the poet Christine Swint.

Choose a poem by one of the great old poets and type it into your computer. After you've typed it, go line by line and respond with your own original line. Delete the old poem's lines as you go. This is a useful process to learn someone's rhythms. Christine did it once with one of Roethke's greenhouse poems, one where he is on top of the greenhouse. Her poem ended up being about looking down at something from a great height.

Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Vermont Poet Laureate Sydney Lea, whose tenth collection of poems, I Was Thinking of Beauty, is now available from Four Way Books. Skyhorse Publishing has just published A North Country Life: Tales of Woodsmen, Waters and Wildlife. This interview is also available to watch, thanks to production by RETN, the Regional Educational Technology Network in Burlington, VT.
Today's Write The Book Prompt is to write a poem that involves a recollection of an old friend, and a reaction to the natural world.
Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Interview with poet Leslie Ullman. Prompt: This week's Write The Book Prompt is to write a story, a scene, or a poem that includes the words thump, pummel, stovetop and egg yolk. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Best-selling author of fiction, essays and memoir, Anne Lamott. We discussed Some Assembly Required: A Journal of My Son's First Son. Following the interview with Anne Lamott, a partial rebroadcast from 2008, with the poet David Budbill. As we continue to enjoy National Poetry Month, this week's Write The Book Prompt is another poetry exercise. It's inspired by the work of my first guest, Anne Lamott, whose book, Some Assembly Required, has to do with becoming a grandparent. So this week, write a poem about grandparents. Being a grandparent, having a grandparent, or whatever else this prompt might inspire for you. Good luck with this exercise and please listen next week for another. Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a former Vermont band featuring several South Burlington High School graduates).

Barbara Buckman Strasko, first Poet Laureate of Lancaster County, Pennsylvania, and 2009 River of Words Teacher of the Year. Her new book is Graffiti in Braille, published by Word Press. Today's Write The Book Prompt was suggested by my guest, Barbara Buckman Strasko, who says this is an amalgam of various exercises she's found helpful in the past. The prompt helps to access otherwise subconscious thoughts, feelings, and ideas, which is so valuable when when we're writing poetry. Take notes about or answer the following questions. Barbara says it's best to consider each question individually, without looking ahead at the next one. You can then use your notes to write a poem. Or if you're lucky, the poem will form itself!

• What have you lost ?
• What have you found?
• What do you remember?
• What did you forget?
• Where do you think what you lost is?
• If you had what you lost, what would your words taste like?
• If you had what you lost, what would your name not sound like?

Good luck with this exercise and please listen next week for another. Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a former Vermont band featuring several South Burlington High School graduates).

The Reverend Gary Kowalski, author of bestselling books on animals, nature, history and spirituality. We discuss two of his latest: Goodbye Friend: Healing Wisdom For Anyone Who Has Ever Lost A Pet and Blessings of the Animals. During the interview, Gary recited the poem, The Peace of Wild Things, by Wendell Berry. Unfortunately, due to licensing concerns, I can't air Gary's recitation. But you can find the poem here. Today's Write The Book Prompt is inspired by advice that Gary Kowalski offers in his book, Goodbye Friend: Healing Wisdom For Anyone Who Has Ever Lost A Pet. This is a quote from the book:

I usually counsel those who are grieving to employ the power of words by writing a eulogy for the one they love. The term itself means "good words," for a eulogy attempts to sum up the qualities that made another person memorable and worthy of our care. In the case of an animal, a eulogy could take the form of a letter, a poem, or a memoir that reflects on the traits that made that creature most endearing or stamped it with a special personality.

This week's prompt, then, is to write a eulogy. It can be in remembrance of a pet, or of a person. It can even be a fictional or poetic eulogy for a character you're writing about, an historical figure, someone you never met. After you've written it, follow Gary's advice and read it aloud. Particularly if you've written a eulogy for a person or creature you're truly grieving, reading the words aloud may help you more than you'd imagine. Good luck with this exercise and please listen next week for another. Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a former Vermont band featuring several South Burlington High School graduates).

This week's show has two parts. First, an interview with Mohsin Hamid, author of How to Get Filthy Rich in Rising Asia, published by Riverhead. And then a smorgasbord of interviews with journal editors with whom I spoke at the AWP Conference in Boston. I asked what they were looking for in submissions, or what news they had to share with writers. These are the journals whose booths I visited. You can visit their websites by clicking on any one: Hunger Mountain, Redivider, Agni, Hotel Amerika, Columbia Poetry Review, Story South, Cave Wall, Ninth Letter, The Mom Egg, Adanna Literary Journal, Sonora Review, Solstice: A Magazine of Diverse Voices, Mid-American Review, Rathalla Review, Philadelphia Stories, Ploughshares, The Sun, Green Mountains Review, Memorious, New England Review, Florida Review, Barnstorm Literary Journal, The Cincinnati Review, The Baltimore Review, The Saint Ann's Review, iO, Triquarterly, The Missouri Review, and Upstreet.

Today's Write The Book Prompt is to write a story, poem, or essay in the second person.

Good luck with this exercise and please listen next week for another.

Singer, songwriter and poet/slam poet Mary Lambert and filmmaker and slam poet Rose McAleese, who’ll be performing at Radio Bean in Burlington on Saturday night. Here are links to their Bobby Sands performance (which I played at the start of the show) and the Macklemore and Ryan Lewis YouTube video of Same Love. This week's Write The Book Prompt is to perform your work in some way. If you feel confident to compete in a local slam, do that. Or read a poem or story at an open mic in your area. Or read one to a friend or group of friends. Maybe you'll find that your work, spoken aloud, affects you in a different way than it does on the page. You might hear things as you practice that inspire you to make changes. In any case, sharing your work with an audience gets it out into the world in a new way. Good luck with this exercise and please listen next week for another.

Interview from the archives with award-winning poet Charles Harper Webb. We discussed his 2009 book (part of the Pitt Poetry Series), Shadow Ball. His next collection, What Things Are Made Of, will be published by Univeristy of Pittsburgh Press in February 2013. Today's Write The Book Prompt is to write about a terrible experience that, over time, becomes a cherished memory. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Rebroadcast of an interview with author Jim DeFilippi, whose latest book is Limerick Malfeasance, a collection of over two-hundred original limericks. Lately, I'm interested in revision exercises. So this week's Write The Book Prompt is to flip to the middle of a project you're working on and read one page: any single page. Take notes. Try to divorce yourself from the rest of the content of the project, if it's a long one, and just focus on what you see happening on that one page. Look for mistakes, but perhaps more importantly, look for larger issues. Is your voice evident on the page? Is your narrator's voice in evidence? Are any characters who show up there behaving in a consistent manner with your ideas about how they should behave? Is the project's overarching purpose or vision in evidence on the page? Take notes, think about what you see right there in front of you, and see what ideas that might give you about what is or is not working with the piece as a whole. Maybe it will help. Good luck with this prompt and tune in next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students, now alums).

Award-winning Irish poet Greg Delanty, whose book, The Greek Anthology, Book XVII, comes out in December 2012 (Carcanet Press). Today's Write The Book Prompt was suggested by my guest, Greg Delanty. When his students come in on the first day of a term, he'll ask, "How are your spirits?" They'll answer great or fine or good or bad... whatever. Then he'll ask them if they've seen their spirit. "Where is it?" He'll ask. "Is it in your toe, or is it in your ear, or where? In your chest?" Generally, nobody has an answer. He then discusses "spirit" as an abstract word. Love and death and happiness and sadness are all abstract words for things that are, of course, much harder to pin down. In order to renew such a word or concept, an artist can physicalize it. As an example, he suggests students read "The Vacuum," by Howard Nemerov, in which a woman's soul is sucked up by the vacuum cleaner. This week's prompt is to think in these terms about spirit, or love, or another hard-to-pin-down word or concept. Write about it in a poem and renew it by somehow physicalizing it. Good luck with this prompt and tune in next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band that existed briefly in 2008 and 2009, featuring several South Burlington High School students - now grads)

2008 interview with Michael Collier, poet and director of the Bread Loaf Writers Conference, which runs from August 15th through the 24th in 2012. Today's Write The Book prompt is to pull out something you worked on awhile ago, but set aside. Give it another try. Good luck with this prompt, and tune in next week for another! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Award-winning Vermont poet Jane Shore., author of That Said: New and Collected Poems, published by Houghton Mifflin Harcourt. Today's Write The Book Prompt was suggested by my guest, Jane Shore. Two books that she very much appreciates are I REMEMBER, by the poet Joe Brainard, and THE POETICS OF SPACE, by Gaston Bachelard. In I REMEMBER, Joe Brainard starts off every sentence with the words "I remember." He then fills out each sentence with a specific memory. Gaston Bachelard's book talks about the power that various spaces have. In keeping with lessons she's learned from reading those books, Jane Shore offers the following writing exercise to students in her classes. Consider the house you lived in when you were maybe seven or eight, and mentally go through every room in the house: open every drawer, every closet. Consider all the clothes in the closet. Think about the bicycle, the dolls, the toys. In the kitchen, open the refrigerator, look at the name of the milk company printed on the milk carton. What kind of ice cream is in the freezer? What kind of leftovers are in the fridge? What is the surface of the kitchen table? What does the floor look like? When you lived there, did you have a special cup you drank out of? She goes through the entire house in great detail: think about your mother's perfume, your old Halloween costumes, parties that your parents had, how you celebrated birthdays. Let the memories of that place in which you lived help you recall other memories. Take notes as you go, mentally, from front hall to powder room to den. And as you go, write about the details you rediscover.  Good luck with this prompt and tune in next week for another. Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Award-winning Canadian author Douglas Glover, on his latest book: a collection of essays on writing, Attack of the Copula Spiders, published by Biblioasis. Today's Write The Book Prompt is to write what Douglas Glover playfully calls "a but-construction." In his new book, ATTACK OF THE COPULA SPIDERS, he writes: "Imagine any simple declarative sentence, and add the word but to the end." The example Douglas offers is: "The barn was red, but..." Now keep writing. See what complexity you might be able to introduce to this sentence, or another of your own devising, simply by adding the word "but." As he explains in the book, "I wrote the word 'but' and then had to write something else; the blank space demands completeness. I had no idea what I might put in there before I wrote the words. The result is pure invention, discovery, and rather fun." Good luck with this prompt and tune in next week for another. Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

An interview from the archives with award-winning poet Clare Rossini. Today's Write The Book Prompt was inspired by the interview you heard today. Clare Rossini's poem "BIOLOGY LAB, ST. JOSEPH'S SCHOOL FOR GIRLS" concerned just that, a biology class at a Catholic high school for girls. Your prompt for this week, then, is to take that inspiration as a point of departure. Choose a subject: math, biology, English, chemistry, gym, Spanish or French or Latin. Do you remember sitting in that classroom? What did it look like? What did the teacher act like? Who sat next to you - your best friend, or someone you didn't much like? Did the class inspire you? Did you look forward to it? Why or why not? Write a poem or a scene, using these memories as inspiration. Be sure to include sensory details in the piece. Try to write in such a way that the reader will know just what it felt like to sit, for example, in Mr. Wong's algebra class as he shot a rubber band at you after you misstated the quadratic formula. Good luck with this prompt and tune in next week for another. Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Vermont writer Martin Magoun, author of the poetry collection Shattered and a memoir in essays, Russian Roulette: Depression, Suicide, Medication (DRUGS), published by Wharf Rat Books. This week's Write The Book Prompt was suggested by my guest Martin Magoun. "Describe the girl with the far away eyes." Good luck with this prompt, and please tune in next week for another! Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Poetry class offered during the month of April as part of PoemCity! - Montpelier's celebration of National Poetry Month. The class, taught by Vermont poet and writing instructor, Michelle Demers, offered instruction in writing tanka, an ancient form of Japanese poetry. Today's Write The Book Prompt is, of course, to write a tanka. During our class in April, one student who chose not to have his poems recorded for the show was Eric, a 13-year-old from Calais. Although he didn't really want to hear his voice on the radio, he did give me permission to pass along some good advice that he offered during the class, which feels appropriate for this week's prompt. In writing tanka poems during the class, he found that his second poem grew somewhat naturally out of the first, because he "wasn't thinking about it too much." The first poem he wrote was about a lake, and when he finished with it, he was inspired to write about a fish. This was excellent advice. "Not thinking too much" can be a big help in producing fresh, exciting poems and prose. So this week, write a tanka. If you'd like to read a little more about the form before trying it out for yourself, you can check out the websites tankasocietyofamerica.com and tankaonline.com Good luck with this prompt, and please listen next week for another!

Executive Director of Montpelier Alive! Phayvanh Luekhamhan, Co-Creator of PoemCity, Montpelier's celebration of National Poetry Month. Today's Write The Book Prompt was suggested by my guest, Phayvanh Leukhanman. She got it from a workshop with the poet L. Oliver de la Paz, who called it the Rube Goldberg poem. Essentially, you should write a poem including words and ideas that seem, at first glance, disparate, unlikely. For example, in Phayvanh's PoemCity submission, she wrote a poem that had two references to her age, one reference to a bit of history, the inclusion of the words protractor and accordian, and a color which she set out to make "speak." Phayvanh's poem, created from this exercise, is posted in Montpelier City Hall this month. Good luck with this prompt, and please listen next week for another! Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Interview from the archives with short story writer and guitar builder, Creston Lea, author of the story collection Wild Punch, published by Turtle Point Press. The last time I broadcast this interview with Creston Lea, I used his suggestion for a Write The Book Prompt, which was to eavesdrop on a conversation in a public place, and then use what you heard to write a scene with dialogue. This time, I'll recommend something slightly different, but also useful in writing dialogue. Using a digital recorder or a dictaphone, record a conversation between two people. Then transcribe the conversation exactly as it occurred. Keep all of their pauses and stutters and "ums" and repetitions. Now study a page of dialogue in a book. What might differ in the way that conversation actually sounds from the way that would best represent it on the page? What would you take out, what might you change or add? See if you can turn the conversation that you recorded into a scene that would be understandable--effortless for a reader to digest. Good luck with this prompt, and please listen next week for another! Music credits: 1) "Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

David Wojahn, Award Winning (and Pulitzer Prize Nominated) Poet, Author of the New Collection WORLD TREE, part of the Pitt Poetry Series (University of Pittsburgh Press).  Part of this collection, a series called "Ochre," can also be found (along with photographs) at the Blackbird Online Literary Journal Website. Today's Write The Book Prompt was offered by my guest, David Wojahn. This prompt works well with poetry, fiction, and creative nonfiction alike. Write a piece about a family member meeting a famous person. It can be invented or authentic. This will naturally force you to take something personal and put it in a perspective that has to do with a wider public world. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Vermont poet David Budbill, author of seven books of poems, eight plays, a novel, a collection of short stories, a picture book for children, and many more works. His latest book is Happy Life, published by Copper Canyon Press. This week's Write the Book Prompt is inspired by the work of today's guest, David Budbill. The following is one of David's new poems from Happy Life: * My Punishment I get up before the sun, make a fire in the woodstove, boil water, make tea, watch the dawn come. Then I get back in bed, under the quilt, propped up on my pillows, read a little, drink my tea and stare out the window at the snow coming down. . Oh, this lazybones life! . Others rush off to work while I lie here in silence waiting for a few words to come drifting over from the Other Side. No wonder I never make any money. I am being punished for having such a good time. ~ David Budbill * The prompt this week is to write a poem that conveys an aspect of your life that is joyful or pleasant, but also conveys the truth about an associated hardship. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several former South Burlington High School students).

Priscilla Long,  award-winning poet, prose writer and teacher. Seattle-based author of The Writer's Portable Mentor: A Guide to Art, Craft, and the Writing Life. For this week's Write the Book Prompt, I'll offer two exercises in writing voice from Priscilla Long's book on craft, The Writer's Portable Mentor. To practice capturing voices you know well: spend fifteen minutes writing a bitter complaint in your own most colloquial voice. A second exercise is to spend five minutes writing beyond this opening: "My father always used to say..." Many thanks to Priscilla for allowing me to suggest these exercises to you! Good luck with them, and please listen next week for another.

Deborah Fennell, President of the League of Vermont Writers. This week's Write the Book Prompt was suggested by my guest, Deborah Fennell. The prompt COMBINES HER LOVES OF POETRY, PROSE, PHYSICAL EDUCATION AND WRITING. Go for a walk or a hike. As you're walking, say some words to yourself - whatever comes into your brain. Deb Fennell learned in a poetry workshop with Julia Shipley that we tend to walk in iambic pentameter. So this exercise tends to naturally bring out words in a memorable way. Be observant. When you get back inside, sit down and write at least 100 words, or for 10 minutes, whatever comes first. Don't worry about whether you're writing poetry or prose, just try to capture some of the words that came to you on your walk. Deb Fennell tries to always remember the first 8 words she'd been thinking about on her hike. If you can remember those, everything else begins to flow, helping you remember what you saw and thought about on your walk. Deb has done this in the city, and out in the woods on a trail. Because of the nature of our "iambic pentametric" strides, it's a productive way to access words in a creative way. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Pulitzer Prize Winning Author Geraldine Brooks, whose latest novel is Caleb's Crossing. This week's Write the Book Prompt was suggested by my guest, Geraldine Brooks. She keeps two poetry collections handy in her writing space, and opens them when she needs inspiration. The first is Palgrave's Golden Treasury, the second, the Norton Anthology of Poetry. Open to a random page, read a poem, and then write. Good luck with this exercise and please listen next week for another.

Vermont writer Laban Carrick Hill, author of over thirty books, including the historical picture book, Dave the Potter, and co-director of the Writers Project of Ghana, a nonprofit based in the Ghana and the US.

This week's Write the Book Prompt was suggested by my guest, Laban Carrick Hill. He describes it as an exercise about transgression. Try to write a children's picture book from the POV of a young boy whose brother was tortured and murdered during Rendition at Guantanamo. Laban explains that this might be the least likely book that would ever be written, which is what makes a good prompt. Vermont writer Laban Carrick Hill, author of over thirty books, including the historical picture book, DAVE THE POTTER, and co-director of the Writers Project of Ghana, a nonprofit based in the Ghana and the US.

Vermont Poet Jody Gladding, author of Rooms and Their Airs, published by Milkweed Editions. This week's Write The Book Prompt is inspired by Jody Gladding's poetry and her focus on the natural world. Go for a walk in an outdoor place of your choosing. It can be in your back yard, in the woods, on Church Street, in the parking lot at your local mall. Wherever you'd like. Bring along a notebook and record sounds, smells, sights. Be sure to record some detail of nature that you find in whichever environment you choose. And also record at least one detail that reflects man's influence on the surroundings you've chosen. Set your notes aside, but continue to consider what you saw and perhaps experienced on your walk. A day or two later, write a poem about your walk and try to include the details you noted. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Cathy Ostlere, Canadian Author of the memoir Lost and the recent YA novel in verse, Karma. This week's Write The Book Prompt was inspired by the work of my guest Cathy Ostlere, whose new novel, Karma, is written in verse. Look through your creative writing file on the computer or in the bottom of your desk drawer and pull out an idea you've previously shelved, thinking it wouldn't amount to anything. Now look at it anew, and consider what might happen if you were to develop a certain character whose life or situation might be relevant to this idea by working in verse. You can try rhyming verse, or simply play with rhythms. See if something new comes out of that idea simply because you're playing with words in a different way. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Vermont author of fiction and poetry, William Lychack, whose latest book of short stories is The Architect of Flowers. This week's Write The Book Prompt was suggested by my guest William Lychack. He calls it AN EXPERIMENT IN SYNTAX:  THE NEGATIVE INVERSION. Choose a piece of writing that you particularly like or need to think about in some way. Rewrite the piece by copying down the opposite of each word in the excerpt (except, perhaps, for "little words" like articles and prepositions.) Since most words don't have exact opposites, the possibilities are endless, and that's the point. Here's an example that William Lychack provided, inspired by an excerpt from Emerson. Unfortunately, I don't believe I have the legal right to write out the Emerson excerpt here, on my podcast site. You can probably find it online, though. It begins "I dreamed that I floated at will in the great ether," and ends, "I ate the world."  [Emerson] Here is William Lychack's Negative Inversion of the quote:

You awoke on the tiny tip of a pin, attached against your will, blind to all but that pinpoint of fire, a vast emptiness beneath these nightmares of a boy. Then a demon took you by the needle and carried you down and said, "Open your mouth." And you opened like a dark void. [Lychack]

Your poem or letter or postcard probably won't make much sense at first, but continue writing your negative inversion until you have your own draft. Work quickly on this first draft, letting your unconscious decide the antonyms. Now put the original away and see what you can make of your draft. Look for a sense of place, character, or subject to develop; cut out what you can't make work; alter details as much as you wish. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with author of poetry and prose Sydney Lea. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. - a new time for the new hour-long format.

Prompt: Today’s Write The Book Prompt concerns setting. How can a writer describe setting in such a way that it informs readers about a character’s or narrator’s state of mind? Consider the following two excerpts from works by Sydney Lea:

From his essay, “Alone With Friends: A Journal Toward Springtime”

… Landy and I sat for a spell on the tailgate, staring at the clean dark that walked at a human pace up the mountains, feeling a flake or two of snow on our wrists and faces, noting a heron who came languidly flapping out of a back pond, roost-bound early.

From his poem, “The Author in March”

Remnant, rank corn snow

.   perspires like dirty dough.

What few drab birds there are

.   don’t fly up very far,

So hard do the clouds bear down.

.   Not much to this splotch of a town—

Flue smoke, smalltalk, clutter.

.   Last autumn’s leaves clog gutters

Here’s this week’s prompt. Imagine a place in a poem or story you’re writing or are thinking about writing. Using minimal description, make a list of several things—five or six details—that exist in that setting. Now rewrite the list, describing those same details as seen from the perspective of a character who is upset, frustrated or depressed. Then write the list one last time, describing these same things from the point of view of a character who is happy, optimistic or excited. Don’t change the actual details of place, but the lens through which they are viewed. Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Charles Barasch, Poet and Crossword Puzzle Creator. This week's Write The Book Prompt is inspired by the interview you heard today with Charlie Barasch. If you enjoy crosswords, find a newspaper or website that offers puzzles that you particularly like, and solve that day's puzzle. If you don't enjoy crosswords, use an already-solved puzzle from previous days. In either case, take all the words from a solved crossword, and try to work them into a story, poem, chapter or essay. Good luck with this exercise and please listen next week for another.

Interview with Award-Winning Poet Rick Jackson, winner of the Order of Freedom Medal for literary and humanitarian work in the Balkans. Today's Write The Book Prompt is inspired by the interview you just heard with Rick Jackson, much of whose work centers on translation. I also must credit the site Numéro Cinq, from which I borrowed this exercise (from a similar one that Doug Glover posted last year). When I post this interview on the podcast site, I'll include in the description a paragraph written in Slovenian. Or, actually, written by Google Translate from a paragraph I wrote in English. Do not try to understand the words, and do not take them over to Google to see what they mean. Just study the foreign text-I presume most of you won't speak Slovenian-and let the words affect you as they will. Either translate them, not trying for actual meaning, but for the sense of something you felt as you looked at the words. Or take what you feel in studying them, and use your reaction as a jumping off point to new work.

To ni res pesem. To je točka pišem, da se odstavek v slovenščini, ponuditi pisno vajo govorijo angleško. Upam, da nihče ne bo prevedla to besedilo, ampak bo poskušala najti navdih v besedah, kljub svoji kar nima smisla, da večina Američanov. Morda bo nekaj besed pogled prepoznati ali vsaj kozarec ohlapno ideje domačnosti. Trava in ribnik in gorskih lahko podobne besede. Lepota. Ali pa bo morda besedo drevo, se zdi, kot naša beseda drevo. Ne vem. Ne govorim slovensko.

Good luck with this prompt and please tune in next week for another.

Acclaimed Author of Poetry, Fiction and Creative Nonfiction, Rosellen Brown. This week's Write the Book Prompt is to write from the perspective of someone you find in a news story. Read to learn about what's happening in the world, in the country, in your town. Find a story that interests you, familiarize yourself with all the details, and then write from the perspective of a person in that story. For example, how might you represent the perspective of the driver who whisked Jean-Claude "Baby Doc" Duvalier from the airport to the Karibe hotel in Port-au-Prince, Haiti last night. Imagine this person's role in the unfolding events, and write from his or her perspective. Good luck with this prompt and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Novelist Colum McCann, author of Let The Great World Spin, Winner of the 2009 National Book Award. This week's Write the Book Prompt was suggested by my guest, Colum McCann. When I described this part of the show and asked if he had any prompts or advice to share, he said (and I quote):  "My prompt is: Poetry Poetry Poetry Poetry Poetry Poetry Poetry ... Poetry." Then he added, "And learn from the masters. We get our voices from the voices of others. There's a sort of mitosis that goes on there. So listen to the great ones, imitate them, and develop your own voice." Good luck with this prompt and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Vermont Poet, Musician and Editor Ben Aleshire. Ben founded and edits the Vermont Literary Journal The Salon. This week's Write the Book Prompt was inspired by the interview you heard today with Ben Aleshire. During our talk, Ben read his own "Autumn Poem" that featured, among other things, a stallion. He read another, "The Cock Fight," that featured roosters being set against one another in a cock fight. He also read "After Innocence," a poem by local writer Edie Rhoades that featured swans. Read the following lines from those poems, maybe listen again to those parts of the interview. Then consider animals you've watched and how their beauty or grace, violence or playfulness might be represented on the page using specific detail and precise image. Now ... write!

.

.

The swans feed and come up

first the white rumps high over the water

black feet crabbed and kicking, then

duckweed draped in strings over their bills.

Symbols of grace and flight. The one pure white –

the adult male – I’ve seen him hiss and hunch his wings

stampede across the pond’s face heavy with rage.

This is what swans do.

.

~ From 'After Innocence' by Edie Rhoads

.

.

A different death. Blood, too - lots of it,

crusting in the sand with bits of feather

.

as the trainers clutch the birds to their hearts,

roosters shivering with muscles ready

.

to kill, their neck feathers

flaring out like cobra's hoods:

.

Chile y Blanco, Speckled and White –

.

~ From 'The Cockfight' by Ben Aleshire

.

.

black and shimmering

muscles popping his

nostrils flare his hot breath

streams out in violent puffs

like the barrel of a gun.

.

~ From 'Autumn Poem' by Ben Aleshire

. .

Good luck with this prompt and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students).

Vermont Poet Pamela Harrison, author of the new collection, Out of Silence. This week's Write the Book Prompt was suggested by my guest, Pamela Harrison.  In her creative writing classes, she will sometimes ask students to read and study Archibald McLeash's Poem "Eleven," which captures a particular time in the intellectual and emotional life of an eleven year old boy. He is asked by the adults in his life to "think, think, think!" But he's not ready to think. He's still living deep inside his body. He hasn't arrived at his intellectual capacities yet and hasn't awakened to his separate self. The poem, says Pamela, beautifully captures that time in the life of a child. Your prompt this week is to find the poem "Eleven" and read it. Look at each line as it develops. Then find or remember a place in your own life that was your hideaway, your safe place as a child, where you were most alive inside your body and where you had a sense of wholeness; then write. It's amazing, says Pamela, what this exercise inspires in her students. Good luck with this prompt and please listen next week for another.

Jon Turner, Vermont Veteran, Poet, Paper Maker and Warrior Writers Member. This week, instead of a Write the Book Prompt, I'm going to refer you to the Warrior Writers' blogspot. There, alongside regular blog entries, you'll find weekly writing prompts, poetry forms, and occasional shared work. Please listen next week when the Prompt will return. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Jay Parini, Biographer, Poet, Novelist and Essayist. Author of The Passages of H.M. I'll leave this week's Write The Book Prompt in Jay Parini's exact words, just as you'll hear it when you listen to the interview:

If you're writing a poem, for example, it's important to have one deep image at the center of your poem. So, think of an image and really try to reinforce that image with concrete details. It works for prose as well, to begin with an image. See something. I always tell my students, in writing prose, if you're stuck, go through the senses: sight, smell, sound, taste, touch-the five senses. And try to make a gesture in the direction of each one of those senses.

Just describe a landscape. So I'm looking out the window. I say the autumn light slants across the field. I can smell the dry leaves with their mustiness. I can hear the leaves rattling. There's a cool breeze playing across my skin, which I can feel. I taste the slight acidity in the air.

And - boom - you've got a fall scene. So write for the senses and create images. Remember that an image is not just a picture but as Ezra Pound said, it's a kind of psychological and emotional complex, moving in time.

~ Jay Parini

Good luck with this exercise and please listen next week for another. Excerpt of The Passages of H.M. read with permission from Doubleday, a division of Random House, Inc. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Richard Russo, Novelist, Pulitzer Prize Winner and Author of That Old Cape Magic. This week's Write The Book Prompt is inspired by the subject matter of Richard Russo's novel, That Old Cape Magic. Write about a childhood vacation. This can be a recollected vacation from when you were a child, or an imagined vacation seen through the eyes of a fictional child. As you write, focus on details of place. Good luck with this exercise and please listen next week for another. Excerpt of That Old Cape Magic read with permission from Alfred A. Knopf, a division of Random House, Inc. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

A Discussion Of Writers' Block with Angelique and Morella Devost, Hypnotherapists and Practitioners of Neuro-Linguistic Programming. This week we have two Write The Book Prompts, suggested by my guests. Morella and Angelique Devost. The first is the prompt you heard Angelique mention in the interview, to write about a "Fraught Drive in a Car." And the second is to consider the idea that Morella mentioned, What would you do if you could not fail? And then write with that sense of possibility. Good luck with these exercises and please listen next week for another. And check out these articles, if you're interested in resources about the work that Morella and Angelique Devost do. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Upper Valley poet Carol Westberg, author of the new collection, Slipstream. This week's Write The Book Prompt is inspired by the writing exercise you heard Carol Westberg describe on the show today. In her case, the exercise resulted in her poem, "Postcard from San Vitale." I'm going to read a list of eight words and suggest that you try to work them into a poem that's written in the form of a message to someone close to you, be it a lover, a relative, a friend, a neighbor. Here are the words: unscrupulous, hook, rhythm, pecan, thrum, peccadillo, downy, messenger. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Howard Norman, award-winning novelist of The Northern Lights, The Bird Artist, The Museum Guard, The Haunting of L, and Devotion. His latest is What Is Left The Daughter. This week's Write The Book Prompt is inspired by Howard Norman's work. At one point during our talk, he mentioned that the bifurcation of place in his novels creates multiple emotional counterpoints that appeal to him. As his characters move between two or more places, he as the author needs to reestablish their lives, or shift everything, and this can be interesting. He also said, "One doesn't sit around thinking about these things, except in ways that might be instructive." And so, to the extent that it might be instructive or interesting, your prompt this week is to consider introducing a second setting into your work. If you already have a storyline that takes place between two settings, study the work you've done and consider the ways in which you've created multiple counterpoints for your characters and their story. If your narrative takes place in a single setting, consider what might change for the work if you were to introduce a second place. It might not make sense, but think about it. See if this could create an interesting shift in your story, novel or prose poem. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Poet and Story Writer Nance Van Winckel, author of the poetry collection No Starling, published by University of Washington Press. This week’s Write The Book prompt was suggested by my guest, Nance Van Winckel, who keeps a folder of visual art pulled from art magazines and turns to these sheets for inspiration and to offer a writing exercise to her students. Choose a picture from a magazine. The page can be of a photograph or a painting, of a person, a group, a landscape. Look at the page that you've chosen, and consider one of the following questions:

1. What happened just before this moment in the life of the person or the persons in your picture?
2. What is going to happen next week?
3. In the case of a landscape, what's happening behind that building, around that corner, over that hill?

Begin writing. See where your magazine page takes you. As Nance points out, visual imagery can be a wonderful way to access the imagination. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Interview from the archives with Rita Murphy, who spoke with Shelagh in October 2008.

Anne Trooper-Holbrooke, Coleen Kearon, Benjamin Malcolm, and Susan Ritz: four writers working to develop their craft. This week’s Write The Book prompt was inspired by a comment made by one of my guests. Coleen Kearon mentioned her efforts to introduce more plot, more active scenes into her prose, and to pay attention to the amount of introspection she includes. She described this effort as a move toward plot and away from too much exposition. You may have the same problem. Or perhaps, yours is the opposite problem. If you're a poet, this might not seem like a useful exercise, but the bottom line is balance. Read over your work with an eye to what you use too much of, and how you might rectify that by introducing balance. First, identify the qualities you want to balance. Action and introspection, for example. Or dialogue and exposition. Character interaction and scene setting. Take markers and highlight the parts of your work that fit one versus the other quality that you're trying to balance. Don't judge yourself as you go, but just objectively highlight the differences. And then study your work with this new colorful enhancement and work to right the disproportion. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Interview with Gary Clark, Writing Program Director at the Vermont Studio Center. This week's Write The Book Prompt is inspired by the Vermont Studio Center and writing retreats in general. Even if you can't get to a retreat at present, perhaps you can offer yourself a mini-retreat. Begin by looking at your writing space. Really study it. Is it a place you look forward to going to, sitting down and working in? If not, what might you be able to do to create a more comfortable, enjoyable atmosphere? Maybe you need to put in a bookshelf full of the kinds of books you might like to reach for when you need inspiration. Maybe you should consider new décor, a poster, a small colorful rug, a comfortable chair where you can sit and read over what you've written on a given day. Or maybe you need to do the opposite: simplify. Is the space too full of knick knacks, books, papers, pens? Do you need to clean it out, reduce the clutter? Figure out what you need to make yourself look forward to being in your writing space. Then, on a certain day, plan ahead. Make yourself lunch, put it in a picnic basket, and leave it outside your office door. Turn off your phones, ask your family to leave you in peace for one day. Create your own personal retreat. And then go to your space, sit down, and write. Good luck with your feng shui and please listen next week for another exercise. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Interview with playwright Dana Yeaton, whose new play, My Ohio, opens at FlynnSpace with the Vermont Stage Company on 4/21. This week's Write The Book Prompt was suggested by my guest, Dana Yeaton, who uses prompts and exercises when he teaches. He recommended a joint prompt, requiring two people. Each person will need a piece of paper and something to write with. You'll be writing two dialogues between what we'll call character A and character B. The partners are told (or together create) the first line for character "A." It might be, for example, "I wouldn't do that if I were you." Each person writes that line and then writes character B's response to that line. You then switch papers, and write character A's response to the most recent response written by your partner. Switch papers again, respond, and keep going. As the exercise unfolds, you'll create two dialogues, all from that initial line. Dana says that what's really fun in this activity is that each person has to respond. There should be no talking. No planning, no plotting. Each time you switch pages, you'll find yourself once more in a new situation. What would be an interesting next step? What would drive this story? Watch out for impulses that take away from or sabotage the story. You don't want the first response to the line, "I wouldn't do that if I were you," to be, "What?" And if someone writes, "Here, then, you take the gun," the response shouldn't be, "That's not a gun, that's a pickle." Within 6-7 minutes, you'll have co-written two dialogues. As Dana explains, this exercise is pretty open-ended, it's quick, and it produces two outcomes. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

This week's show celebrates National Poetry Month, and the format is a little different from our norm. Instead of an interview, this week's radio broadcast of Write The Book consisted of a montage of poetry and music. I contacted past guests who are poets and asked that each send me a poem and the name of a favorite poetic song. You can hear the poems on this week's podcast. (All poems are read with permission.) Unfortunately, I can't put the musical selections up on the podcast, due to licensing concerns, and so this recording is different from the show I aired on the Radiator yesterday. But the songs are listed below, as are the poets' names and the works they submitted for the broadcast. Click on each poet's name to follow a link where you can learn more about her or him. So here they are: each poet, that person's poem, the chosen song, and the composer's name. 1. Natasha Saje, "Knell," Bird On The Wire, Leonard Cohen 2. David Budbill, "Sweet Early Spring," It Might as Well Be Spring, Stan Getz and Astrud Gilberto 3. Charles Harper Webb, "The Open-Air Recital Survived A Shaky Start," I Am The Walrus, The Beatles

The poem from the book Shadow Ball: New and Selected Poems, by Charles Harper Webb, © 2009, is aired/posted by permission of the University of Pittsburgh Press.

4. David Jauss, "The Hatchet," Round Midnight, Thelonious Monk 5. Jody Gladding, "Vernal Pool," Dark Was The Night-Cold Was The Ground, Blind Willie Johnson

"Vernal Pool," by Jody Gladding, excerpted from Rooms and Their Airs (Minneapolis: Milkweed Editions, 2009). Copyright © 2009 by Jody Gladding. Read with permission from Milkweed Editions.

6. Leslie Ullman, "Agape II," Muskerraren Balsa & La Balso de Combourscuro, Kepa Junkera 7. Clare Rossini, "The Subterrestial," The Mooch, Duke Ellington 8. David Huddle, "Hilltop Sonnet," Tom Ames' Prayer, Steve Earl 9. Charles Barasch, "40^th High School Reunion," The Way You Do the Things You Do, The Temptations 10. Sydney Lea, "Small Jeremiad," That Old Feeling, Gerry Mulligan and Stan Getz 11. Shelagh Shapiro, Nope, I'm not a poet. (Or if I am, I don't know it! Sorry ... corny joke.) I closed out the show with my own poetic song choice, a long-time favorite: Last Chance Texaco, Rickie Lee Jones I wish I could present the whole show here as it was heard on the radio; I had a great time putting it together. If you have any of these songs in your personal collection, pull them out and have a listen. Or you could always buy them from your favorite Indie music store! For now, though, maybe just click "Play," below, and listen to the poems. If you open your heart and close your eyes, you might just hear the music anyway. The Write The Book Prompt for this week is simply to listen for the poetry in music. Whether it be the music you choose to put on at home, music that you yourself might make, music that you hear on Church Street as the weather improves, music in elevators. Even music you don't like very much might have one single chord change that moves you. Listen well, and write.

Interview with novelist Alice Lichtenstein, author of Lost, published by Scribner. Write The Book Prompt: One of Alice Lichtenstein's initial inspirations for her new novel, Lost, emerged from a writing exercise. You heard in our interview that she was moved to write about Corey's experience after a friend suggested they write in response to the words: "Day of Fire." This week, consider a "Day Of" exercise. Not Day of Fire, necessarily, though if that brings something to the forefront for you, go with it. But consider the theme of medicine and health and come up with a "Day Of" idea. You might use "Day of Flu," "Day of Doctors," "Day of Needles," "Day of Blood." The specific label is up to you. Use medicine and health as the overarching inspiration, and come up with a "Day Of" idea that might inspire you to write. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students.

Interview with Poet and Short Fiction Writer David Jauss. Prompt: This week's Write The Book Prompt was inspired by work of my guest, David Jauss. As we discussed in the interview, David published an essay titled, "Remembrance of Things Present: Present Tense in Contemporary Fiction," in the March/April 2002 issue of the AWP Chronicle. Here is a quote from that article:

Whatever the causes for the prevalence of the present tense in our fiction, it is important that we understand its advantages and disadvantages, so we can better decide when to use it. Our principal concern as writers ought to be to choose those techniques which best serve the particular story we're writing...

As an exercise this week, experiment with tense. If you have a story or a narrative poem that doesn't seem to be working, see what happens if you change the tense. Consider the level of immediacy that you want to bring to the piece. Think, too, about how tense affects narrative introspection, and how it might heighten or detract from the overall theme, or sense of what you're trying to accomplish. As you study the piece, written in different tenses, you may find you have an instinctive reaction about which is the best way to go.

Interview with poet Leslie Ullman. Prompt:This week's Write The Book Prompt was suggested by my guest, Leslie Ullman, during our interview. She mentioned this exercise-the poetic inversion-twice during our talk. Take a poem that strikes you in some way-it can be a poem of yours or one by another writer-read it through a couple of times, and then jot down casually, phrase by phrase, opposites to something in the poem. Use the work as a starting point only, writing opposites that occur to you as you read each line. Then put the exercise aside. Look at it later, and see what's coming at you. Do this without any expectations, but just to see what comes of trying to create an inversion of the original poem. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with author of fiction and nonfiction, Lawrence Sutin. His latest book is When To Go Into The Water: A Novel. Prompt: This week's Write The Book Prompt was suggested by my guest, Lawrence Sutin. Describe your opposite. On paper, as an exercise, describe your personal opposite: whatever that means to you. Whether it means gender, age, psychology, physicality. Write in vivid detail a human being who, in your sense of things, is absolutely opposite to yourself. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with poet and author of fiction and nonfiction, David Huddle. This interview from the archives was the first show aired on Write The Book, back in March 2008. Prompt: This week's Write The Book Prompt was inspired by my guest, David Huddle. In his essay, Issues Of Character, which appears in his book, The Writing Habit (published by The University Press of New England) he suggests six ways to bring a character to life in a story. They are: Information, Physical Appearance, Thoughts and Feelings, Actions, Sensory Experience, and Speech. He fills an entire essay with helpful explanations of what he means and examples of fine characterizations, but at the very least, the list itself may be of help to a writer who is stuck, trying to build a character. So, as you write this week, focus on your weakest character, and see if you might improve on his or her presentation on the page by studying the information, physical appearance, thoughts and feelings, actions, sensory experience, and speech that you, as the writer, have provided to the reader about this character. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with the poet Charles Harper Webb, author of the new collection Shadow Ball, published by the University of Pittsburgh Press. Prompt: Today's Write The Book Prompt was suggested by my guest, Charles Harper Webb. Charles recently published this prompt and one or two others in a collection titled The Working Poet, published by Autumn House Press and edited by Scott Minar.

Choose two subjects that interest you - the more different and apparently unrelated, the better. You may choose two stories, two processes (making beer, lethal injections), a story and a process, whatever. The important thing is that both subjects be of real interest to you. Now write a poem in which you combine the two subjects, letting each intermingle with and illuminate the other. Ideally, you will have no idea how the two interconnect until - it may seem like magic - they do.

Good luck with this prompt, and please listen next week for another. The poems from the book Shadow Ball:  New and Selected Poems, by Charles Harper Webb, ©2009, are aired/posted by permission of the University of Pittsburgh Press. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Tanya Lee Stone, Vermont author of picture books, novels and nonfiction books for children, young readers and teens. Her latest is Almost Astronauts: 13 Women Who Dared To Dream. Prompt: This week's Write The Book Prompt was suggested by my guest, Tanya Lee Stone. Write about an embarrassing moment, without revealing the actual event that caused the embarrassment. Good luck with this exercise and please listen next week for another... Music credits: 1) “Dreaming 1″ - John Fink; 2) "Filter" - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Writer and upstreet Editor and Publisher Vivian Dorsel Prompt: Today's Write The Book Prompt was inspired by the interview you heard today with Vivian Dorsel. During our conversation, she mentioned an exercise that she likes (by Natalie Goldberg). A similar activity might be to try writing the words "I used to," on a page, then follow that with a ten-minute free write about something you USED to do. Then write "I'm going to," and write for another ten minutes about something you're going to do. Good luck with this exercise and please listen next week for another! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with award-winning poet Natasha Saje Prompt: Today’s Write The Book Prompt was inspired by the interview you heard today with Natasha Saje, who occasionally turns to the dictionary for inspiration. Open a dictionary to a random page. Run your finger down a column of text, paying attention to the first five or ten words you see. Choose one of those words and find a way to include it in a poem you’re working on, or a paragraph of prose. As Natasha says, you can force the word into your work “like hammering open a door.” Maybe in a later revision, you’ll block it up again. But in the meantime, this randomly chosen word will have allowed you to get some “air” into your writing. Good luck with this exercise and please listen next week for another! Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with best-selling author Anita Diamant. Prompt: Today’s Write The Book Prompt was inspired by my guest, Anita Diamant, whose fiction is often based on “found stories” and historical events. Navigate to the Library of Congress’ “Today In History Site”  ( http://lcweb2.loc.gov/ammem/today/ ) Read about this day in history, keeping your mind open about how you could create a fictional character who might have participated in or witnessed the event of the day. Then write a scene featuring that character. Here’s an example: On Sunday March 7, 1965, about six hundred people began a fifty-four mile march from Selma, Alabama to the state capitol in Montgomery. They were demonstrating for African American voting rights and to commemorate the death of Jimmie Lee Jackson, shot three weeks earlier by a state trooper while trying to protect his mother at a civil rights demonstration. On the outskirts of Selma, after they crossed the Edmund Pettus Bridge, the marchers, in plain sight of photographers and journalists, were brutally assaulted by heavily armed state troopers and deputies. Given this historical moment, would you choose to write a scene from the perspective of a bystander, a marcher, from Jackson’s mother, from the state trooper who shot Jimmie Lee Jackson? Perhaps from the viewpoint of a photographer? Use this moment in history as a starting point. Honor the sacrifices of  the past by re-imagining it in your fiction. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with author Robert Vivian and Burlington business owner Norbert Ender. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Monday afternoon from 2-3 p.m. - a new time.

Prompt: Today’s Write The Book Prompt was suggested by my first guest, Robert Vivian. In his work with students, he occasionally distributes postcards from small towns, and asks each student to write a note on that card to a fictional recipient. Look at the postcard and imagine you’re traveling across the country and you’ve landed in this small town. Use the postcard as a trigger and write to someone. It could be someone who’s wronged you in the past or it could be a beloved person. You might be writing this postcard due to a situation that you’re fleeing. “Dear Randy. Hello from the middle of nowhere. I’m in a diner. Icicles are hanging down from the roof.  I’m driving to Santa Fe. I have 20 dollars in my pocket. I can’t stop thinking about the last time we spoke…” Etc. Invent a situation and write. Let the postcard be a trigger, and lose yourself in the creative act. Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink

Interview with Kate Harper and Leon Marasco about their nonfiction book, If Only I Could Tell You: Where Past Loves and Current Intimacy Meet. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is inspired by fear: an emotion that can make people reluctant to discuss past loves. Write a poem, story, or chapter in which a character—real or imagined, completely new or already familiar to you—has to confront his or her greatest fear. This can be, like the dread of discussing past loves, a fear of sentiment. Or it can be a fear of physical harm, of disease, of bugs! Whatever it might be, treat it as very real to your character, so that the reader will take it seriously and empathize. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with former Iowa Short Fiction award winner Abby Frucht, writer of short stories, novels, essays and reviews. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt was inspired by my guest, Abby Frucht. In discussing her work, Abby explained that, to her, specific detail achieves two purposes. First, “it allows the reader to have an immediate physical investment in the story.” And second, it can have larger significance, serving a figurative function in the narrative and acting as a signpost for the reader. In the case of her story, “The Dead Car,” the detailed description of the spoon that was lost may later be brought back to remind the reader that this spoon speaks to loss, generally. Not just the loss of a certain object, but other kinds of loss, as well. In your own work, study the descriptions that already exist and see if you can use specific detail to your advantage, not simply to embellish, but to help readers experience the work more fully. Try to find objects that already exist in the work, then heighten their function through detail. Avoid wedging in symbols; try to allow significant details to arise organically. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Rosellen Brown, award-winning writer of poetry, fiction, and nonfiction, author of such books as Before and After, Half a Heart and Civil Wars. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt was suggested by my guest, Rosellen Brown. This exercise is also taught by Nicholas Del Banco in his courses at the University of Michigan. Take two classic books and have the characters from one show up in the other. Write a scene in which a character from Mrs. Dalloway appears in The Sun Also Rises. What might happen? Would Pip, from Great Expectations, be a good friend for Tom Sawyer? Would Mr. Darcy be attracted to or repulsed by Daisy Buchanan? This may seem a little silly, but writing playfully and having fun is better than staring at the blank page. Like all exercises, this one might help you to open your mind and discover new things about voice. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Charles Barasch, poet, linguistics instructor, crossword puzzle writer, and author of Dreams of the Presidents. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is inspired in part by the interview you heard today. Charlie Barasch said that when he has trouble writing, he sometimes sets his poetry aside and turns to music. His own instrument is the guitar, and he’ll spend time singing and playing songs in order to jumpstart his brain and motivate the words to flow once more. Oliver Sacks, in the book Musicophilia, writes: "Given the obvious similarities between music and language, it is not surprising that there has been a running debate for more than two hundred years as to whether they evolved in tandem or independently—and if the latter, which came first." He also says: "We humans are a musical species no less than a linguistic one. This takes many forms. All of us (with very few exceptions) can perceive music, perceive tones, timbre, pitch, intervals, melodic contours, harmony, and (perhaps most elementally), rhythm." Perhaps this explains why, when Charlie Barasch takes up his guitar, he’s able to break through the occasional obstacle of writer’s block and free up his creative capacity to write poems. Here is your assignment for the week. If you’re stuck in you work or  unable to start writing, stand up out of you chair, close your eyes, and sing a song. Not all of us can play the guitar, but most people can pick up the nearest object, tap it with a pencil, and sing a favorite tune by Sinatra, the Clash, the Talking Heads, Van Morrison, Tommy Dorsey. If you’re so moved, dance around the room. Don’t feel silly. Do just exactly what you might enjoy, musically, all by yourself, without being told by an inner critic to stop. Play Once In Love With Amy on the piano. Hum Gershwin. Whistle Mozart. Or just clap your hands for a while, in a rhythm that is recognizable or somehow moving just to you. Then return to your work and see what might have changed since that moment when you turned to music for help. Write for at least half an hour and see if you’ve made progress. Good luck with this exercise and please listen next week for another. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Louella Bryant, author of While In Darkness There Is Light. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. Prompt: Today’s Write The Book Prompt is inspired by this holiday season. Love it or hate it, the season is upon us. Probably you have a great many catalogs piling up in your living room or on the back of a toilet somewhere, waiting to be chucked in January. Why not use these to some advantage? Pour yourself a cup of tea or coffee, sit back in your coziest couch, and window shop for your characters. Pick out clothing, furniture, sunglasses. Pick out boots, necklaces, belts. Would your narrator wear new jeans, or faded? Would his fleece have buttons or a zip? Would she be in heels or flats? Boots or strappy sandals? Use your catalogs to fill out a scene whose details have been lacking. Sometimes the poses in magazines look wrong somehow. The snow is synthetic, the beach is off-kilter. Why? What’s missing? How might you write these settings more convincingly? You might look for the things your characters can’t afford. What would substitute? Instead of that pricey lamp, how would she light her desk? A candle in a jelly jar? A flashlight? Look at your catalogs not with the eye of a buyer, but with the imagination of a writer. Make lists of ideas as you go, and then write without catalog in hand for twenty minutes. See what develops. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with author of poetry and prose Sydney Lea. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. - a new time for the new hour-long format.

Prompt: Today’s Write The Book Prompt concerns setting. How can a writer describe setting in such a way that it informs readers about a character’s or narrator’s state of mind? Consider the following two excerpts from works by Sydney Lea:

From his essay, “Alone With Friends: A Journal Toward Springtime”

… Landy and I sat for a spell on the tailgate, staring at the clean dark that walked at a human pace up the mountains, feeling a flake or two of snow on our wrists and faces, noting a heron who came languidly flapping out of a back pond, roost-bound early.

From his poem, “The Author in March”

Remnant, rank corn snow

.   perspires like dirty dough.

What few drab birds there are

.   don’t fly up very far,

So hard do the clouds bear down.

.   Not much to this splotch of a town—

Flue smoke, smalltalk, clutter.

.   Last autumn’s leaves clog gutters

Here’s this week’s prompt. Imagine a place in a poem or story you’re writing or are thinking about writing. Using minimal description, make a list of several things—five or six details—that exist in that setting. Now rewrite the list, describing those same details as seen from the perspective of a character who is upset, frustrated or depressed. Then write the list one last time, describing these same things from the point of view of a character who is happy, optimistic or excited. Don’t change the actual details of place, but the lens through which they are viewed. Good luck with this exercise and please listen next week for another.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with author Kathryn Davis. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:00 a.m. - a new time for the new hour-long format. Prompt: This week’s Write The Book Prompt was inspired by the interview you heard today with novelist Kathryn Davis. To avoid getting stuck and maintain her interest in an ongoing project, Kathryn said she does two main things. First, she does not read over what she’s written at the end of a given writing session; she waits and reads that work when she next sits down to write. Second, as she finishes each writing session, she winds down by allowing herself to free write for a page or so. This encourages thoughts and ideas that might have been deterred by her more focused or controlled thought process as she was working. She mentioned that useful ideas often come out of this end-of-day free writing. The next time you write, try these two strategies. First, do not allow yourself to read over your work when you finish writing at the end of a given day. Wait until your next writing session. And second, spend five or ten minutes free writing after a regular, disciplined writing session, and see what fresh, useful and relevant ideas might result. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Jody Gladding, poet, translator and 2007 Resident Poet at The Frost Place. Write The Book is a radio show for writers and curious readers. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:30 a.m.

Readings by Jody Gladding, from Rooms and their Airs (Minneapolis: Milkweed Editions, 2009). Copyright © 2009 by Jody Gladding. Recorded with permission from Milkweed Editions.

Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Michael Collier, poet and director of the Bread Loaf Writers Conference. Write The Book is a radio show for writers and curious readers. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:30 a.m. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with David Jauss, author, poet, and faculty chair of the Vermont College of Fine Arts MFA in Writing Program. Write The Book is a radio show for writers and curious readers. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:30 a.m. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Stephanie G'Schwind, editor of Colorado Review and director of the Center for Literary Publishing at Colorado State University. Write The Book is a radio show for writers and curious readers. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:30 a.m. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with Nancy Means Wright, poet and author of adult and children's fiction. Write The Book is a radio show for writers and curious readers. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM “The Radiator,” in Burlington, Vermont, every Saturday morning at 9:30 a.m. Music credits: 1) “Dreaming 1″ - John Fink; 2) “Filter” - Dorset Greens (a Vermont band featuring several South Burlington High School students)

Interview with David Huddle, author of Glory River. Write The Book is a radio show for writers and curious readers. Hosted by Shelagh C. Shapiro, Write The Book airs on WOMM-LP 105.9 FM "The Radiator," in Burlington, Vermont, every Saturday morning at 9:30 a.m. Readings by David Huddle, from Glory River (Baton Rouge: LSU Press). Copyright © 2008 by David Huddle. Recorded with permission. Music credits: 1) "Dreaming 1" - John Fink; 2) "The Book I Write" - Spoon